1950's Los Angeles is the seedy backdrop for this intricate noir-ish tale of police corruption and Hollywood sleaze. Three very different cops are all after the truth, each in their own style: Ed Exley, the golden boy of the police force, willing to do almost anything to get ahead, except sell out; Bud White, ready to break the rules to seek justice, but barely able to keep his raging violence under control; and Jack Vincennes, always looking for celebrity and a quick buck until his conscience drives him to join Exley and White down the one-way path to find the truth behind the dark world of L.A. crime. Written by
Greg Bole <email@example.com>
Mickey Cohen, the mobster who gets locked up which causes the war for control of the drug trade in the story, was a real-life Los Angeles mobster from the late '30s until his death in 1976 after two imprisonments for tax evasion. He was a small-time hood who joined forces with New York gangster Bugsy Siegel when Siegel came to L.A. to run the rackets (see the film Bugsy (1991)). After Siegel's murder in 1947, Cohen took over the rackets that Bugsy had built up, including labor union shakedowns at the studios, drug trafficking, gambling and prostitution. He was so hated by the police that he was constantly arrested for any crime, big or small (he was once arrested for using foul language on the street). As shown in the movie, he was eventually imprisoned for income tax evasion and spent nearly ten years in prison. After his release, he was semi-retired from the rackets and lived off his wealth, remaining a colorful character in Los Angeles until his death in 1976. See more »
At the start just after Ed Exley is interviewed Edmund Exley and Dudley Smith walk down the stairs of the police station where Dudley picks up two drinks, he hands one to Ed and the other for himself. When Dudley walks away his has disappeared. See more »
Come to Los Angeles! The sun shines bright, the beaches are wide and inviting, and the orange groves stretch as far as the eye can see. There are jobs aplenty, and land is cheap. Every working man can have his own house, and inside every house, a happy, all-American family. You can have all this, and who knows... you could even be discovered, become a movie star... or at least see one. Life is good in Los Angeles... it's paradise on Earth." Ha ha ha ha. That's what they ...
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At the end of all the credits, there is a brief scene from "Badge of Honor" featuring a onscreen dedication in honor of Sgt. Jack Vincennes (Kevin Spacey), who within the film had served as the "Hollywood cop" and advisor to the film. The scene shows a black-and-white closing moment of "Badge of Honor" with the credits inscribed as "Dedicated to Sgt. Jack Vincennes," as Badge of Honor actor (Matt McCoy) closes the door on the HOMICIDE office and walks sorrowfully away. See more »
When a film evokes an era as well as L.A. Confidential does, people take notice. It could be argued that it is easier to replicate the recent past than the distant on film, and in a sense this is true. Costumes, language, and the necessary absence of the modern in "period pieces" make them expensive and difficult to film. But couldn't it be argued that it is just as difficult to make a film about more recent periods? I have no knowledge of how a Victorian era table was set, or what a knight really spoke like; we are subject to the directors view of reality. But what if a good deal of your audience lived through the time you are portraying, as in the case of the 1950's? I can even envision my grandfather coming back from WW2 to a booming economy, and living in the world Curtis Hanson created.
The real genus of this film is that it creates not only a physical world, but one with all the politics, corruption, racism and inequity of the time. As a result we feel the characters motivations and understand their faults all the better; Bud White, Ed Exley, Lynn Bracken and Lana Turner all live here.
This film, like others that make us believe we are there for two hours (and $7.50), will endure. I was thinking a perfect double feature would be with Chinatown, another film that will stand the test of time.
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