| Mickey Rourke | ... | John Gray | |
| Agathe de La Fontaine | ... | Claire | |
| Angie Everhart | ... | Lea Calot | |
| Steven Berkoff | ... | Vittorio DaSilva | |
| Dougray Scott | ... | Charlie | |
| Werner Schreyer | ... | Gilles | |
| Faisal Attia | ... | Drug Dealer #2 | |
| Philippe Beglia | ... | Hotel Raphael Doorman | |
| Christin Amy Artner | ... | Kahidijah (as Christine Brandner) | |
| Sandra Cervik | ... | Hotel Maid | |
| Lana Clarkson | ... | Woman at Fashion Show | |
| Cyrille Cohen | ... | Auctioneer | |
| Sophie Dolce | ... | Cafe Marly Hostess | |
| Carolin Dichtl | ... | Dominatrix | |
| Andrea Eckert | ... | Celeste | |
| Kurt Freimuller | ... | M. Durand | |
| John Gentry | ... | Hotel Raphael Concierge | |
| Laurent Hennequin | ... | Mover #1 | |
| Lucienne Legrand | ... | Old Lady at the Hotel Raphael | |
| Philippa Matthews | ... | Beautiful Blonde | |
| Samy Naceri | ... | Drug Dealer #1 | |
| Eric Poulain | ... | Hotel Raphael Bell Boy | |
| Emad Sayyah | ... | Arab Gamekeeper | |
| Giora Seeliger | ... | Head Seamaster | |
| Marcus Siebert | ... | Arab Theif | |
| Ilene Strickler | ... | American Mother | |
| N'Gone Sy | ... | Aisha | |
| Michael Thomas | ... | Transvestite | |
| Blu Toth | ... | Gretha | |
| Ian Michael Towers | ... | American Father | |
| Sasha Van Duyn | ... | Girl in Night Club | |
| Wassily Zechyr | ... | Tall Man | |
| Margo Desco | ... | Additional Model #1 | |
| Pilar Fantova | ... | Additional Model #2 | |
| Monika Fekete | ... | Additional Model #3 | |
| Ruby Gane | ... | Additional Model #4 | |
| Andrea Horvath | ... | Additional Model #5 | |
| Linda Karoly | ... | Additional Model #6 | |
| Adrienn Maherszki | ... | Additional Model #7 | |
| Natasha Milkovich | ... | Additional Model #8 | |
| Adrienn Nador | ... | Additional Model #9 | |
| Erika Steinmuller | ... | Additional Model #10 | |
| rest of cast listed alphabetically: | |||
| Christy Bella Joiner | ... | Fashion Model #11 (uncredited) | |
Directed by | |||
| Anne Goursaud | |||
Writing credits(WGA) | ||
| Elizabeth McNeill | (characters) | |
| Mick Davis | (written by) (as Michael Davis) | |
Produced by | |||
| Staffan Ahrenberg | .... | producer | |
| Barry Barnholtz | .... | executive producer | |
| Yannick Bernard | .... | producer | |
| Don Carmody | .... | executive producer | |
| Jay Firestone | .... | executive producer | |
| Bastiaan Gieben | .... | executive producer | |
| Emmanuel Itier | .... | consulting producer | |
| Mario Sotela | .... | executive producer | |
| Abby Stone | .... | associate producer | |
Original Music by | |||
| Francis Haines | |||
| Stephen W. Parsons | (as Stephen Parsons) | ||
Cinematography by | |||
| Robert Alazraki | |||
Film Editing by | |||
| Anne Goursaud | |||
| Terilyn A. Shropshire | |||
Production Design by | |||
| Robert de Vico | |||
Set Decoration by | |||
| Barbara Demmer | |||
| Olivier Jacquet | |||
| Bastien Meunier | |||
Costume Design by | |||
| Maxine van Cliffe Arakawa | |||
Makeup Department | |||
| Boris Cavlina | .... | key hair stylist | |
| Boris Cavlina | .... | key makeup artist | |
| Bernard Floch | .... | hair stylist | |
| Bernard Floch | .... | makeup artist | |
| Ullu Koppe | .... | hair stylist | |
| Ullu Koppe | .... | makeup artist | |
| Deborah McNulty | .... | hair stylist (as Deborah Wolski McNulty) | |
| Deborah McNulty | .... | makeup artist (as Deborah Wolski McNulty) | |
| Karin Schön | .... | hair stylist | |
| Karin Schön | .... | makeup artist | |
Sound Department | |||
| Michael A. Carter | .... | sound re-recording mixer | |
| St. Clair Davis | .... | boom operator | |
| Gillian Dodders | .... | assistant sound editor | |
| Brian Freemantle | .... | foley editor | |
| Glenn Freemantle | .... | supervising sound editor | |
| Diane Greaves | .... | foley artist | |
| John Hayward | .... | sound re-recording mixer | |
| Max Hoskins | .... | supervising dialogue editor | |
| Kant Pan | .... | dialogue editor | |
| Tom Sayers | .... | trainee sound editor | |
| Jack Stew | .... | foley artist | |
| Kevin Tayler | .... | adr mixer | |
| Kevin Tayler | .... | foley mixer | |
| Timothy Vine | .... | sound editor | |
| Christian Wangler | .... | sound mixer | |
