6.9/10
39,852
215 user 74 critic

Lolita (1997)

A man marries his landlady so he can take advantage of her daughter.

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Writers:

(novel), (screenplay)
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Popularity
873 ( 430)

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2 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Keith Reddin ...
Erin J. Dean ...
Joan Glover ...
Pat Pierre Perkins ...
Louise (as Pat P. Perkins)
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Ben Silverstone ...
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Annabel Lee (as Emma Griffiths-Malin)
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Storyline

Humbert Humbert, a British professor coming to the US to teach, rents a room in Charlotte Haze's house, but only after he sees her 14-year-old daughter, Dolores (Lolita), to whom he is immediately attracted. Though he hates the mother, he marries her as this is the only way to be close to the girl, who will prove to be too mature for her age. They start a journey together, trying to hide they're not just (step)father and daughter, throughout the country, being followed by someone whom Humbert first suspects to be from the police. The profound jealousy, and maybe some guilt from the forbidden love, seem slowly to drive the man emotionally labile. Written by Luis Canau <luis..canau@mail.EUnet.pt>

Plot Summary | Plot Synopsis

Taglines:

Watch it and make up your own mind. See more »

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for aberrant sexuality, a strong scene of violence, nudity and some language | See all certifications »

Parents Guide:

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Details

Official Sites:

Country:

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Language:

Release Date:

25 September 1998 (USA)  »

Also Known As:

Лолита  »

Box Office

Budget:

$62,000,000 (estimated)

Opening Weekend:

DEM 498,340 (Germany) (2 January 1998)

Gross:

$1,400,000 (USA)
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Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Jeremy Irons originally turned down the role because he knew playing this character would hurt his career. After thinking it over and being convinced by Glenn Close that working with Adrian Lyne was an experience he should not missed, he agreed to play Humbert Humbert, not before securing a good paycheck anticipating a few years of possible unemployment. See more »

Goofs

The movie should end in 1952, not 1950. Like the novel, the year is 1947 when Humbert meets Lolita, but the book states that both cross country trips and the time they spend at Beardsley amounts to about 2 years. The film has the same "3 years later" time jump as the novel, but there's no way from summer of 1947 to fall of 1950 could they have spent a year traveling the country, stayed in Beardsley for most of the school year, had another few months on a second cross country trip, and then have Humbert searching for Lolita for 3 years. See more »

Quotes

[first lines]
Humbert: [voiceover] She was Lo, plain Lo, in the morning, standing four feet ten in one sock. She was Lola in slacks, she was Dolly at school. She was Dolores on the dotted line. But in my arms she was always - Lolita. Light of my life, fire of my loins. My sin. My soul.
[whispered]
Humbert: Lolita.
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Crazy Credits

After the credits are over there is a brief clip where Lolita is shown juggling a red apple. See more »


Soundtracks

Don't Sit Under The Apple Tree (With Anyone Else But Me)
Written by Lew Brown, Charles Tobias and Sam H. Stept
Performed by The Andrews Sisters
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User Reviews

Why Lyne's Lolita is Controversial
13 August 1998 | by (Lexington, KY) – See all my reviews

When the 1997 version of Lolita was widely censored in the US, many asked why the reaction was so strong to this film. After all, the novel was published in the US in 1958, Kubrick's film version appeared in 1962, and we hear more shocking tales of sexual depravity every day on the daytime talk shows. But after seeing Lyne's brilliant version of Lolita, I can see how he manages to breathe fresh controversy into this familiar story. Lyne's lascivious lens eroticizes Lolita's every movement and pose. The viewer is forced to see her through the eyes of Humbert and to feel his obsession and desire. We are co-conspirators in his crime, and at the end we share his shame. Rather than shocking us (and having us pull away in revulsion), Lyne draws us in and makes us face the Humbert in ourselves. This is an incredibly powerful film.


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