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The Mill on the Floss (1997)

Lawyer Wakem takes away the mill on the river Floss from Edward Tulliver, whose ancestors owned it for 300 years, and becomes the worst enemy of Tulliver's family. When Edward's daughter, ... See full summary »

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Writers:

(screenplay), (novel)
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2 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
James Frain ...
...
Edward Tulliver
...
Sophy Deane
Nicholas Gecks ...
...
Aunt Gritty
...
Rev. Stelling
Will Knightley ...
Mr. Glegg
...
Paul Ridley ...
Mr. Deane
...
Jane Glegg
...
Stephen Guest
Lucy Whybrow ...
Lucy Borton ...
Young Maggie
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Storyline

Lawyer Wakem takes away the mill on the river Floss from Edward Tulliver, whose ancestors owned it for 300 years, and becomes the worst enemy of Tulliver's family. When Edward's daughter, Maggie, grows up, she falls in love with Wakem's son Philip, but her brother Tom, true to the memory of their father, forbids her to meet him again. When she visits her cousin, Lucy Deane, Lucy's fiance Stephen Guest falls in love with Maggie at first sight, further complicating matters. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

A magnificent new production of George Elliot's classic tale of one womens struggle for freedom and love

Genres:

Drama

Certificate:

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Details

Country:

|

Language:

Release Date:

January 1997 (UK)  »

Also Known As:

Mylly joen rannalla  »

Filming Locations:

 »

Company Credits

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Technical Specs

Runtime:

| (Ontario)

Sound Mix:

Color:

Aspect Ratio:

1.78 : 1
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Did You Know?

Connections

Version of The Mill on the Floss (1965) See more »

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User Reviews

 
Good if not impressive
4 August 2000 | by (california) – See all my reviews

Great locations, beautiful shots, good if not impressive acting (except for the exceptional Watson). The only thing this movie suffers from is the story itself. The script necessarily pares down the story to its essence - but a good deal is lost in the translation. George Eliot's intelligence has been all but wrung out in favor of a questionable love story between Maggie and her brother Tom.

This is the kind of production that takes the points of the plot and hits you with them scene by scene - bang bang bang. At the beginning, we are promised a truly artistic treatment with shots of the mill itself and the beautiful English countryside. But by the end we are bombarded with events without reflection and character motivations that are baffling. It's like watching someone write a sentence out on lined paper - realizing that there won't be room to fit it all on one line, the letters get smashed together towards the end so there is no punctuation, no style, and no white space at all.


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