Martin Scorsese interviews his mother and father about their life in New York City and the family history back in Sicily. These are two people who have lived together for a long time and ... See full summary »
The Tibetans refer to the Dalai Lama as 'Kundun', which means 'The Presence'. He was forced to escape from his native home, Tibet, when communist China invaded and enforced an oppressive regime upon the peaceful nation of Tibet. The Dalai Lama escaped to India in 1959 and has been living in exile in Dharamsala ever since. Written by
The Dalai Lama and his family were portrayed by actual relatives of the Dalai Lama himself, now living in refugee in Dalamsala as well as abroad. Tenzin Thuthob Tsarong who played the adult Dalai Lama is his grand nephew. See more »
When the young boy is first being tested, he is presented with several pairs of objects to choose between. When it comes to choosing between two bowls, he picks up the bowl on the right and examines it. When he places the bowl back on the table, he has the bowl on the left in his hand. See more »
I will liberate those not liberated. I will release those not released. I will relieve those unrelieved. And set living beings in nirvana.
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The Touchstone Pictures logo shown after the end credits is red. See more »
I was very pleased to discover that this film wasnt the Scorcese dud some of the user comments and critics had suggested it to be. While I am no expert on Buddhism, I know enough about it to see how brilliantly Martin Scorcese and Melissa Mathison weaved the core philosophy into this tale of the Dalai Lama's formative years. They did it without succumbing to ostentation, sentimentality, or populist good vs evil film dramatics. And yet it showed us how human the child was--laughing as the monks meditated while a rat drank the ritual offerings; being frightened in the dark monastery; taking on the very great responsibility of leading a truly wise, noble and compassionate religion while being confronted by the threats of the modern world. I appreciated how they didnt portray the Chinese as simple villians--by including the scene where he dreams the army personnel are explaining to him why they embrace Mao's communism. And they also presented enough of the Buddhist ritual and way of life to show us how alien it is to western religions(the scene where they cut up the body for the vultures comes to mind), though they dont gloss it over by excluding comments about the Lama's isolation and loss of childhood or the corruption surrounding his first Regent. It was also quite moving to observe the devotion of his monks and people.
Scorcese really demonstrates here that he is a true film artist and master storyteller. I wholeheartedly concur with the commentator that compared this film to the Last Emperor--despite similar story frames and lengths, this motion picture doesnt drag at all. If this had been say, Steven Spielberg's project you would have expected to see some manipulative melodramatics and insincerity. And how can one not be impressed by the performances he got out of mostly non actors! That alone was amazing. The film maintained its pace from the early years to the Lama as an adult. From what little of the man I have seen on tv, his humor, and wisdom was conveyed remarkably well by Mathison's script and the actors chosen for the role.
Finally, his comment to the Indian guard near the end after being asked if he was the Lord Buddha--encapsulates the wisdom and the humility of its spiritual leader perfectly.
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