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Directed by | |||
| Martin Scorsese | |||
Writing credits(WGA) | ||
| Melissa Mathison | (written by) | |
Original Music by | |||
| Philip Glass | |||
Cinematography by | |||
| Roger Deakins | |||
Film Editing by | |||
| Thelma Schoonmaker | |||
Casting by | |||
| Ahmed Abounouom | |||
| Ellen Lewis | |||
Production Design by | |||
| Dante Ferretti | |||
Art Direction by | |||
| Franco Ceraolo | |||
| Massimo Razzi | |||
| Alan Tomkins | (supervising art director) (as Alan R. Tomkins) | ||
Set Decoration by | |||
| Francesca Lo Schiavo | |||
Costume Design by | |||
| Dante Ferretti | |||
Makeup Department | |||
| Hayat Ouled Dahhou | .... | hair stylist | |
| Elisabetta De Leonardis | .... | hair stylist | |
| Mirella Ginnoto | .... | key hair stylist | |
| Giorgio Gregorini | .... | hair stylist | |
| Fabrizio Sforza | .... | key makeup artist | |
Production Management | |||
| Leslie Kobyluck | .... | production manager: second unit | |
| Roberto Malerba | .... | unit production manager | |
| Karen L. Thorson | .... | post-production supervisor | |
Art Department | |||
| Elio Altamura | .... | dressing props | |
| Alice Baker | .... | assistant set decorator | |
| Brian Bishop | .... | scenic painter | |
| Doug Bishop | .... | scenic painter | |
| Mike Fowlie | .... | property master | |
| Abdenabi Izlaguen | .... | props | |
| Byron K. Lovelace | .... | property master | |
| Byron K. Lovelace | .... | property master: New York second unit | |
| Byron K. Lovelace | .... | props: New York | |
| Roberto Magagnini | .... | dressing props | |
| Darryl Paterson | .... | stand-by prop | |
| Rachid Quiat | .... | assistant art director | |
| Luigi Sergianni | .... | construction manager | |
| Domenico Sica | .... | assistant art director | |
| Ivano Todeschi | .... | scenic painter | |
| Gary Wiffen | .... | dressing props | |
Sound Department | |||
| Tim J. Carroll | .... | consultant: Dolby Digital | |
| Benjamin Cheah | .... | assistant sound editor | |
| Marko A. Costanzo | .... | foley artist | |
| Kay Denmark | .... | adr boom operator | |
| Matthew Desorgher | .... | boom operator | |
| Tom Fleischman | .... | sound re-recording mixer | |
| Nicholas Renbeck | .... | dialogue editor | |
| Steven J. Rogers | .... | sound mixer: second unit | |
| Philip Stockton | .... | supervising sound editor | |
| Clive Winter | .... | sound mixer | |
| Dustin DuPilka | .... | assistant foley artist (uncredited) | |
Special Effects by | |||
| Conor Coughlan | .... | special effects technician | |
| Massimo Cristofanelli | .... | special effects | |
| Kevin Hannigan | .... | senior special effects | |
| Kevin Hannigan | .... | special effects coordinator | |
Visual Effects by | |||
| Craig Barron | .... | visual effects supervisor: Matte World Digital | |
| Jennifer Basnyat | .... | visual effects | |
| Jeff Burks | .... | visual effects supervisor | |
| Doug Delaney | .... | scanning and recording | |
| Krystyna Demkowicz | .... | executive in charge of production: Matte World Digital | |
| Rick Dunn | .... | compositor: Digital Domain | |
| Mark O. Forker | .... | digital compositing supervisor | |
| Karl Formander | .... | digital compositor | |
| Simon Haslett | .... | digital effects artist | |
| Claas Henke | .... | compositor: Digital Domain | |
| Dennis Hoffman | .... | visual effects executive producer: DQI | |
| Christopher Holsey | .... | scan record supervisor | |
| Brian Leach | .... | compositor | |
| Joe Mandia | .... | digital artist | |
| John McCunn | .... | pipeline engineer | |
| Matt McDonald | .... | digital compositor | |
| Kelvin McIlwain | .... | matte artist: illusion arts | |
| Brandon McNaughton | .... | digital compositor | |
| Craig Mullins | .... | digital matte painter | |
| John Murrah | .... | technical director | |
| Howie Muzika | .... | rotoscope artist | |
| Erik Nash | .... | visual effects director of photography | |
| Tony Noel | .... | digital compositor | |
| Brian Peyatt | .... | technical coordinator | |
| Linda Renaud | .... | assistant visual effects editor | |
| Paul Rivera | .... | digital composite supervisor: Mate World Digital | |
| Carl Seibert | .... | visual effects producer | |
| Lisa Spence | .... | digital effects coordinator | |
| Melissa Taylor | .... | visual effects producer | |
| Cari Thomas | .... | visual effects producer | |
| Morgan Trotter | .... | CG artist | |
| R. Gern Trowbridge | .... | best boy electric: visual effects unit | |
| Michael Ventresco | .... | title designer | |
| Michael Ventresco | .... | visual effects | |
| Grant Viklund | .... | digital technical assistant | |
| Kieran Woo | .... | production controller: pre-production, Digital Domain | |
| Kyle J. Healey | .... | digital effects technician (uncredited) | |
| James Healy | .... | digital systems administrator (uncredited) | |
| Rick Lopez | .... | scanning and recording technician (uncredited) | |
| Geoff Richardson | .... | digital compositor: Matte World Digital (uncredited) | |
Stunts | |||
| Stefano Maria Mioni | .... | stunts | |
Casting Department | |||
| Ahmed Abounouom | .... | extras casting | |
Costume and Wardrobe Department | |||
| Romano Amidei | .... | set costumer | |
| Edelweis Azzurro | .... | tailor | |
| Nezha Dakil | .... | set costumer | |
| Ali Lammari | .... | set costumer | |
| Elsa Malandra | .... | tailor | |
| Mustapha Mimis | .... | set costumer | |
| Bona Nasalli-Rocca | .... | wardrobe supervisor (as Bona Nasalli Rocca) | |
| Abdelfattah Qzaibar | .... | costume aging and dying | |
| Marina Roberti | .... | set costumer | |
| Maria Antonietta Salvatori | .... | seamstress | |
| Salvatore Salzano | .... | tailor | |
| Dana Schondelmeyer | .... | costumes | |
| Edda Soliani | .... | tailor | |
| Hassan Taghriti | .... | set costumer | |
| Madoka Tomoi | .... | set costumer | |
Editorial Department | |||
| Tom Foligno | .... | first assistant editor | |
| David Orr | .... | color timer | |
| Kyle Ann Stokes | .... | apprentice editor | |
| Sara Thorson | .... | second assistant editor | |
Music Department | |||
| Nancy Allen | .... | assistant music editor | |
| Martin Czembor | .... | music engineer | |
| Suzana Peric | .... | music editor | |
| Michael Riesman | .... | conductor | |
Thanks | |||
| The Dalai Lama | .... | acknowledgment (as His Holiness the Dalai Lama) | |
| Catherine Scorsese | .... | dedicatee | |
| Company credits | Box office and business | Technical specifications |
| Crazy credits | Main details |