A young Indian woman works as an operator for a US bank that outsourced its call center to India. The bank's young local manager becomes interested in her and offers her to help him game the system and make some real money.
Recounts the life and loves of the physician, astrologer, and famed prognosticator; his encounters with medieval science and the Inquisition; and his early struggles with his visions of the... See full summary »
F. Murray Abraham,
When legendary thief Max Cruz is framed by the CIA, he has no choice but to help them with a top-secret mission. Mexican crimelord Beno Gildemontes has stolen classified intelligence data. ... See full summary »
Oz, a rebellious teenager who just got expelled from his preppy school returns for one final prank. But as he goes to the basement to set things up, he stumbles upon a security consultant, former school employee, that just took the entire school hostage for millions in ransom. Oz must rely on his youth and love for pranks to outwit the devious criminal mastermind. Written by
Steve Richer <email@example.com>
The setting of the fictional school is actually Hatley Castle. Patrick Stewart would go on to film The X-Men series which also uses Hatley Castle as Xavier's School for Gifted Youngsters. See more »
There are no graphical interfaces on web sites that allow users to hack. See more »
[Bentley sees a light in the tunnel while driving his vehicle]
[the vehicle exits the tunnel and falls to the pond raw sewage, Bentley screams, the vehicle splashes to the pond, Bentley rises from the sewage and sees his suitcase of money in the sewage, he swims for it]
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For those like myself who enjoy watching Vincent Kartheiser in MAD MEN (I have just seen Season Six), and think that his waspish character is amusing and chillingly endearing, this archaeological relic of the young Vincent is interesting. Despite his playing a teenaged computer hacker, it was already his seventh film. He is one of those 'boys with a computer in a bedroom' who has trouble with authority and resents his step-mother and step-sister. He has been banned from his expensive private school because of previous bad behaviour, and has now been condemned to attend 'public school' (in America that means the pits, unlike England where it means the most expensive and the word 'public' really means 'private'). But he is ordered to take his obnoxious and taunting younger sister to class in his old school, where they let him in the gates 'only for five minutes'. But the five minutes turns into a desperate adventure. A sleekly confident security expert, played with tremendous flair and bravado by Patrick Stewart, has just installed the new security system at the expensive private school. But he has a dastardly plan. He intends to hold ten children hostage because their fathers are billionaires. He demands $650 million in ransom money from the ten parents. He takes over the school with armed men and seals it off, blowing up police cars and so forth. Vincent is trapped inside, having just been on his way out. So Vincent wages guerrilla war against Stewart and his gang and tries to save the kids and the school. He hacks into their computers and security system, blows things up, electrocutes an armed thug (who mysteriously recovers, having been only incapacitated), floods the drains with the water from the swimming pool, and a entire catalogue of amazing feats. The film is sanitized to make the violence just playful enough to be acceptable to kids watching, and people somehow mysteriously don't really die even when they should. That is the opposite of 'dying for a cause', for here they 'don't die for a cause', namely a certification that can bring in the younger audiences. The film contains elements of comedy and is meant as mere entertainment, not as a grim tale. And in that it succeeds. It is worth watching just for Patrick Stewart's wonderfully comic and sophisticated portrayal of a vain villain struggling against Kartheiser, whom he calls deprecatingly 'Dennis the Menace', and who keeps thwarting Stewart's evil designs at every turn. Kartheiser himself maintains the same intensity that we enjoy so much in MAD MEN. I wonder if in private life he arranges everything he owns (though there seems to be little of that left, for they say he has given away all his possessions) in neat rows and screams in protest if anything is moved. He certainly is one of the more interesting actors of our time.
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