The sudden reappearance of his best friend Toni, after ten years absence, causes Chris to remember his past, to question some of his lifestyle decisions and to re-evaluate his life and marriage to Marion.
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After ten years absence Toni, Chris's best friend, suddenly reappears in London to bring chaos and doubt into Chris's calm, tranquil, slightly boring, predictable life. Chris starts to remember his carefree youth as a photographer in Paris when he lived with and enjoyed a torrid affair with Annick. It was also in Paris that he first met and fell in love with Marion. The temptations and pressure exerted on Chris by Toni to return to their former carefree life of sex, drugs and rock'n'roll soon starts to have an impact on Chris's marriage. He starts to question his values, his lifestyle choices and his relationship with Marion and even suspects her of starting an affair with Toni whom she dislikes! Eventually circumstances come to a head and Chris is forced to decide whether to follow Toni back to the hedonistic, irresponsible life of his youth or face the harsh realities of the present and stay with Marion. Written by
Mark Smith <email@example.com>
When sitting in the Pub talking about sleeping with "other" women and having sex with the same person for so long, the song heard on the juke-box in the background is Dire Straits' "Sultans of Swing". Although an early version of the song had indeed been recorded in June 1977 and even received significant airplay in London, the particular version heard wasn't recorded until mid 1978. See more »
Anyway, I want it to be you that I make love to.
It's me! It's me, darling!
No, it's not. It's eight pints of lager with an erection.
See more »
Metroland is true to the midlife crisis, except between two people who haven't quite reached that stage of their lives yet. Christian Bale plays an Englishman who begins to reminisce about his past in the mid and late '60s when an old friend (played by Lee Ross) comes back to stir up his life. While I felt that the story was strong and seemingly dramatic enough to keep me interested and entertained, the character played by Lee Ross just seemed unnecessary. This character is supposed to build the plot the first half of the movie and I felt this could've been reached in many other directions.
And if you love France, well, you'll love the beautiful depiction of French women with an excellent performance given by Elsa Zylberstein, Bale's character's 'old flame' that he thinks about constantly throughout the film.
Beautiful 'still' cinematography throughout is perfect for Bale's character's love for photography and makes the film very watchable just for art's sake.
By the time I reached the last 45 minutes or so, I was much more intrigued and worried for the well-being of Bale's marriage with his present day (1977) wife, played wonderfully by Emily Watson. The tension between the two of them throughout the film is far more than believable and I loved it.
While I wanted to give this movie a much higher rating, I think it is fair to say that the first half moves much too slow. I was also slightly disappointed by the ending of the film, but it was still a great surprise and hit me unexpectedly. I highly recommend for Bale/Watson fans.
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