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Mad City (1997)

PG-13  |   |  Crime, Drama, Thriller  |  7 November 1997 (USA)
6.2
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Ratings: 6.2/10 from 15,506 users   Metascore: 45/100
Reviews: 69 user | 57 critic | 23 from Metacritic.com

A disgruntled security guard holds a school trip group hostage, while a news reporter forms a bond with him.

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(screenplay), (story), 1 more credit »
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Title: Mad City (1997)

Mad City (1997) on IMDb 6.2/10

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Cast

Cast overview, first billed only:
...
Sam
...
Brackett
...
Laurie
...
...
Lou Potts
...
Mrs. Banks
...
Dohlen
...
...
Miss Rose
...
CTN Junior Executive
...
Dobbins
...
Jenny
...
Diane
...
Bartholomew
Bingwa ...
Nat Jackson
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Storyline

Sam Baily, upset over losing his job, takes a natural history museum hostage. Max Brackett, journalist, is in the museum when this occurs, and gets the scoop. The story spreads nation wide, and soon it is all anyone talks about. The story itself is the news, not the reason why or the real people behind it. Written by <freckles@vivid.net>

Plot Summary | Add Synopsis

Taglines:

This November, the biggest hostage negotiation is about to begin See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated PG-13 for depiction of a hostage situation, including violence and brief language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

7 November 1997 (USA)  »

Also Known As:

El cuarto poder  »

Box Office

Budget:

$50,000,000 (estimated)

Opening Weekend:

£209,272 (UK) (10 July 1998)

Gross:

£533,374 (UK) (24 July 1998)
 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

| |

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

The four engine business jet shown is a Lockheed Jetstar. One of the very few four engined business/personal jet planes produced. They are not as popular as twin engine business or personal jets because they cost more to purchase, maintain, and operate simply because of the four engine configuration. The pods hanging on the wings are external fuel tanks. They were produced from 1957 to 1978 and most were retired from service in the 1990s. Approximately 204 were produced and were the first dedicated business jet produced. Popularity dwindled due to high operating (fuel and maintenance) costs See more »

Quotes

[last lines]
Max Brackett: We killed him.
See more »

Connections

References Ace in the Hole (1951) See more »

Soundtracks

The Prisoner Song
Courtesy of Everest Records
By Arrangement with Source/Q and LaserLight Digital
See more »

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User Reviews

 
Unfairly overlooked; best examination of media power and corruption
4 February 2000 | by (Cincinnati, Ohio) – See all my reviews

I was so depressed when I left this movie - depressed in a good way though, in the way the filmmakers wanted me to be. "The media has become an out-of-control circus," I thought to myself. Certainly not an original thought or insight, and not extremely different from many other movies and stories out there with a similar message. The difference with "Mad City", though, was that it didn't play this insight for satire or sly comedy. There's an anger and a sadness that runs through the entire movie - a burning regret that this is the way things have to be. The filmmakers could have easily reached for humor or gaudy overstatement to make their points (as was done, say, in "Network" or "Natural Born Killers") but instead they keep most everything at the human level, and that makes all the difference. We come to feel really bad for the Travolta character; the screenwriters' making him such a simpleton is, I'll admit, a bit manipulative, but as manipulations go it's a good one and a smart one - it lets us see the toll in human terms of the media frenzy. Dustin Hoffman and particularly Alan Alda are expert in their roles as media sharks, and the sort of Mutt and Jeff (or perhaps George and Lenny) relationship which Hoffman and Travolta get into here is really marvelous. It has beats of comedy to it, while never being anything less than totally serious (kind of like Hoffman and Cruise in "Rain Man" - though the film never strains for that connection).

I think of this movie often in conjunction with "Wag the Dog," Hoffman's other movie that year and for me it's no comparison: "Wag the Dog" is gleefully cynical, seems to take real joy in the media being so ever-present and the audience being so easily conned. For me, that rings as hollow satire; "Mad City" by truly trying to examine and get us to think about (not just laugh at) the media's power is miles away the better film.


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