| Photos (see all 17 | slideshow) | Videos (see all 3) |
| Paul Newman | ... | Harry Ross | |
| Susan Sarandon | ... | Catherine Ames | |
| Gene Hackman | ... | Jack Ames | |
| Reese Witherspoon | ... | Mel Ames | |
| Stockard Channing | ... | Lt. Verna Hollander | |
| James Garner | ... | Raymond Hope | |
| Giancarlo Esposito | ... | Reuben Escobar | |
| Liev Schreiber | ... | Jeff Willis | |
| Margo Martindale | ... | Gloria Lamar | |
| John Spencer | ... | Capt. Phil Egan | |
| M. Emmet Walsh | ... | Lester Ivar | |
| Peter Gregory | ... | Verna's Partner | |
| Rene Mujica | ... | Mexican Bartender | |
| Jason Clarke | ... | Young Cop #1 | |
| Patrick Malone | ... | Younger Cop (as Patrick Y. Malone) | |
| Lewis Arquette | ... | Water Pistol Man | |
| Michael Brockman | ... | Garvey's Bartender | |
| April Grace | ... | Police Stenographer | |
| Clint Howard | ... | EMS Worker | |
| John Cappon | ... | Paramedic (as John J. Cappon) | |
| Neil Mather | ... | Young Cop #2 | |
| Ron Sanchez | ... | Crime Scene Detective (as Ronald C. Sanchez) | |
| Jack Wallace | ... | Interrogation Officer | |
| Jeff Joy | ... | Carl | |
| Jonathan Scarfe | ... | Cop | |
| rest of cast listed alphabetically: | |||
| Stephanie Beaton | ... | Beth Koski (uncredited) | |
| Ron von Gober | ... | Man Walking Down the Street with Boy (uncredited) | |
Directed by | |||
| Robert Benton | |||
Writing credits(WGA) | ||
| Robert Benton | (written by) & | |
| Richard Russo | (written by) | |
Produced by | |||
| Arlene Donovan | .... | producer | |
| Scott Ferguson | .... | associate producer | |
| Michael Hausman | .... | executive producer | |
| David McGiffert | .... | associate producer | |
| Scott Rudin | .... | producer | |
Original Music by | |||
| Elmer Bernstein | |||
Cinematography by | |||
| Piotr Sobocinski | |||
Film Editing by | |||
| Carol Littleton | |||
Casting by | |||
| Ilene Starger | |||
Production Design by | |||
| David Gropman | |||
Art Direction by | |||
| David J. Bomba | (as David Bomba) | ||
Set Decoration by | |||
| Beth A. Rubino | (as Beth Rubino) | ||
Costume Design by | |||
| Joseph G. Aulisi | |||
Makeup Department | |||
| Marilyn Carbone | .... | makeup artist: Susan Sarandon | |
| Paul LeBlanc | .... | hair designer: Susan Sarandon (as Paul Le Blanc) | |
| Candace Neal | .... | supervising hair stylist (as Candy Neal) | |
| Charlene Roberson | .... | makeup artist: James Garner | |
| Bron Roylance | .... | makeup supervisor | |
| Ron Scott | .... | hair stylist: Gene Hackman (as Ronald Scott) | |
| Monty Westmore | .... | makeup artist: Paul Newman | |
| Ellen Wong | .... | makeup artist: Gene Hackman | |
Production Management | |||
| Gerry Robert Byrne | .... | post-production supervisor | |
| Michael Hausman | .... | unit production manager | |
Art Department | |||
| Craig B. Ayers Sr. | .... | greens foreperson | |
| Kinney Booker | .... | set dresser (as Kinney K. Booker) | |
| Philip Calhoun | .... | set dresser | |
| John Ceniceros | .... | set dresser | |
| Michael Crowley | .... | construction general foreperson | |
| Edwin Dockus | .... | greensperson | |
| David Elliott | .... | construction coordinator | |
| Amy Feldman | .... | assistant set decorator | |
| Chris Fielding | .... | set dresser | |
| Paul Ford | .... | lead person | |
| Ellen Freund | .... | property master | |
| Wylie Griffin | .... | art department coordinator | |
| George 'Skip' Henfling | .... | construction auditor (as George Henfling) | |
| Julie Inglese | .... | art department coordinator | |
| Robert A. Jepsen | .... | set dresser | |
| Cynthia Martinez | .... | construction buyer (as Cynthia A. Martinez) | |
| Donn Piller | .... | set dresser (as Donn A. Piller) | |
| Edward Piwowarski | .... | painter | |
| Rob Simons | .... | assistant art director | |
| Sean Skelding | .... | set dresser | |
| John Snow | .... | head paint foreperson | |
| John Stephens | .... | greens foreperson | |
| Tedi Tate | .... | assistant property master | |
| Steven Totleben | .... | set dresser | |
| Rene Vandenberghe | .... | greensperson (as Rene van den Berghe) | |
| Chris Alvarez | .... | welding foreman (uncredited) | |
| Doug Anderson | .... | head plasterer (uncredited) | |
Sound Department | |||
| Ed Barteski | .... | assistant adr editor | |
| David Boulton | .... | adr mixer | |
