While they're on vacation in the Southwest, Rae finds out her man Michael spent their house money on a classic car, so she dumps him, hitching a ride to Vegas for a flight home. A kid ... See full summary »
Mitchell Osgood dreams of being a famous writer, but the book he has written constantly is rejected by the editors. When the psychopathic killer Albert Merrik is released from prison after ... See full summary »
A charming and comic New York tale about Emma, single, successful, and not a dog person, who gets stuck with a dog because her younger married sister is pregnant with twins and moving into ... See full summary »
This failed TV pilot for ABC's 2001-2002 season is based on the popular British soap opera, but is now a one-hour drama set in San Francisco and following an ensemble of college friends five years after college graduation.
Michael M. Robin
Written by Sarah Martin, Sylvester Weaver
Performed by Sylvester Weaver
Courtesy of Columbia Records
Courtesy of MCA Music Publishing, A Division of MCA, Inc. (ASCAP)
by arrangement with Sony Music Licensing See more »
Can the audience glean rich meaning from a confused, meandering film, the meaning of which the makers couldn't explain at gunpoint? This is the question this film seems to me to ask, but trying this time to be fair, I will observe that you usually take away from any film experience more or less what you are able to bring to it. (--Read that last sentence "Beach Blanket Bingo is deep if your frame of reference is broad enough.") Maybe those who like this film --and it does have its partisans-- are deeper than I am and that's all there is to it. Then again, perhaps it is just that they are less willing than the rest of us to release their 8 bucks without some compensatory sense of satisfaction. ("This film was so bad, I had to watch it twice to get my money's worth.") This film's vibe is definitely of the I-am-deep-and-arty school, and some of the audience no doubt gives points to the artists for that alone, for good intentions, regardless the effect or outcome of their labors. I think, clearly, it is hard to talk about this confused mess without lapsing into confusion. To say it sucks out loud doesn't seem to do it justice. To point out its problems one by one is too much like tapestry-making. Avoid it at all risks. If you like any actor in this film, seek their appearances elsewhere. If you like the writer/director, then by all mean, seek help.
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