Paris, 1900: a couple are horribly murdered by a masked man with a metal claw who rips their hearts out. The sole survivor and witness to the massacre is a young girl. Twelve years later in... See full summary »
An old Gothic cathedral, built over a mass grave, develops strange powers which trap a number of people inside with ghosts from a 12th Century massacre seeking to resurrect an ancient demon from the bowels of the Earth.
Feodor Chaliapin Jr.
A young man tries to help a teenage European girl whom escaped from a clinic hospital after witnessing the murder of her parents by a serial killer and they try to find the killer before the killer finds them.
In New York, Dr. Norman Boyle assumes the research about Dr. Freudstein of his colleague Dr. Petersen, who committed suicide after killing his mistress. Norman heads to Boston with his wife... See full summary »
Paris, 1900: a couple are horribly murdered by a masked man with a metal claw who rips their hearts out. The sole survivor and witness to the massacre is a young girl. Twelve years later in Rome a new wax museum is opened, whose main attractions are lifelike recreations of gruesome murder scenes. A young man bets that he will spend the night in the museum but is found dead the morning after. Soon, people start disappearing from the streets of Rome and the wax museum halls begin filling with new figures... Written by
Giancarlo Cairella <firstname.lastname@example.org>
Originally intended by Dario Argento as a Comeback for colleague (though not friend) Lucio Fulci. Unfortunately, only a few weeks before filming was about to begin, Fulci died and on short notice, the directing job was handed over to special effects expert Sergio Stivaletti. See more »
At 1:04:12, Volkoff put a pin through the picture of Sonia he just clipped. Seven seconds later, as Alex watch him secretly through the door, he does exactly the same action with the pin. See more »
If you are familiar with italian horror, you get exactly what you expect here. Adequate to terrible performances, atrocious dubbing, gaudy visuals at the expens of characters you actually care about and imaginatively staged murders. However, this film was better than i expected, since director Stivaletti is primarily a make-up man and tried his hand at directing here for the first time. The (I suspect limited) budget is used well with varied locales for the different scenes, nice art-direction and costumes and crisp camerawork. Pace is well maintained throughout the movie which distracts you from some of the less obvious plot-holes. The waxmaster himself does quite a good actingjob, not hamming it up. As for "the good guys", the leading lady is adequate but at bit dull. Our supposed "hero" is however damagingly miscast and comes over as a complete bore. As is usually the case with italian horror, the visuals are at the fore here with rich colours (which of course includes crimsonred blood), lovingly filmed and accompanied by a good and appropriately romantic score. The finale, as a few others have stated, is quite bad but fun in a way with some terminatoresque touches that are unexpected, to say the least. And the murders, surprisingly few, are competently put together with a sufficient amount of gore to satisfy fans. Overall, entertaining and good fun, if you dont expect "Citizen Cane".
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