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Love Is the Devil: Study for a Portrait of Francis Bacon (1998)

Unrated | | Biography, Drama, Romance | 7 October 1998 (USA)
Biography of British painter Francis Bacon focuses on his relationship with his lover, George Dyer, a former small time crook.

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7 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Isabel Rawsthorne
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Daniel Farson
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John Deakin
Annabel Brooks ...
Henrietta Moraes
Richard Newbould ...
Blonde Billy (as Richard Newbold)
Ariel de Ravenel ...
French Official
Tallulah ...
Ian Board
Andy Linden ...
Ken Bidwell
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Joe Furneval
Gary Hume ...
Volker Dix
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Brighton Rent Boy
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Brighton Rent Boy
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Storyline

In the 1960s, British painter Francis Bacon (1909-1992) surprises a burglar and invites him to share his bed. The burglar, a working class man named George Dyer, 30 years Bacon's junior, accepts. Bacon finds Dyer's amorality and innocence attractive, introducing him to his Soho pals. In their sex life, Dyer dominates, Bacon is the masochist. Dyer's bouts with depression, his drinking and pill popping, and his satanic nightmares strain the relationship, as does his pain with Bacon's casual infidelities. Bacon paints, talks with wit, and, as Dyer spins out of control, begins to find him tiresome. Could Bacon care less? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

Study for a portrait of Francis Bacon.


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Unrated | See all certifications »

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Release Date:

7 October 1998 (USA)  »

Also Known As:

Love Is the Devil: Study for a Portrait of Francis Bacon  »

Box Office

Opening Weekend:

£46,077 (UK) (18 September 1998)

Gross:

$343,023 (USA) (17 December 1999)
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Company Credits

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1.85 : 1
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Did You Know?

Trivia

Several of the extras, including Daniel Farson and Sandy Fawkes, were real-life acquaintances of Francis Bacon. See more »

Quotes

Francis Bacon: When I went into the house of pleasure, I didn't stay in the room where they celebrate acceptable modes of loving in the bourgeois style. I went into the rooms which are kept secret and I leaned and lay on their beds. I went into the rooms which are kept secret which they consider it shameful even to name. But there is no such shame for me because then, what sort of poet, and what sort of artist would I be?
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Soundtracks

Time On My Hands
Performed by Al Bowlly
Written by Vincent Youmans (as Youmans), Harold Adamson (as Adamson) & Mack Gordon (as Gordon)
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User Reviews

 
odd, awkward, imperfect without revelling in flaws...Bacon deserves better
30 October 2011 | by (United States) – See all my reviews

Love is the Devil (1998)

Francis Bacon (along with Lucien Freud) is one of a handful of British painters of note in the last century. That's not very many. And he's inflated here beyond his very idiosyncratic and repetitive works. They're powerful paintings, no question, and filled with psychological drama as well as painterly angst. They come from a time when representative and expressive paintings was out of favor, and so he's a rebel, too.

But this isn't about Bacon the successful artist, and it doesn't address his work directly (the filmmakers couldn't get his cooperation so none of his work is shown). What it does do is show the man, as seen through actor Derek Jacobi, who plays a kind of deadpan and slightly boring character a little too well. We are, I think supposed to find the artist through his mentality, which is played out here by showing his social and sexual lives in all kinds of diversity.

But there is another goal to the movie, to me: creating an interesting contemporary world of artists and social renegades. That is, the art world of London (etc.) in roughly the 1970s or 80s. The filmmaker John Maybury is a close associate of Derek Jarman, who was an openly gay filmmaker known for personally quirky films that dealt with issues that mattered to him, including his odd and intriguing "Caravaggio." Maybury, unlike Jarman, has no history of great indie films, and this one is just structurally awkward, and in filmmaking terms it seems a little novice, whatever the good intentions.

So it might actually fail on several levels. One is the most damning--that it doesn't actually illuminate the paintings. I found the personal life and the heightened story distracting, even if it has a basis in truth (and is the driving line of the movie). It also doesn't quite work on the simple level of convincing acting, even though Jacobi looks enough like Bacon to make that fly, and his counterpart played by Daniel Craig is decent (we don't dare expect more from Craig, do we?). And then the movie wobbles visually, both with camera-work that is either clumsy or affected (or both) and with editing that seems clunky. That is, this is a movie almost "thrown together."

Which I'm sure it was not. Maybury is trying to mainstream his life (unlike Jarman, who enjoyed being an Indie star), and his collaborations with the likes of Keira Knightley are revealing for both (one as a way of going serious, the other for a way of going commercial).

I know there are those who accept and love a movie like this because of its flaws, which only enhance somehow it's integrity and its artistry. But that's only one way to look at it, and if you like offbeat movies that are also brilliant deep down, you might not find that here.


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THIS IS THE WORST MOVIE EVER!! ANYONE AGREE?? AnGrYpRiNCeS136
Bacon was not British ghf23
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Francis Bacon of today, would be sad I think..... amgorman

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