| Nancy Cabrera | .... | foley artist | |
| Richard P. Cirincione | .... | sound effects editor | |
| Laura Civiello | .... | dialogue editor | |
| Perry Dodgson | .... | cable person | |
| Tom Fleischman | .... | sound re-recording mixer: Sound One Corporation | |
| Bradford L. Hohle | .... | stereo sound consultant: Dolby | |
| Jay Kessel | .... | assistant sound editor | |
| Dan Korintus | .... | dialogue editor | |
| George A. Lara | .... | foley mixer (as George Lara) | |
| David MacMillan | .... | sound mixer (as David R.B. MacMillan) | |
| Barry Malawski | .... | assistant adr editor | |
| Harrison D. Marsh | .... | boom operator | |
| Jane McCulley | .... | supervising adr editor | |
| Eytan Mirsky | .... | sound effects editor | |
| Maurice Schell | .... | supervising sound editor | |
| Stuart Stanley | .... | supervising foley editor | |
| Brian Vancho | .... | foley artist | |
| David Wahnon | .... | assistant adr editor | |
Special Effects by | |||
| Larry Fioritto | .... | special effects | |
| Wes Mattox | .... | special effects assistant | |
Stunts | |||
| Elle Alexander | .... | stunts | |
| Seth Arnett | .... | stunts | |
| Stan Barrett | .... | stunt coordinator | |
| Stanton Barrett | .... | stunts | |
| Roydon Clark | .... | stunt double: Hope | |
| Mark Collie | .... | stunts | |
| Jennifer Collins | .... | stunts | |
| Frankie 'G' Garbutt | .... | stunt double: Ivar | |
| Tabby Hanson | .... | stunts (as Tabitha Hanson) | |
| Nancy Thurston | .... | stunts (as Nancy Lee Thurston) | |
Casting Department | |||
| Kim Miscia | .... | casting associate | |
| David H. Kramer | .... | adr voice casting (uncredited) | |
Costume and Wardrobe Department | |||
| Susan Kowarsh | .... | key costumer | |
| Carlane Passman | .... | costume supervisor (as Carlane Passman Little) | |
| Gregory B. Peña | .... | key costumer | |
Editorial Department | |||
| Kent Blocher | .... | associate film editor | |
| Phil Hetos | .... | color timer | |
| Beth Moran | .... | assistant film editor | |
| Theresa Repola Mohammed | .... | negative cutter | |
| Jennifer Silverman | .... | post-production coordinator | |
| Suzanne Spangler | .... | first assistant film editor | |
| Debra C. Victoroff | .... | first assistant film editor | |
Music Department | |||
| Elmer Bernstein | .... | conductor | |
| Emilie A. Bernstein | .... | orchestrator | |
| Bob Bornstein | .... | music preparation | |
| Steven Danenberg | .... | orchestra contractor | |
| Thomas S. Drescher | .... | music editor (as Thomas Drescher) | |
| Kathy Durning | .... | music editor | |
| Rick Fleishman | .... | music production set supervisor | |
| Jon Kull | .... | orchestrator | |
| Ken Kushnick | .... | music consultant | |
| Patrick Russ | .... | orchestrator | |
| Dan Wallin | .... | score mixer | |
| John Moses | .... | musician: clarinetist (uncredited) | |
| Blair Tindall | .... | musician: English horn (uncredited) | |
Transportation Department | |||
| Marlo Hellerstein | .... | transportation co-captain | |
| Margo Hunt | .... | transportation office coordinator | |
| John Orlebeck | .... | transportation coordinator | |
| David Severin | .... | transportation captain | |
| J. Armin Garza II | .... | driver: camera car (uncredited) | |
| William R. Peck | .... | driver (uncredited) | |
Thanks | |||
| Margie Balter | .... | thanks | |
| Jim Clark | .... | special thanks | |
| Maria Erspamer | .... | thanks | |
| Chuck Fayne | .... | thanks | |
|
|
|
|
|
| Kiss Kiss Bang Bang | La hija del caníbal | Chinatown | Wonderland | Valentino |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
| Add this title to MyMovies |
This movie didn't do well with the critics or at the box office but if you're in a nostalgic mood I'll think you'll enjoy it. The nostalgia is not just for the stars, Newman, Hackforth and Garner but for the whole private eye genre of the forties. All three stars show why they have been tops for so long. At 73 Newman can still make the action and the sex scenes creditable. It gives new hope to men of a certain age everywhere! It is a film that probably plays better on TV than in a movie house. The pace is leisurely but there is some nice sharp dialogue and atmospheric camera work. All this plus a moody score by Leonard Bernstein make for a highly professional entertainment. The more I think about it the more I like it.