L.A. Confidential (1997)

Director:

Curtis Hanson

Writers (WGA):

James Ellroy (novel)
Brian Helgeland (screenplay) ...

Release Date:

19 September 1997 (USA)

Genre:

Crime | Drama | Mystery | Thriller

Tagline:

Off the record, on the QT, and very hush-hush...

Plot:

A shooting at an all night diner is investigated by three LA policemen in their own unique ways.

Plot Keywords:

Police | 1950s | Violence | Corruption | Diner

Awards:

Won 2 Oscars. Another 69 wins & 43 nominations

Cast

Kevin Spacey	...	Jack Vincennes
Russell Crowe	...	Bud White
Guy Pearce	...	Ed Exley
James Cromwell	...	Dudley Smith
Kim Basinger	...	Lynn Bracken
Danny DeVito	...	Sid Hudgens
David Strathairn	...	Pierce Patchett
Ron Rifkin	...	D.A. Ellis Loew
Matt McCoy	...	'Badge of Honor' Star Brett Chase
Paul Guilfoyle	...	Mickey Cohen
Paolo Seganti	...	Johnny Stompanato
Elisabeth Granli	...	Mickey Cohen's Mambo Partner
Sandra Taylor	...	Mickey Cohen's Mambo Partner
Steve Rankin	...	Officer Arresting Mickey Cohen
Graham Beckel	...	Dick Stensland

MPAA:

Rated R for strong violence and language, and for sexuality.

Runtime:

138 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS | Dolby Digital

Certification:

Iceland:16 | South Korea:18 | USA:R (certificate #35218) | Philippines:R-18 | Brazil:18 | USA:TV-MA (TV rating) | Argentina:16 | Australia:MA | Belgium:KT | Canada:18A | Chile:14 | Finland:K-16 | France:U | Germany:16 (w) | Hong Kong:IIB | Netherlands:12 (original rating) | Netherlands:16 (DVD rating) | New Zealand:R18 | Norway:15 | Peru:14 | Portugal:M/12 | Singapore:M18 (DVD rating) | Singapore:R(A) (original rating) | Spain:18 | Sweden:15 | UK:18

Filming Locations:

1714 Gramercy Place, Los Angeles, California, USA

Company:

Regency Enterprises

Trivia:

At the end of the opening credits, where you see a copy of Hush-Hush Magazine before Curtis Hanson's director credit appears, the magazine's main cover story is an interview with mob boss Mickey Cohen. The other front page story is Ingenue Dykes in Hollywood. This leads into the scene a short time afterward, when Sid Hudgens, Hush-Hush's editor, approaches Jack Vincennes. Jack introduces Sid to his dance partner, Karen, who walks away. Jack then asks what's wrong and Sid explains "We did a piece on Ingenue Dykes and her name got mentioned."

Goofs:

Revealing mistakes: When Exley talks to Vincennes about Rolo Tomassi, Guy Pearce's English accent accidentally slips when he tells Jack, "I just wanna solve this thing".

Quotes:

[first lines]
Sid Hudgens: [voiceover] Come to Los Angeles! The sun shines bright, the beaches are wide and inviting, and the orange groves stretch as far as the eye can see. There are jobs aplenty, and land is cheap. Every working man can have his own house, and inside every house, a happy, all-American family. You can have all this, and who knows... you could even be discovered, become a movie star... or at least see one. Life is good in Los Angeles... it's paradise on Earth." Ha ha ha ha. That's what they tell you, anyway.

Movie Connections:

Referenced in 101 Biggest Celebrity Oops (2004) (TV)

Soundtrack:

Mele Kalikimaka

Everything in this film is fantastic.

L.A. Confidential is, without a doubt, the best film of the 1990s, and quite possibly one of the best films ever made.

As with any great film, it all starts with the writing. The story is riveting, the dialogue is smart and quite funny, and the characters are written in three dimensions.

The acting is phenomenal. Perhaps a bigger tragedy than L.A. Confidential's loss to Titanic in the Best Picture race is that none of the three lead actors even garnered nominations. Russell Crowe, Guy Pearce, and Kevin Spacey are absolutely phenomenal; it is their characters that drive this fascinating story about police corruption in 1950s Los Angeles. We get to know these people, to understand who they are and why they do what they do, and to root for them to overcome their imperfections.

The directing is fantastic. Curtis Hanson doesn't shove anything in the audience's face; instead, he allows the audience to discover the film's nuances on their own. (That makes this an excellent film for repeat viewings, you truly catch something new every time). 1950s Los Angeles is reproduced beautifully. The editing is quick and seamless, the music is perfect for the film (Hanson should teach other directors how to do a montage effectively), and the cinematography is great.

I can't find a negative thing to say about this film. It's truly a masterpiece.