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Midnight in the Garden of Good and Evil (1997)
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Overview
User Rating:
Director:
Writers (WGA):
Release Date:
21 November 1997 (USA)
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Tagline:
Welcome to Savannah, Georgia. A City Of Hot Nights And Cold Blooded Murder.
Plot:
A visiting city reporter's assignment suddenly revolves around the murder trial of a local millionaire, whom he befriends. full summary | add synopsis
Awards:
1 win
&
2 nominations
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NewsDesk:
(11 articles)
The M/C Interview: John Lee Hancock discusses 'The Blind Side'
(From Hitfix. 18 November 2009, 11:30 AM, PST)
Actress Kim Hunter Dies
(From WENN. 12 September 2002)
(From Hitfix. 18 November 2009, 11:30 AM, PST)
Actress Kim Hunter Dies
(From WENN. 12 September 2002)
User Comments:
Neither The Book Nor A Bust
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Cast
(Cast overview, first billed only) | John Cusack | ... | John Kelso |
 | Kevin Spacey | ... | Jim Williams |
 | Jack Thompson | ... | Sonny Seiler |
 | Irma P. Hall | ... | Minerva |
 | Jude Law | ... | Billy Hanson |
 | Alison Eastwood | ... | Mandy Nicholls |
| Paul Hipp | ... | Joe Odom |
| Lady Chablis | ... | Chablis Deveau (as The Lady Chablis) |
| Dorothy Loudon | ... | Serena Dawes |
| Anne Haney | ... | Margaret Williams |
 | Kim Hunter | ... | Betty Harty |
 | Geoffrey Lewis | ... | Luther Driggers |
 | Richard Herd | ... | Henry Skerridge |
 | Leon Rippy | ... | Detective Boone |
 | Bob Gunton | ... | Finley Largent |
Additional Details
MPAA:
Rated R for language and brief violence.
Parents Guide:
Runtime:
155 min
Country:
Color:
Color (Technicolor)
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Certification:
Iceland:12 |
Singapore:PG (original rating) (cut) |
Argentina:13 |
Canada:14A |
Chile:14 |
Finland:K-12 (original rating) |
Finland:K-15 (TV rating) |
France:U |
Germany:12 (bw) |
Mexico:C |
Portugal:M/12 |
Singapore:NC-16 (re-rating) |
Spain:13 |
Sweden:11 |
Switzerland:12 (canton of Geneva) |
Switzerland:12 (canton of Vaud) |
UK:15 |
USA:R
Filming Locations:
Company:
Fun Stuff
Trivia:
John Cusack's performance in Grosse Pointe Blank (1997) had been the basis for Clint Eastwood's decision to cast him.
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Goofs:
Anachronisms: Though set in 1981-1982, there are 1990s-model cars visible When Kelso and Mandy go to the morgue.
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Quotes:
Movie Connections:
Referenced in Damn Good Dog (2004) (V)
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Soundtrack:
Come Rain Or Come Shine
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FAQ
This FAQ is empty. Add the first question.more (186 total)
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Like "Citizen Kane" and "The Man Who Shot Liberty Valance," "Midnight At The Garden Of Good And Evil" is a movie about a writer trying to get a simple story, and finding himself with more than he bargained for. John Cusack is the writer, John Kelso, and his explorations of Savannah, Georgia offer some mystery and fun, though the result will be flat for those who already know the story from reading the best-selling book.
"Better to be on the edge of a party, don't you think?" a young woman named Mandy (Alison Eastwood) asks Kelso at one point. It's a pertinent question. Alison's father Clint and screenwriter John Lee Hancock try to accomplish much the same effect here, dancing at the perimeters of things, showing conversations where words can not be discerned. Many times we see Kelso looking in on some social function from the outside, like at a cotillion for black debutantes or bridge games at the Married Women's Club, a bit adrift but interested in the games people play.
At the same time, Kelso becomes quite close to one Savannah resident, Joe Williams, an art dealer whose homosexuality is an open secret until he comes out of the closet by shooting his boy-toy. Kevin Spacey's performance as Williams is rich and fun, his accent not note-perfect but well-tailored to his polished delivery. The way he lazily smokes his cigars as he moves through a party, dabbles in lowcountry voodoo with Jesuitical zeal, or even eats gumbo in prison is a study in an actor's sense of the wholeness of the role.
While many book fans savage this with the comment "It's not what I read in the book," I take it in stride. Berendt didn't carry this thing down from Mt. Sinai either – most notably by presenting the killing as something that happens after his arrival rather than before he played with the facts in the book. So when the film gives us a romance between Berendt's stand-in Kelso and Mandy or invents connections between the Williams story and the others in the book so the secondary characters can appear in the main story, it kind of works in an offbeat way.
What doesn't work is the pace. The film goes on for over two and a half hours, and feels longer. Eastwood obviously approached this project with enthusiasm for the book, and especially for the music of Johnny Mercer which is prominently featured. But the comedy feels labored, the depiction of Williams' trial too unshaded in its sympathy for the defendant, and many of the performances, like that of Jude Law as the dead loverboy, seem underbaked.
Two good performances are delivered by people who had real-life roles in the book. Sonny Seiler, who defended Williams, plays the judge in the trial and gets to tell himself when he's out of order. The Lady Chablis, who I never cared for much in the book, has an engaging vulnerability on screen. Even when the story screeches off track by focusing on her character, she makes the logic gaps less bothersome with her playfulness.
I even liked Alison Eastwood, who does a good accent, looks the part of Mandy, and makes the film's most egregious detour from the book seem less of a violation. Not a stunner, but her languid delivery and drooping eyelids are very sensual in the everyday manner she presents us with, a half-promise of something good reaching out to you in the dark. In that way, she recreates the spirit of the book quite wonderfully. Pity her father didn't always do the same, but this is an entertaining film more often than not.