Two business executives--one an avowed misogynist, the other recently emotionally wounded by his love interest--set out to exact revenge on the female gender by seeking out the most innocent, uncorrupted girl they can find and ruining her life.
Photographer Charles Castle is numbed with grief following the death of his beautiful bride. He goes off to war, working in the trenches as a photographer. Following the war and still in ... See full summary »
Theater instructor Jerry starts an affair with Mary, and that starts a chain of events that affect their respective partners Terri and Barry and other characters in the film, creating a web of relationships. Written by
This is basically the filmed dissatisfaction of upper-class yuppie life. These are people who have everything but seem to live in a swamp of self loathing and hateful arrogance and selfishness. Their tart, affective interplay is like watching a game of mumbletypeg, but with words. These are the kind of people you would not want to live next door to, but these are the people who usually seem to win in our society, sad as that is to ponder.
Jason Patric plays the single most evil person in movie history. His 'shower scene' is sick, twisted, but oddly humorous. You hate yourself for laughing, which is the point. In that way you understand how these people are born. They are us.
This is arrogant mall culture, the kind of American decadence the Soviets warned us about. At least they were right about that.
The film is about how creeps become dissatisfied at their own creepiness. Great dialog, the ending makes complete, yet sad, sense. Our world is mad, and we need to change it, before it eats us whole.
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