Living in the rural Texas panhandle is a dysfunctional family: an abusive dad, a Vietnam vet with a war wound that's left him impotent; a compliant wife and a son of about 20, who have an ...
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This is a jolly coming-of-age story about a 14-year-old boy named Laurent Chevalier who is growing up in bourgeois surroundings in Dijon, France. This is France in the mid-1950s rather than... See full summary »
Chris and RJ reunite five years after coming out to their families and their church as gay men, where the factors that led to their separation are revealed as they mourn the death of their mutual friend Rodney.
Young Tim Cornish's life has begun with great promise. Blessed with extraordinary good looks, Tim enjoyed much attention and cared little of broken hearts. At University he was a favored ... See full summary »
After not having seen each other in five years, Chris Terry goes to visit his younger sister Noelle Terry in Montréal. Their lives, both together and apart, have been turbulent ones with ... See full summary »
Max is gay and as such is sent to Dachau concentration camp under the Nazi regime. He tries to deny he is gay and gets a yellow label (the one for Jews) instead of pink (the one for gays). ... See full summary »
Ibrahim, a 14 years old Moroccan boy, walks down a road in the outskirts of a big city alone anddisoriented. Recently informed that he will be deported in two days, he packed his belongings andran away. He is now alone with no place to go.
Living in the rural Texas panhandle is a dysfunctional family: an abusive dad, a Vietnam vet with a war wound that's left him impotent; a compliant wife and a son of about 20, who have an incestuous relationship at the insistence of the dad; and, two small sons who look a lot like their brother. The dad harbors a secret, and he goes to murderous lengths to keep it hidden. The young man, Jimmy, who sleeps out in the shed, has suspicions, but little comes out until a Yankee woman of middle age comes to town looking for a dead private eye. And why does dad keep calling Jimmy, "little boy blue"? Written by
At the end of the movie, when those two boys got out of the house, they were just wearing white tube socks, and they were walking on muddy surface. After a while, they somehow were wearing rubber boots. And when they were sleeping in the policeman's car, their white socks look clean without any mud on them. See more »
A boy named Jimmy West (Phillippe), who longs for a better life, learns some harsh realities about his existence. After years of dealing with an abusive and sexually disturbed "father" (Savage) and being protector to his "mother" (Kinski) and younger brothers, he is given a chance by his wealthy girlfriend to get away. The only problem is, guilt, love and fear for his family makes him stay. Upon realizing Jimmy is growing up and has been snooping around where he shouldn't, his father decides its time to reveal some startling news to him. The shocking news makes Jimmy more desperate than ever to tear himself and his family away from his father before something worse happens. At the same time, a woman named Doris (Knight) appears in town, and she reveals to the police why she is searching for the West family. The police lend their help, but she ultimately takes matters into her own hands when she shows up at the West's trailer. The ending is not at all what one would expect and many questions are left unanswered, leaving the viewer wishing for more explanation.
I was sorry to see that this movie was not highly publicized because I thought the acting was intense by all. Having forgotten that I first saw Phillippe (along with John Savage) in "White Squall", this was really the first time I saw him in a leading role and, might I say, what a performer he is. As for Savage and Kinski, one of the reasons I watched this movie was to see them together again as I had enjoyed them so much in "Maria's Lovers". It was nice to see the chemistry still there. Admittedly, some of the sex scenes are a bit harsh and you need to see this movie more than once to really understand it, but don't let that stop you from seeing it at all.
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