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As the Civil War continues to rage, America's president struggles with continuing carnage on the battlefield and as he fights with many inside his own cabinet on the decision to emancipate the slaves.
Director:
Steven Spielberg
Stars:
Daniel Day-Lewis,
Sally Field,
David Strathairn
A man in his forties is going to die and remembers his past. His childhood, his mother, the war, personal moments but things that also tell the story of all the Russian nation...
The Tibetans refer to the Dalai Lama as 'Kundun', which means 'The Presence'. He was forced to escape from his native home, Tibet, when communist China invaded and enforced an oppressive regime upon the peaceful nation of Tibet. The Dalai Lama escaped to India in 1959 and has been living in exile in Dharamsala ever since. Written by
Deki
Filming in Tibet was not possible; Morocco was used instead. See more »
Goofs
Some of the Chinese soldiers with goggles that go marching by are obviously Caucasian. See more »
Quotes
Dalai Lama:
Thus by the virtue that has collected through all that I have done may the pain of every living creature be completely cleared away.
See more »
Crazy Credits
The Touchstone Pictures logo shown after the end credits is red. See more »
"Kundun" is one of those rare masterpieces that unfortunately might be run over by more Hollywood acceptable films like "Titanic" and "Seven Years in Tibet" (both films that I still admire). While these films were great, their primary purpose seemed to be entertainment alone. Scorsese creates a work out of the bounds of traditional films; "Kundun" is at once a spiritual journey, a compelling story despite its downplayed action, and a delight for the eyes and ears. It is both entertainment and art. The audience isn't captivated by dramatic action, but simply because it is so beautiful. At the same time, it doesn't produce the slightly sleepy sensation other artistic works like "The Last Emperor of China" can, despite their beauty (I personally loved "Last Emperor"). Not once was I tempted to turn away from the screen.
Scorsese mixes symbolic images and a subtle yet emotionally stirring soundtrack into a non-traditional plot structure, creating an exotic and spiritual vision meeting the demands of its eastern inspiration.
I am not a historian, so I cannot speak about its accuracy, though from what I can tell, Scorsese did his homework. Even if that were not true, this film is not meant as a documentary. It has the same emotional power of the finest art, with a simplicity and directness which keeps it from being pretentious. If you add to this historical accuracy, all the better. But it is not meant to influence via facts but via emotion.
Even those viewers who don't normally sit through credits will most likely do so, simply for the chance to let the film soak in. You need the time to digest everything you've been shown and to sit in contemplative peace. This is a film that inspires and delights. It is the film I wish I could have created. Scorsese has certainly produced the best film of the year, if not more.
38 of 44 people found this review helpful.
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"Kundun" is one of those rare masterpieces that unfortunately might be run over by more Hollywood acceptable films like "Titanic" and "Seven Years in Tibet" (both films that I still admire). While these films were great, their primary purpose seemed to be entertainment alone. Scorsese creates a work out of the bounds of traditional films; "Kundun" is at once a spiritual journey, a compelling story despite its downplayed action, and a delight for the eyes and ears. It is both entertainment and art. The audience isn't captivated by dramatic action, but simply because it is so beautiful. At the same time, it doesn't produce the slightly sleepy sensation other artistic works like "The Last Emperor of China" can, despite their beauty (I personally loved "Last Emperor"). Not once was I tempted to turn away from the screen.
Scorsese mixes symbolic images and a subtle yet emotionally stirring soundtrack into a non-traditional plot structure, creating an exotic and spiritual vision meeting the demands of its eastern inspiration.
I am not a historian, so I cannot speak about its accuracy, though from what I can tell, Scorsese did his homework. Even if that were not true, this film is not meant as a documentary. It has the same emotional power of the finest art, with a simplicity and directness which keeps it from being pretentious. If you add to this historical accuracy, all the better. But it is not meant to influence via facts but via emotion.
Even those viewers who don't normally sit through credits will most likely do so, simply for the chance to let the film soak in. You need the time to digest everything you've been shown and to sit in contemplative peace. This is a film that inspires and delights. It is the film I wish I could have created. Scorsese has certainly produced the best film of the year, if not more.