Midnight in the Garden of Good and Evil (1997)

User Rating:

6.5/10   

Director:

Clint Eastwood

Writers (WGA):

John Berendt (book)
John Lee Hancock (screenplay)

Release Date:

21 November 1997 (USA)

Genre:

Crime | Drama | Mystery

Tagline:

Welcome to Savannah, Georgia. A City Of Hot Nights And Cold Blooded Murder.

Plot:

A visiting city reporter's assignment suddenly revolves around the murder trial of a local millionaire, whom he befriends.

Plot Keywords:

Murder | Trial | Reporter | Murder Trial | Christmas

Awards:

1 win & 2 nominations

Cast

John Cusack	...	John Kelso
Kevin Spacey	...	Jim Williams
Jack Thompson	...	Sonny Seiler
Irma P. Hall	...	Minerva
Jude Law	...	Billy Hanson
Alison Eastwood	...	Mandy Nicholls
Paul Hipp	...	Joe Odom
Lady Chablis	...	Chablis Deveau (as The Lady Chablis)
Dorothy Loudon	...	Serena Dawes
Anne Haney	...	Margaret Williams
Kim Hunter	...	Betty Harty
Geoffrey Lewis	...	Luther Driggers
Richard Herd	...	Henry Skerridge
Leon Rippy	...	Detective Boone
Bob Gunton	...	Finley Largent

MPAA:

Rated R for language and brief violence.

Runtime:

155 min

Country:

USA

Language:

English | French

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

Iceland:12 | Singapore:PG (original rating) (cut) | Argentina:13 | Canada:14A | Chile:14 | Finland:K-12 (original rating) | Finland:K-15 (TV rating) | France:U | Germany:12 (bw) | Mexico:C | Portugal:M/12 | Singapore:NC-16 (re-rating) | Spain:13 | Sweden:11 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | UK:15 | USA:R

Filming Locations:

Churchill's - 9 West Drayton Street, Savannah, Georgia, USA

Company:

Malpaso Productions

Trivia:

The Mercer House, the house Jim Williams lived in, was originally built for Hugh Weedon Mercer. Hugh Mercer was the great-grandfather of Johnny Mercer, who co-wrote most of the songs included in the movie's soundtrack. The movie's opening shot, by the way, is of Johnny Mercer's gravestone.

Goofs:

Errors in geography: As Minerva looks up from her Forsyth Park bench to see the plane coming in for a landing, it is headed straight toward downtown Savannah and the harbor. The airport there is actually located north of the city.

Quotes:

[first lines]
Minerva: Quit eye balling me, Flavius. I knew you when you was a two bit hustler on Bull Street.

Movie Connections:

Referenced in Damn Good Dog (2004) (V)

Soundtrack:

Early Autumn

Neither The Book Nor A Bust

Like "Citizen Kane" and "The Man Who Shot Liberty Valance," "Midnight At The Garden Of Good And Evil" is a movie about a writer trying to get a simple story, and finding himself with more than he bargained for. John Cusack is the writer, John Kelso, and his explorations of Savannah, Georgia offer some mystery and fun, though the result will be flat for those who already know the story from reading the best-selling book.

"Better to be on the edge of a party, don't you think?" a young woman named Mandy (Alison Eastwood) asks Kelso at one point. It's a pertinent question. Alison's father Clint and screenwriter John Lee Hancock try to accomplish much the same effect here, dancing at the perimeters of things, showing conversations where words can not be discerned. Many times we see Kelso looking in on some social function from the outside, like at a cotillion for black debutantes or bridge games at the Married Women's Club, a bit adrift but interested in the games people play.

At the same time, Kelso becomes quite close to one Savannah resident, Joe Williams, an art dealer whose homosexuality is an open secret until he comes out of the closet by shooting his boy-toy. Kevin Spacey's performance as Williams is rich and fun, his accent not note-perfect but well-tailored to his polished delivery. The way he lazily smokes his cigars as he moves through a party, dabbles in lowcountry voodoo with Jesuitical zeal, or even eats gumbo in prison is a study in an actor's sense of the wholeness of the role.

While many book fans savage this with the comment "It's not what I read in the book," I take it in stride. Berendt didn't carry this thing down from Mt. Sinai either – most notably by presenting the killing as something that happens after his arrival rather than before he played with the facts in the book. So when the film gives us a romance between Berendt's stand-in Kelso and Mandy or invents connections between the Williams story and the others in the book so the secondary characters can appear in the main story, it kind of works in an offbeat way.

What doesn't work is the pace. The film goes on for over two and a half hours, and feels longer. Eastwood obviously approached this project with enthusiasm for the book, and especially for the music of Johnny Mercer which is prominently featured. But the comedy feels labored, the depiction of Williams' trial too unshaded in its sympathy for the defendant, and many of the performances, like that of Jude Law as the dead loverboy, seem underbaked.

Two good performances are delivered by people who had real-life roles in the book. Sonny Seiler, who defended Williams, plays the judge in the trial and gets to tell himself when he's out of order. The Lady Chablis, who I never cared for much in the book, has an engaging vulnerability on screen. Even when the story screeches off track by focusing on her character, she makes the logic gaps less bothersome with her playfulness.

I even liked Alison Eastwood, who does a good accent, looks the part of Mandy, and makes the film's most egregious detour from the book seem less of a violation. Not a stunner, but her languid delivery and drooping eyelids are very sensual in the everyday manner she presents us with, a half-promise of something good reaching out to you in the dark. In that way, she recreates the spirit of the book quite wonderfully. Pity her father didn't always do the same, but this is an entertaining film more often than not.