A group of professional bank robbers start to feel the heat from police when they unknowingly leave a clue at their latest heist, while both sides attempt to find balance between their personal and their professional lives.
A tale of greed, deception, money, power, and murder occur between two best friends: a mafia enforcer and a casino executive, compete against each other over a gambling empire, and over a fast living and fast loving socialite.
1950's Los Angeles is the seedy backdrop for this intricate noir-ish tale of police corruption and Hollywood sleaze. Three very different cops are all after the truth, each in their own style: Ed Exley, the golden boy of the police force, willing to do almost anything to get ahead, except sell out; Bud White, ready to break the rules to seek justice, but barely able to keep his raging violence under control; and Jack Vincennes, always looking for celebrity and a quick buck until his conscience drives him to join Exley and White down the one-way path to find the truth behind the dark world of L.A. crime. Written by
Greg Bole <email@example.com>
Also in the DVD special features documentary "Off the Record," author James Ellroy states: "Nat Sobel, my agent and I, laughed like hell, because we thought this fucker was movie adaptation-proof. It was big, it was bad, it was bereft of sympathetic characters; it was unconstrainable, uncontainable, and unadaptable!" See more »
In the street scene after the kidnapped girl is rescued, a blue U.S. Postal Service box is visible. Mailboxes were painted olive drab until the color scheme was changed to red, white and blue on July 4, 1955. The U.S. Postal Service did not exist until 1971, when it replaced the U.S. Post Office Department. Prior to 1971, equipment, including trucks and mail boxes, were labeled "U.S. Mail." See more »
Come to Los Angeles! The sun shines bright, the beaches are wide and inviting, and the orange groves stretch as far as the eye can see. There are jobs aplenty, and land is cheap. Every working man can have his own house, and inside every house, a happy, all-American family. You can have all this, and who knows... you could even be discovered, become a movie star... or at least see one. Life is good in Los Angeles... it's paradise on Earth." Ha ha ha ha. That's what they ...
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Characters from the movie were incorporated into period stock footage shown during the credits See more »
L.A. Confidential is, without a doubt, the best film of the 1990s, and quite possibly one of the best films ever made.
As with any great film, it all starts with the writing. The story is riveting, the dialogue is smart and quite funny, and the characters are written in three dimensions.
The acting is phenomenal. Perhaps a bigger tragedy than L.A. Confidential's loss to Titanic in the Best Picture race is that none of the three lead actors even garnered nominations. Russell Crowe, Guy Pearce, and Kevin Spacey are absolutely phenomenal; it is their characters that drive this fascinating story about police corruption in 1950s Los Angeles. We get to know these people, to understand who they are and why they do what they do, and to root for them to overcome their imperfections.
The directing is fantastic. Curtis Hanson doesn't shove anything in the audience's face; instead, he allows the audience to discover the film's nuances on their own. (That makes this an excellent film for repeat viewings, you truly catch something new every time). 1950s Los Angeles is reproduced beautifully. The editing is quick and seamless, the music is perfect for the film (Hanson should teach other directors how to do a montage effectively), and the cinematography is great.
I can't find a negative thing to say about this film. It's truly a masterpiece.
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