Max is gay and as such is sent to Dachau concentration camp under the Nazi regime. He tries to deny he is gay and gets a yellow label (the one for Jews) instead of pink (the one for gays). ... See full summary »
During WWII, the United States set up army bases in Great Britain as part of the war effort. Against their proper sensibilities, many of the Brits don't much like the brash Yanks, ... See full summary »
HEAD IN THE CLOUDS is a sweeping romantic drama set in 1930's England, Paris, and Spain. Gilda Bessé shares her Paris apartment with an Irish schoolteacher, Guy Malyon, and Mia, a refugee ... See full summary »
Berlin 1943/44 ("The Battle of Berlin"). Felice, an intelligent and courageous Jewish woman who lives under a false name, belongs to an underground organization. Lilly, a devoted mother of ... See full summary »
He had everything and wanted nothing. He learned that he had nothing and wanted everything. He saved the world and then it shattered. The path to enlightenment is as sharp and narrow as a razor's edge.
During World War II, the organisation "The Women's Land Army" recruited women to work on British farms while the men were off to war. Three such "land girls" of different social backgrounds - quiet Stella, young hairdresser Prue, and Cambridge graduate Ag - become best friends in spite of their different backgrounds. Written by
The Reverend Alan Bennett, seen conducting the christening near the end of the film, is the actual Rector of the church where the scene was filmed. See more »
When Stella receives a phone call from her fiancé, she tells him that the "pips" are going and that he should insert more money to continue the call. The "pips" did not come in until 1959. Prior to that local calls were unlimited in duration and long distance calls were via the operator, who would announce when your time was up and you needed to insert further coins. See more »
[Ag points towards the barn]
And where's Joe?
[Ag points towards the barn again]
I should have known.
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Stella (Catherine McCormack), Prue (Anna Friel) and Ag (Rachel Weisz) play three "land girls", volunteers to carry on the agricultural work of the men. On the farm they find love, conflict, friendship and cows. The film is more of a relationship drama of those left behind than an account of the second world war.
That said it is an interesting piece - not only is it different to have a WW2 film from a British point-of-view but also from a woman's point of view. It is interesting to see how those left behind acted with their lives and their war efforts - how close to the truth this account is, anyone's guess, it's a bit unrealistic because so many girl's experiences are crammed into the story of these three. The story is good regardless with the tangled relationships creating the glut of the plot, however the many tangled love stories do get a bit much at times but the themes of love, loss and British spirit during wartime tend to make up for it.
The performance from the lead trio are mixed, Weisz is a bit stereotyped as an upper-class woman ("rotter", "jolly good" etc) but gets better as her character develops. Friel is good as Prue who starts as the roughest of the group but is touched by the events in her life. McCormack (Stella) is meant to be the core of the story with her interactions with the farmers, especially the son Joe (Steven Mackintosh), but she plays it a little over earnest for my liking. Mackintosh has the most complex role and carries it off very well with the best performance in the film.
The film's conclusion is a mix of neat, tidy endings and some more emotional moments that more realistically depict the damage that the conflict caused on the people left behind.
Overall the film is not amazing but is an interesting account of WW2 from a different point of view, some of the events are a little stereotyped and lack a realistic feel but generally the film carries the emotions that many will have experienced at the time.
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