5.6/10
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The Maker (1997)

Josh is a high school guy who lives with adoptive parents and is involved in little crimes with his friends (including young lesbian Bella). Suddenly his elder brother Walter comes out of ... See full summary »

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Cast

Cast overview, first billed only:
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Officer Emily Peck
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Josh Minnell
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Bella Sotto
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Skarney
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Felice A. Beato
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Mother Minnell
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Father Minnell
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Rubicon Beziqui
Matthew David James ...
Ike
Marc Worden ...
Simon
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Customs Officer
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Partner
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Saleswoman
Kate Murtagh ...
Large Matron
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Storyline

Josh is a high school guy who lives with adoptive parents and is involved in little crimes with his friends (including young lesbian Bella). Suddenly his elder brother Walter comes out of the blue (he left home 10 years ago when he was 18 and was never heard during these years). After that Walter starts to involve Josh in various new criminal activities, including robbery. Written by Anonymous

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Motion Picture Rating (MPAA)

Rated R for strong violence, drug use, language and some sexuality | See all certifications »
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Details

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Release Date:

17 October 1997 (USA)  »

Also Known As:

Der Macher  »

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2.35 : 1
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Did You Know?

Quotes

Walter: Come on, college boy. Do the smart thing.
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Connections

References Night of the Living Dead (1968) See more »

Soundtracks

KC
Performed by Sage
Written by Guy Davis, Marc Olsen & Mike Williamson
Courtesy of Will Records
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User Reviews

Starts well, ends badly
13 January 2001 | by (Sydney, Australia) – See all my reviews

If ever I need to renew my enthusiasm about current filmmaking, a film featuring the talents of Mary Louise Parker is a pretty good place to start. Her part in this film is as a supporting character, and the few scenes in which she appears and fleshes out the kindly but down to earth police officer underline how this film's best parts unfortunately don't add up to a good movie.

The leads are good (Rhys-Meyers is a talent to watch, Balk has always interested me and if Modine just sat and dribbled, I know he could make it look rivetting), the script contains some nice character exchanges, the camera work has some nice touches, and director Tim Hunter puts effort into giving the film some unexpected lift (such as sitting a crim at a desk on open ground beside an airport runway, and getting the art department to set up a backyard breakfast patio of white picket fence and red flowers under the threatening gaze of power lines.)

But although it started well, in the end, this is too many good individual stories fighting with each other instead of making a coherent whole. Any one of the various plot lines could've held their own. At film's end, the script has to literally shoot its way out of the entwined mess its in to reach a conclusion. Maybe this goes down well on cable. I think a viewer, whether sitting in a cinema, or in his own home, is entitled to better.


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