In this Derek Jarman version of Christopher Marlowe's Elizabethan drama, in modern costumes and settings, Plantagenet king Edward II hands the power-craving nobility the perfect excuse by ... See full summary »
A nearly wordless visual narrative intercuts two main stories and a couple of minor ones. A woman, perhaps the Madonna, brings forth her baby to a crowd of intrusive paparazzi; she tries to... See full summary »
A dramatization, in modern theatrical style, of the life and thought of the Viennese-born, Cambridge-educated philosopher Ludwig Wittgenstein (1889-1951), whose principal interest was the ... See full summary »
Two men become entangled in a torrid love affair with the same woman. Pierre is Miriam's longtime lover. John is desperately searching for clues about his past when he and Miriam have a ... See full summary »
Shortly before the WW II, Ella Gericke takes on the identity of her husband Max after his death to work instead of him in the factory. She continues to be Max until she herself doesn't even... See full summary »
A parody of anthropology, linguistics, and cultural imperialism. The film follows an unlikely team of linguists into the wilds of an ersatz Patagonia to study the last speakers of a dying ... See full summary »
In the 1960s, British painter Francis Bacon (1909-1992) surprises a burglar and invites him to share his bed. The burglar, a working class man named George Dyer, 30 years Bacon's junior, accepts. Bacon finds Dyer's amorality and innocence attractive, introducing him to his Soho pals. In their sex life, Dyer dominates, Bacon is the masochist. Dyer's bouts with depression, his drinking and pill popping, and his satanic nightmares strain the relationship, as does his pain with Bacon's casual infidelities. Bacon paints, talks with wit, and, as Dyer spins out of control, begins to find him tiresome. Could Bacon care less? Written by
Some seem to think my work is drawn from an expression of horror, which has never really concerned me. Pleasure is impossible to define. And I feel horror occupies much the same territory. But, you see, I'm optimistic by nature. I'm optimistic about nothing.
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Love is the Devil is amazingly rich in character and visuals. Just like Bacon's paintings, it is abstract, provocative, dark, and cruel, yet intensely mesmorizing. Maybury couldn't have picked a better actor than Derek Jacobi to portray the very disturbed Bacon. Jacobi is so good, I wondered whether this was just acting or the real thing. One of my favorite scene was Bacon grooming himself, using ammonia cleanser to brush his teeth and curling his eyelashes with his saliva. Neither could I ever forget the countless enigmatic facial expressions Jacobi delivers. One of the best films I've seen in years.
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