A truncated two hour version has been shown on television and airlines, achieved by chopping out most of Anthony Hopkins's character's business. Martin Brest has disowned this edit so the director's credit is for Alan Smithee.
When Death is standing behind the glass in Bill's library upon their first meeting, the body is obscured. However, when Death stands closer to the window, the outline in the window forms a skull. This is the first indication of who the mysterious person is.
When "The Guy at the Coffee Shop" first appears, he is obscured in the translucent phone booth talking on the phone. The first time "Death" is seen is in "the Guy's" body also obscured behind glass in Bill's library making a direct connection between the two.
Future director Eli Roth had an early job working as a stand-in during production of this film, but was fired by director Martin Brest due to a misconception. Reportedly, Roth was asked to walk with an awkward "bouncing" motion to appear "taller" (as he was physically shorter than the actor he was doubling) while the crew set up a shot and lighting with him. Director Brest happened to walk by, saw Roth's awkward movement, and declared him to be "one untalented stand-in" before ordering him to be immediately fired, not realizing he had been instructed by the crew to move that way. Roth was later re-hired as a production assistant, but this was kept secret from Brest to avoid trouble.
During Bill and Susan Parrish's last scene together, the orchestra plays an arrangement of "What a Wonderful World." First recorded by Louis Armstrong in 1968, the song has become a standard. Armstrong's recording was inducted into the Grammy Hall of Fame in 1999.