Neal Cassady is living the beat life during the 1940s, working at The Tire Yard and and philandering around town. However, he has visions of a happy life with kids and a white picket fence.... See full summary »
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Basquiat tells the story of the meteoric rise of youthful artist Jean-Michel Basquiat. Starting out as a street artist, living in Thompkins Square Park in a cardboard box, Jean-Michel is "... See full summary »
Director:
Julian Schnabel
Stars:
Jeffrey Wright,
Michael Wincott,
Benicio Del Toro
In 1931 Paris, Anais Nin meets Henry Miller and his wife June. Intrigued by them both, she begins expanding her sexual horizons with her husband Hugo as well as with Henry and others. June ... See full summary »
Episodic look at the life of Cuban poet and novelist, Reinaldo Arenas (1943-1990), from his childhood in Oriente province to his death in New York City. He joins Castro's rebels. By 1964, ... See full summary »
Director:
Julian Schnabel
Stars:
Olatz López Garmendia,
Giovanni Florido,
Javier Bardem
A look at the life of Alfred Kinsey (Neeson), a pioneer in the area of human sexuality research, whose 1948 publication "Sexual Behavior in the Human Male" was one of the first recorded works that saw science address sexual behavior.
Neal Cassady is living the beat life during the 1940s, working at The Tire Yard and and philandering around town. However, he has visions of a happy life with kids and a white picket fence. When his girlfriend, Joan, tries to kill herself he gets scared and runs away. But when Joan reappears will he take the chance at that happiness, or will he turn his back on it? Written by
Katie
I am writing this because I am in stark disagreement with a certain editor. This little film shows excellent directing, cinematography and acting. It stands as testimony against, and is infinitely better then, most of the talentless "indie" wastes of time that you'll see in the country's smaller theaters today. Thomas Jane BECOMES a young Neal Cassady, and displays one of the finer performances you'll ever see on film. In fact, the acting is excellent overall (To which the director should be praised). Admittedly, if you are interested in the legend of Neal Cassady this movie is going to be much more interesting to you. Still, even if you are not, it is a fine story of unrequited love, with humor and the spirit of the enjoyment of life. It is a touching period piece, excellently delivered and exceptionally written. The other Cassady-driven movie (unrelated to this cast and crew) - "Heart Beat" (1980) - hits you like a stale yellow lamp on a boring Sunday afternoon by comparison. This film is vivid and beautiful. It is a shame that a film of this caliber is being ignorantly shuffled under the carpet, becoming prematurely harder to fine with each passing day, while the constant deluge of mindlessness produced by the big studios becomes marketed ad nauseam over the course of decades. Stephen T. Kay made the kind of film that inspires filmmakers.
The soundtrack - also becoming harder and harder to find - cannot be beat (It remained untouched from my CD player for months). Personally, I had never been a fan of jazz music before owning it.
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I am writing this because I am in stark disagreement with a certain editor. This little film shows excellent directing, cinematography and acting. It stands as testimony against, and is infinitely better then, most of the talentless "indie" wastes of time that you'll see in the country's smaller theaters today. Thomas Jane BECOMES a young Neal Cassady, and displays one of the finer performances you'll ever see on film. In fact, the acting is excellent overall (To which the director should be praised). Admittedly, if you are interested in the legend of Neal Cassady this movie is going to be much more interesting to you. Still, even if you are not, it is a fine story of unrequited love, with humor and the spirit of the enjoyment of life. It is a touching period piece, excellently delivered and exceptionally written. The other Cassady-driven movie (unrelated to this cast and crew) - "Heart Beat" (1980) - hits you like a stale yellow lamp on a boring Sunday afternoon by comparison. This film is vivid and beautiful. It is a shame that a film of this caliber is being ignorantly shuffled under the carpet, becoming prematurely harder to fine with each passing day, while the constant deluge of mindlessness produced by the big studios becomes marketed ad nauseam over the course of decades. Stephen T. Kay made the kind of film that inspires filmmakers.
The soundtrack - also becoming harder and harder to find - cannot be beat (It remained untouched from my CD player for months). Personally, I had never been a fan of jazz music before owning it.