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Newly arrived in an up-market housing development, quiet ten-year-old Devon doesn't quite fit in. Ignoring the urgings of her social-climbing father, Devon chooses the company of Trent, who mows the estate's lawns, rather than of the girls her own age. Their friendship grows during her visits to his trailer home, but although it is completely innocent it is obvious that it would be unacceptable to the residents if they found out. Written by
Jeremy Perkins <firstname.lastname@example.org>
Devon refers to Baba Yaga as "he" several times and describes the character as having chicken legs, however, in Russian fairy tales/folklore Baba Yaga is an old woman and gets around by flying in a mortar and pestle, it is her house that runs about on chicken legs. See more »
Once upon a time, in a far off land, lived a girl and her mother and father. Their village was surrounded by a high wall. Outside the wall was the forest, home of Baba Yaga, the witch. Baba Yaga had iron teeth like three trees. His legs were like chicken legs, and he ate little girls for dinner. But inside the wall we were safe.
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A Thousand Miles From Nowhere
Performed by Dwight Yoakam
Courtesy of Reprise Records
By Arrangement with Warner Special Products/Warner Music UK Ltd.
Written by Dwight Yoakam
Copyright Dust West Music/Warner-Tamerlane Publishing Corp.
Used by permission of Warner/Chappell Music Ltd. See more »
This is the kind of movie that independent film fans search for and hope to find. It's well-written, acted and directed with a story that's off the beaten path a bit, to be sure. It concerns the odd relationship between two people who don't exactly fit in the world an upscale suburban housing community. One is a 10 -year old girl named Devon (Mischa Barton) whose parents want her to be the perfect little daughter. She'd rather live in her own world, one in which she entertains herself with her favorite fairy tale of the child-menacing witch, Baba Yaga. The other is a twentysomething yard worker named Trent (Sam Rockwell), who is treated in this paranoid community almost like a black South African under apartheid, i.e. get in, do you work and get out.
Both of them display their non-conformist behavior early on. She climbs out her bedroom window to her roof, takes off her nightgown and watches it magically float away into the night sky. He stops on his way home from work on a one-lane bridge, blocking the traffic, and proceeds to disrobe and take a leap into the river below. Devon gets interested in him, especially after she witnesses his blatant and subtle humiliation at a neighborhood cookout, where he's come to get paid for some work. She more or less stalks him at his mobile home, even spying on him making love to one of the community's young women, a girl who will barely acknowledge him otherwise. Trent tries to shoo Devon away at first, but he can't help but be flattered by the young girl's interest.
Of course the potential for misunderstanding in this kind of relationship is great and it inevitably happens. I feared that the movie was about to fly apart after Devon's father and some others confronted Trent, but the fantastic ending (fantastic in the sense of fantasy) made me smile. If you are looking for something different, this movie definitely qualifies.
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