Neal Cassady is living the beat life during the 1940s, working at The Tire Yard and and philandering around town. However, he has visions of a happy life with kids and a white picket fence....
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Jane and Will are familiar faces on the Los Angeles club scene. They meet officially at drug rehab after Jane OD'ed and Will crashed her motorcycle driving stoned. They hit it off ... See full summary »
David Allen Griffin is a cool killer- time and time again, he chooses a female victim, studies her for weeks till he knows her routine to the smallest detail, makes meticulous preparations ... See full summary »
Sissy Hankshaw is born with enormous thumbs that help her hitchhiking through the US from a young age. She becomes a model in advertising and her NY agent 'the Countess' sends her to his ... See full summary »
Lama Norbu comes to Seattle in search of the reincarnation of his dead teacher, Lama Dorje. His search leads him to young Jesse Conrad, Raju, a waif from Kathmandu, and an upper class ... See full summary »
Martin works at the local radio station, which just hired a new scriptwriter with a reputation for great drama, Pedro Carmichael. Martin's aunt Julia, not related by blood, returns home ... See full summary »
When David Sinclair, a popular and talented high school student commits suicide, his best friend Chris takes over many of his responsibilities; from the school production of "HMS Pinafore" ... See full summary »
A talented but disenchanted high school student seeking more advanced instruction sneaks inside the ivy covered gates of nearby Brown University. Masquerading as a college student he is ... See full summary »
Yvonne de la Vega,
Neal Cassady is living the beat life during the 1940s, working at The Tire Yard and and philandering around town. However, he has visions of a happy life with kids and a white picket fence. When his girlfriend, Joan, tries to kill herself he gets scared and runs away. But when Joan reappears will he take the chance at that happiness, or will he turn his back on it? Written by
I am writing this because I am in stark disagreement with a certain editor. This little film shows excellent directing, cinematography and acting. It stands as testimony against, and is infinitely better then, most of the talentless "indie" wastes of time that you'll see in the country's smaller theaters today. Thomas Jane BECOMES a young Neal Cassady, and displays one of the finer performances you'll ever see on film. In fact, the acting is excellent overall (To which the director should be praised). Admittedly, if you are interested in the legend of Neal Cassady this movie is going to be much more interesting to you. Still, even if you are not, it is a fine story of unrequited love, with humor and the spirit of the enjoyment of life. It is a touching period piece, excellently delivered and exceptionally written. The other Cassady-driven movie (unrelated to this cast and crew) - "Heart Beat" (1980) - hits you like a stale yellow lamp on a boring Sunday afternoon by comparison. This film is vivid and beautiful. It is a shame that a film of this caliber is being ignorantly shuffled under the carpet, becoming prematurely harder to fine with each passing day, while the constant deluge of mindlessness produced by the big studios becomes marketed ad nauseam over the course of decades. Stephen T. Kay made the kind of film that inspires filmmakers.
The soundtrack - also becoming harder and harder to find - cannot be beat (It remained untouched from my CD player for months). Personally, I had never been a fan of jazz music before owning it.
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