Based off of the comic book. Unbeknownst to other people, there is a private agency code named MiB. This agency is some kind of extra terrestrial surveillance corporation. Then, one of the agency's finest men only going by the name "K", is recruiting for a new addition to the agency. He has chosen James Edwards of the N.Y.P.D. Then, one day, a flying saucer crashes into Earth. This was an alien a part of the "Bug" race. He takes the body of a farmer and heads to New York. He is searching for a super energy source called "The Galaxy". Now, Agents J and K must stop the bug before it can escape with the galaxy. Written by
During pre-production, Barry Sonnenfeld changed a lot of the film's aesthetic: "I started out saying aliens shouldn't be what humans perceive them to be. Why do they need eyes? So Rick did these great designs, and I'd say, 'That's great - but how do we know where he's looking?' I ended up where everyone else did, only I took three months." See more »
In the end where we see Manhattan's place in the galaxy, the camera zooms from a location near the center of the Milky Way. According to most scientists, earth is actually located on one of the galaxy's "arms". See more »
MEN IN BLACK (1997) ***1/2 Tommy Lee Jones, Will Smith, Linda Fiorentino, Vincent D'Onofrio, Rip Torn, Tony Shalhoub, Siobahn Fallon. Giddily hilarious sci-fi comedy: think a 90s "Ghostbusters" meets the "X-Files": hard-as-nails, deadpan Jones (a great master straight man) is one of many secret agents of MIB (Men In Black) recruiting steetsmart, mouthy Smith (a great wiseass) to team up and stop an intergalactic alien bug (in rotting human form D'Onofrio who gives a brilliant, funny turn) from wiping out the Earth and all mankind. Incredible out there special effects from ILM and ingenious aliens from self-professed "Monster Maker" makeup guru Rick Baker. Hip, clever dialogue and fine chemistry from the odd couple gives this comic book adaptation of Lowell Cunningham a glossy work over including Bo Welch's inventive production design and Danny Elfman's atmospheric score. Fluid direction by Barry Sonnefield.
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