When a cockroach-spread plague threatened to decimate the child population of New York City in the original Mimic, biologist Susan Tyler and her research associates developed a crossbreed ... See full summary »
A group of heavily armed hijackers board a luxury ocean liner in the South Pacific Ocean to loot it, only to do battle with a series of large-sized, tentacled, man-eating sea creatures who have taken over the ship first.
A disease carried by common cockroaches is killing Manhattan children. In an effort to stop the epidemic an entomologist, Susan Tyler, creates a mutant breed of insect that secretes a fluid to kill the roaches. This mutant breed was engineered to die after one generation, but three years later Susan finds out that the species has survived and evolved into a large, gruesome monster that can mimic human form. Written by
Steven Dretzke <email@example.com>
The escalator in Delancey Street subway station is shown as dismantled for maintenance because the scene was filmed on a Toronto subway station platform that was closed in 1966, so its escalator was removed (See also Thrill Seekers (1999)). See more »
After Leonard and Dr. Mann fall, Dr. Mann instructs Josh to thrown down the glow sticks. He's still writing the instructions on his hand when he leaves, he never throws down anything. Neither of the 3 characters do anything that would indicate that he does. Later you see Dr. Mann using glow sticks that shouldn't be there. See more »
Leonard, have you ever seen anything like this before?
Why you asking me if I've seen some shit like this before? Do I look like I've seen some shit like this before? Hell, no I a'int never seen no shit like this before. Who the fuck would wanna climb up one of these walls and hang one of these? Musta been a big elephant-ass motherfucker.
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I must confess I'm not a big fan of these type of movies, but since Mira Sorvino was in it, and John Sayles and Steven Soderburgh both worked on the script, I thought I'd give it a shot. This was actually pretty good, because they paid attention to the science without becoming clinical about it, and it was more interesting and credible than I expected (then again, science was never my subject). The second half of the movie is pretty much a chase movie, but that's well done for the most part, though Charles S. Dutton wears out his welcome pretty quickly in a thankless role. Sorvino is as good as I expected.
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