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L.A. Confidential (1997)

8.3
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Ratings: 8.3/10 from 336,598 users   Metascore: 90/100
Reviews: 600 user | 166 critic | 28 from Metacritic.com

As corruption grows in 1950s LA, three policemen - one strait-laced, one brutal, and one sleazy - investigate a series of murders with their own brand of justice.

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(novel), (screenplay), 1 more credit »
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Title: L.A. Confidential (1997)

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Top 250 #93 | Won 2 Oscars. Another 87 wins & 65 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Mickey Cohen's Mambo Partner
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Mickey Cohen's Mambo Partner
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Officer Arresting Mickey Cohen
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Storyline

1950's Los Angeles is the seedy backdrop for this intricate noir-ish tale of police corruption and Hollywood sleaze. Three very different cops are all after the truth, each in their own style: Ed Exley, the golden boy of the police force, willing to do almost anything to get ahead, except sell out; Bud White, ready to break the rules to seek justice, but barely able to keep his raging violence under control; and Jack Vincennes, always looking for celebrity and a quick buck until his conscience drives him to join Exley and White down the one-way path to find the truth behind the dark world of L.A. crime. Written by Greg Bole <bole@life.bio.sunysb.edu>

Plot Summary | Plot Synopsis

Plot Keywords:

police | corruption | 1950s | violence | murder | See more »

Taglines:

It's a crime saga that will shock you. It's a mystery that will keep you guessing. It's a thriller that will keep you riveted. See more »


Motion Picture Rating (MPAA)

Rated R for strong violence and language, and for sexuality | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

19 September 1997 (USA)  »

Also Known As:

Los Ángeles al desnudo  »

Box Office

Budget:

$35,000,000 (estimated)

Opening Weekend:

£112,543 (UK) (2 January 1998)

Gross:

$64,604,977 (USA) (29 May 1998)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The cartoon on the TV as White enters the house in which Inez Soto is tied to the bed is the 1932 Terrytoon "Noah's Outing" featuring Farmer Al Falfa. It has virtually no dialogue, and the snippet in the movie includes the only lines of voice-over narration in the cartoon ("Two by two on the Ark they go, / Sailing away where breezes blow"). See more »

Goofs

As Bud White views Sid Hudgen's body in Hudgens's office, a uniformed policeman addresses him as "Sergeant White..." Bud White was a plain clothes Detective, but did not hold the rank of sergeant. See more »

Quotes

[first lines]
Sid Hudgens: [voiceover] Come to Los Angeles! The sun shines bright, the beaches are wide and inviting, and the orange groves stretch as far as the eye can see. There are jobs aplenty, and land is cheap. Every working man can have his own house, and inside every house, a happy, all-American family. You can have all this, and who knows... you could even be discovered, become a movie star... or at least see one. Life is good in Los Angeles... it's paradise on Earth." Ha ha ha ha. That's what they ...
See more »

Crazy Credits

Characters from the movie were incorporated into period stock footage shown during the credits See more »

Connections

Features Perry Como's Kraft Music Hall (1948) See more »

Soundtracks

Powder Your Face with Sunshine
(1948)
Written by Carmen Lombardo and Stanley Rochinski
Performed by Dean Martin
Courtesy of Capitol Records
Under license from EMI-Capitol Special Markets
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
***** Best Film of the 90s
17 February 2000 | by (Toronto, Ontario) – See all my reviews

Hands-down my favourite American film of the nineties. Curtis Hanson shocked the world by proving to be not only a great director but an auteur with this unbeatable adaptation of James Ellroy's terrifying novel about corruption and crime among members of the LAPD in the 1950s. The hard-boiled detective story angle is brought to life so beautifully, mostly because Jeannine Claudia Oppewall's production design recreates the dark underside of the 50s to such perfection that not even a Coke bottle label is missed. Add to that Dante Spinotti's stunning lighting that rides the fine line between artistic and believable comfortably (as all period camerawork should), Ruth Myers' costume designing and a script by Hanson and The Postman scribe Brian Helgeland (I know, I don't get it either) that pares down Ellroy's mammoth plot about a multiple murder in a local diner involving a policeman with suspicious ties without sacrificing the density of the story or the spiderweb of events involved with it, and you have the best movie of 1997, not to mention the most fascinating detective film ever made since Orson Welles' Touch of Evil. The cast is all brilliant, most notably Kim Basinger as a wordly prostitute who has not only a heart of gold but a mind of steel--Basinger is so strong in her character's every nuance you'll find yourself forgetting she's even acting--and Kevin Spacey as a Dean Martin-esque detective who not only solves an important part of the puzzle, he even discovers he possesses a soul beneath his flashy suits. I just can't get enough of this film.


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Recent Posts
Did not understand this movie fanslayer
Which is the best film ever made in which LA is the star? fnj2002
Was the normal technicolor film altered? jonjax71
Why did Exely and Lynn sleep together? nestag
Who has read the novel by James McElroy? jeff-s-bray
Rollo Tomasi connection? mherch2833
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