Lawyer Wakem takes away the mill on the river Floss from Edward Tulliver, whose ancestors owned it for 300 years, and becomes the worst enemy of Tulliver's family. When Edward's daughter, ... See full summary »
It's the Edwardian era. The Honeychurches - Marian Honeychurch and her two just of age children Lucy Honeychurch and Freddy Honeychurch - are a carefree and fun-loving family that live in ... See full summary »
Wealthy estate owner sir Michael Audley willingly marries a gold-digger, his only daughter Alicia's governess Lucy née Gray. Sir Michael's dashing, in-living orphaned nephew Robert 'Bob' ... See full summary »
Betsan Morris Evans
This Masterpiece Theatre production, set at the cusp of the Industrial Revolution, chronicles the life, loves, foibles and politics of the fictional English town of Middlemarch. Adapted ... See full summary »
Set in 1870s England, the story tells of Annabella Lagrange and the terrible secret her wealthy parents have kept from her. When she finally learns the truth, she runs away and eventually ... See full summary »
Set in the 1830's, the film tells the story of 16-year-old Cissie Brodie after the death of parents, and the repossession of the family home. She finds a barren place to live and care for ... See full summary »
Young Pip is expected to become a blacksmith, but, hating the soot and smoke, he secretly dreams of becoming a gentleman. When he meets the mysterious Miss Havisham and her haughty niece ... See full summary »
Lawyer Wakem takes away the mill on the river Floss from Edward Tulliver, whose ancestors owned it for 300 years, and becomes the worst enemy of Tulliver's family. When Edward's daughter, Maggie, grows up, she falls in love with Wakem's son Philip, but her brother Tom, true to the memory of their father, forbids her to meet him again. When she visits her cousin, Lucy Deane, Lucy's fiance Stephen Guest falls in love with Maggie at first sight, further complicating matters. Written by
Emily Watson is magnificent as usual in this film and typically makes it her own with her very presence. Not beautiful in the clichéd, typical Hollywood way, Watson sets the screen on fire with her fiery passion and electric sexuality. When she is in a scene, one finds it impossible to take their eyes off of her. Her eyes are captivating and those uniquely seductive lips fascinate. She is a superb actor and her art is aided dramatically by her sexual power. The viewer is overwhelmed by that sexual intensity whenever she appears. No other actress in the history of film has communicated fantasies of unrestrained passion by simply standing before the camera lens. In fact, the camera is hers to do with as she wishes, just as every man watching this film is. No, she is not fashion model beautiful. This is a real woman, a woman who as she progresses through her 40's is just reaching the epitome of her seductive magnetism now. Emily Watson is this film and it is all her. One star must be subtracted because other actors interfere too often with Watson and are really unnecessary to the pure enjoyment of Watson's fantastic performance and unwavering passion.
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