| Sandy Buchanan | .... | post-production sound assistant (uncredited) | |
| Richard Pryke | .... | assistant re-recording mixer (uncredited) | |
Special Effects by | |||
| Willi Neuner | .... | special effects | |
Visual Effects by | |||
| Cecilia Hazai | .... | model casting | |
| Kinga Hazai | .... | model casting | |
| Terilyn A. Shropshire | .... | visual consultant | |
Casting Department | |||
| Pascal Dailhat | .... | extras casting: France | |
| Roger Davison | .... | casting: UK | |
| Marie-Christine Lafosse | .... | casting: France (as Marie-Cristine Lafosse) | |
| Nina Lang | .... | extras casting: Austria | |
| Rudi Rehling | .... | casting: Austria | |
Costume and Wardrobe Department | |||
| Odill Horion | .... | wardrobe assistant: France | |
| Birgit Hutter | .... | costume designer: Austria | |
| Teresa Lazek | .... | wardrobe assistant: Austria | |
| Elisabeth Witte | .... | wardrobe mistress: Austria | |
| Caroline Young | .... | wardrobe supervisor | |
Editorial Department | |||
| Stephen Barker | .... | post-production executive | |
| Michelle White Hart | .... | assistant film editor | |
| Karin Hartusch | .... | assistant film editor | |
| Wayne Smith | .... | assistant film editor | |
Music Department | |||
| Dominic Gibbs | .... | music editor | |
| Billy Gottlieb | .... | music consultant | |
| Steve Love | .... | music supervisor | |
| Philip Mitchell | .... | music programmer | |
| Mark Tucker | .... | music mixer | |
| Recent Posts (updated daily) | User |
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| He used to be sexy | ivyjade-1 |
| Soundtrack | MickLucifer |
| Elizabeth (spoiler) | dara_12 |
| thank u God ! | lastseduction |
| CONFUSED HELP! | NauGhty4LiFe69 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb bottom 100 movies | IMDb Drama section |
| IMDb France section |
First off I LOVED the original 9 1/2 weeks, let me remind you that this film was previously close to 3 hours long and very faithful to the book (at least that is what I have read) apparently test audiences felt it was too disturbing so the director, Adrien Lyne was forced to cut A lot of parts. this is why the film looks disjointed - if you haven't noticed, the editing was pretty bad. I even read the Mickey Rourke had wanted Lyne to stick to his guns and let the film stay faithful to the book.
if you haven't read the book yet.. PICK IT up - its by far the best erotic novel I've ever read, its short and to the point.. apparently it is based on a true story - so it intrigues me even more.
back to my review on this sequel, lets face it folks most sequels are always bad.. its hard to make a great sequel period. when I first heard that there is a sequel to this film I was in shock - I felt that they should leave the story alone. but many of us who have watched the original have often wondered what became of the two protagonist... this sequel takes us there.
the biggest turn off was Angie Everhart's acting... yes she is gorgeous (not as gorgeous as Kim Basinger in my opinion) but looks only go so far - she was merely eye candy, watching her scenes was painful.
Mickey was great as the tortured John. I agree with another reviewer that the filmmakers made a wise choice to start the sequel where the original left off. I'm sure others would have liked john to move on - but that sometimes isn't reality. In theory the story was good, it just wasn't executed that well.
I really felt deeply sad for him and the fact that he could not be with the one woman he loved - even when confronted with gorgeous women - its just not the same chemistry as he had with liz. I like the fact that elizabeth liked the games John played without having to tell him directly - she was almost like a child - which John liked. whereas lea wanted john to play with her sooo bad - it seemed pathetic.
anywho.. the acting on everhearts part made the film bad for me... overall the film wasn't that bad. I think most audiences are use to the typical films which Hollywood feeds us with, this one was different. It was extremely sad and painful - a love story so intense and so amazing, one in which its main protagonist has to move on with his life knowing that he will never be with the love of his life ever again.