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The Alarmist (1997)
"Life During Wartime" (original title)

 -  Comedy  -  16 October 1998 (USA)
5.2
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Ratings: 5.2/10 from 759 users  
Reviews: 23 user | 14 critic

Young Tommy Hudler decides to become a security systems salesman, and is an instant success. Everything seems to be going great until he discovers there's more to this business and his boss... See full summary »

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Title: The Alarmist (1997)

The Alarmist (1997) on IMDb 5.2/10

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Cast

Cast overview, first billed only:
...
Tommy Hudler
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Heinrich Grigoris
...
Gale Ancona
...
Sally
...
...
April Brody
Ruth Miller ...
Mrs. Fielding
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Mr. Fielding
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Beth Hudler
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Bruce Hudler
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Andrew Hudler
Gabriel Dell Jr. ...
Skippy Hudler
Valerie Long ...
Doris
Kim Tobin ...
Bambi
...
Waiter
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Storyline

Young Tommy Hudler decides to become a security systems salesman, and is an instant success. Everything seems to be going great until he discovers there's more to this business and his boss Heinrich than he previously suspected. Written by Rob M. <rjtmel@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

Don't be alarmed... they're professionals. See more »

Genres:

Comedy

Motion Picture Rating (MPAA)

Rated R for sexuality and language | See all certifications »
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Details

Country:

Language:

Release Date:

16 October 1998 (USA)  »

Also Known As:

The Alarmist  »

Box Office

Opening Weekend:

$7,787 (USA) (16 October 1998)

Gross:

$55,986 (USA) (13 November 1998)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Connections

Featured in Siskel & Ebert: Episode dated 24 October 1998 (1998) See more »

Soundtracks

Life On the Bottom
by Bob Beland, Peter Curry
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User Reviews

 
great
14 July 2000 | by (St Paul, MN) – See all my reviews

Loved it. Someone said the mark of a great mind is the capacity to hold two contradictory ideas in mind at the same time. It seems easiest for modern filmmakers to create a vision of humanity that is cynical/chilling or impossibly naive. I believe this film shares with Atom Egoyan's films, Milos Forman's late work, Sofia Coppola's Virgin Suicides and others, an essentially gentle but unclouded gentle view of humanity. From that, all things are possible: good satire, worthwhile commentary on the human condition, truly sexy scenes, all of which this film has. Consider the sex scene, once shocking, now a mainstay. When a film becomes trapped in either cynicism/dark brooding on one hand, or impossible romantic naivete on the other, it can no longer do anything but turn up the heat on accepted conventions. This film is not trapped in any such way. (See the scene in the kitchen when young Howard walks into the kitchen.)


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