6.9/10
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213 user 74 critic

Lolita (1997)

A man marries his landlady so he can take advantage of her daughter.

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(novel), (screenplay)
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Popularity
903 ( 171)

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2 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Keith Reddin ...
Erin J. Dean ...
Joan Glover ...
Pat Pierre Perkins ...
Louise (as Pat P. Perkins)
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Ben Silverstone ...
Emma Griffiths Malin ...
Annabel Lee (as Emma Griffiths-Malin)
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Storyline

Humbert Humbert, a British professor coming to the US to teach, rents a room in Charlotte Haze's house, but only after he sees her 14-year-old daughter, Dolores (Lolita), to whom he is immediately attracted. Though he hates the mother, he marries her as this is the only way to be close to the girl, who will prove to be too mature for her age. They start a journey together, trying to hide they're not just (step)father and daughter, throughout the country, being followed by someone whom Humbert first suspects to be from the police. The profound jealousy, and maybe some guilt from the forbidden love, seem slowly to drive the man emotionally labile. Written by Luis Canau <luis..canau@mail.EUnet.pt>

Plot Summary | Plot Synopsis

Taglines:

Forbidden, Provocative, Unforgettable. See more »

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for aberrant sexuality, a strong scene of violence, nudity and some language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

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Language:

Release Date:

25 September 1998 (USA)  »

Also Known As:

Лолита  »

Box Office

Budget:

$62,000,000 (estimated)

Opening Weekend:

DEM 498,340 (Germany) (2 January 1998)

Gross:

$1,400,000 (USA)
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Company Credits

Production Co:

, ,  »
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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Natalie Portman turned down the role of Lolita. See more »

Goofs

Lolita speaks to man in all white car while at gas station, but both before and after this scene, that car is black and white. See more »

Quotes

[first lines]
Humbert: [voiceover] She was Lo, plain Lo, in the morning, standing four feet ten in one sock. She was Lola in slacks, she was Dolly at school. She was Dolores on the dotted line. But in my arms she was always - Lolita. Light of my life, fire of my loins. My sin. My soul.
[whispered]
Humbert: Lolita.
See more »

Crazy Credits

After the credits are over there is a brief clip where Lolita is shown juggling a red apple. See more »

Connections

References M. Butterfly (1993) See more »

Soundtracks

I'm Called Little Buttercup
Written by W.S. Gilbert and Arthur Sullivan
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User Reviews

Lost Narrative Folds
12 August 2000 | by (Virginia Beach) – See all my reviews

The Author would be dismayed, and precisely because the story is so faithful to the book. But the story in the book was incidental, just something on which Nabokov could hang his layered challenges to concepts of narrative. The narrator is crazy, overly colors and outright lies. The story never fully exists in the book at all, and such as it does one can never be sure what is true and what imagined. Humbert is a made up name (as are all names) and clearly the narrator makes up most of the elements of his own character as well (European, Professor, Author... obviously a joke by the narrator on Nabokov).

In this film, everything makes sense, exactly the opposite of the reason the book exists. This is a beautiful film, with lovely detailed cinematography, good acting and great score, and all to solidify something that Nabokov created such that it could not be so. I believe that Peter Greenaway could make a good film of Lolita, and that he would have the courage to make it confusing and unerotic and unresolved. Why does Dolores' fate have to change in the film's epilogue? Because it ties up every last loose end. On Christmas Day no less!

(The real scandal is not that audiences/censors are shocked by prurient subjects, but that they take one of the greatest literary achievements ever and make it "explainable." Is this the only thing we can accept?)

But take the film on its own presumption that the book's story is what matters. This Lolita is too old, too pretty and sexy, too controlling. Irons is clearly narrowly channeled here and he is smart enough to know it: his frustration with the unimaginative stance of the film translates to a frustrated Humbert. I think Melanie is just right (just because HH calls her a cow means nothing). HH's violence with his previous wife should have been mentioned; her running away with the Russian cabbie is as much a setup for the Lolita fixation as the childhood dalliance, and better justifies the angst of loss. There should have been a few butterflies, and some explanation about the play: that it was written to allude to that first night at the hotel.

I highly recommend the audio tape version of Lolita. It is read by (guess...) Jeremy Irons! What he brings to the audio tape is the voice and phrasing of a man in a cell continually going over things in his own mind, embellishing and exaggerating and confusing and speculating and sometimes not at all sure about any of it. He brings this same voice to the voiceovers in the film, but it conflicts with the images which purport to represent a narrative stance of "real truth".


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