A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
1950's Los Angeles is the seedy backdrop for this intricate noir-ish tale of police corruption and Hollywood sleaze. Three very different cops are all after the truth, each in their own style: Ed Exley, the golden boy of the police force, willing to do almost anything to get ahead, except sell out; Bud White, ready to break the rules to seek justice, but barely able to keep his raging violence under control; and Jack Vincennes, always looking for celebrity and a quick buck until his conscience drives him to join Exley and White down the one-way path to find the truth behind the dark world of L.A. crime. Written by
Greg Bole <firstname.lastname@example.org>
Pierce Patchett's business is based on the long-time rumor that there really was a house of prostitution in Hollywood that supplied ladies meticulously dressed and made up to resemble famous movie stars. In his memoir "Hollywood: Stars and Starlets, Tycoons and Flesh-Peddlers, Moviemakers and Moneymakers, Frauds and Geniuses, Hopefuls and Has-Beens, Great Lovers and Sex Symbols," Garson Kanin describes a visit to a place called Mae's where the madam dressed as Mae West and presided over a cast of replicas of Barbara Stanwyck, Joan Crawford, Carole Lombard, Marlene Dietrich and Ginger Rogers, among others. See more »
In the street scene after the kidnapped girl is rescued, a blue U.S. Postal Service box is visible. Mailboxes were painted olive drab until the color scheme was changed to red, white and blue on July 4, 1955. The U.S. Postal Service did not exist until 1971, when it replaced the U.S. Post Office Department. Prior to 1971, equipment, including trucks and mail boxes, were labeled "U.S. Mail." See more »
Come to Los Angeles! The sun shines bright, the beaches are wide and inviting, and the orange groves stretch as far as the eye can see. There are jobs aplenty, and land is cheap. Every working man can have his own house, and inside every house, a happy, all-American family. You can have all this, and who knows... you could even be discovered, become a movie star... or at least see one. Life is good in Los Angeles... it's paradise on Earth." Ha ha ha ha. That's what they ...
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Characters from the movie were incorporated into period stock footage shown during the credits See more »
L.A. Confidential most likely falls into the category of one of the best movies of the past twenty years. The complex story line seemed to burst at the seams with intelligence. I found the complexity of several different sub-plots working together challenged the intellectual part of my brain while the intense action through out the entire movie satisfied the craving of the not-so-intellectual part of my brain that enjoys seeing a good brawl followed by a good shoot-out. Brian Helgeland and Curtis Hanson did and excellent job of combining many elements of several different kinds of films into one. They seem to have made this movie with several different audiences in mind. I for one, as I have mentioned, enjoyed the intellectual aspect as well as the action, while my wife enjoyed the combination of a love story with drama. It really has something for everyone. Bringing together all of these elements into one film sets it apart from many others. Of course the best aspect of L.A. Confidential is the way that not everything is as it seems, and then, in an instant, all of the plots are sprung like a trap and come together for a grand finale. Overall L.A. Confidential is an exceptional film that contains something for everyone.
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