Retired Lieutenant Commander Quinton McHale spends his days puttering around the Caribbean in the old PT-73 selling homebrew, ice cream, and swimsuit calendars. He's brought out of ...
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Retired Lieutenant Commander Quinton McHale spends his days puttering around the Caribbean in the old PT-73 selling homebrew, ice cream, and swimsuit calendars. He's brought out of retirement when his old nemesis turned the second best terrorist in the world, Major Vladikov, takes over the island of San Moreno and starts building a nuclear launch silo on it. With help from his old crew and hindrances from Captain Wallace B. Binghampton, who sank a cruise liner a while back, McHale tries to put Vladikov out of business. Written by
Jeff Cross <email@example.com>
According to his book "If Chins Could Kill: Confessions of a B-Movie Actor", Bruce Campbell mentioned that McHale's crew were rarely given specific instructions in many scenes other than to follow Tom Arnold around. He and French Stewart were not given any direction at all for their sequence in the talent show, so they scripted out a vaudeville act using Naval and nautical terms all by themselves. Despite this, most of their sequence ended up playing in the background while the camera focused on Arnold and Debra Messing. See more »
In Vladikov's jet-boat the controls are means to be in Russian. They use Cyrillic but all signs are actually nonsense. See more »
Quint McHale (Tom Arnold) has made a fine life of smuggling contraband through the United States Navy in San Moreno. But his old nemesis, Major Vladikov, has set up base on a nearby island and is looking to become the world's best terrorist.
While this movie is quite stupid, it's also really fun and I did find some parts amusing. It's a clean sort of fun, which you don't see much of any more, and I appreciated that. Strictly PG. And I enjoyed watching men follow Tom Arnold around (which, according to Bruce Campbell, is mostly all him and French Stewart were directed to do -- and if you watch for this, you'll see it right away).
We also have Dean Stockwell, Debra Messing (before she was big), Tim Curry and Ernest Borgnine (the original McHale from the TV series). I am suspicious that whoever wrote this also wrote the "Maverick" movie, because there are some eerie similarities (some of which I can't get into without spoiling it). I don't know if that's a good thing or a very bad thing.
I should also note this movie felt, to me, degrading to women. On one hand they're congratulating Penelope Carpenter (Messing) on her accomplishments as a woman, but then the next moment they are treating her different than everyone else. She is seen as supportive and inferior, and really her only purpose in the plot is to be a romantic interest for McHale -- the ultimate in secondary characters. Normally this wouldn't bother me, but they made it so obvious.
All in all, I really did enjoy this movie. Why it received such a poor response from viewers, I don't know. The cast is eclectic and fun, the jokes silly but endearing. And as long as you like Tom Arnold (I don't mind him) you should be able to enjoy this film. Everyone seems to confuse it with "Down Periscope", which is too bad -- this is a good one in its own right.
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