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A barbarian named Kull unexpectedly becomes a king after an old king (whom Kull has just killed in a battle) gives his crown to him. But direct heirs of a killed king, trying to topple Kull and regain the throne, bring an old witch-queen Akivasha back to life. Their plan backfires, however, as Akivasha is going to allow their lords - demons - to rule the kingdom. The only thing that can stop her now is a breath of the god Volka. Written by
Boris Shafir <firstname.lastname@example.org>
One of the film's taglines is "Son of Conan". Although Conan and Kull were characters created by Robert E. Howard, Kull of Atlantis, in the original stories, came from pre-cataclysmic Atlantis c. 100,000 B.C and Conan the Cimmerian was from the ancient Hyborian-age, after the destruction of Atlantis and before the rise of the ancient civilizations. This means Kull came before Conan and the two characters are father and son and Conan's father was a Cimmerian blacksmith. See more »
In the duel between Kull and Taligaro at the beginning, the width of the blindfolds changes between shots. See more »
You see, m'lord, every noble has brought the prize of his house. Fanara, from the House of Balin. As pure as virgin snow.
[Kull looks closely at her]
She's not that pure.
See more »
More TV's Hercules than a cinematic swords & sorcery epic but still entertaining at the former's level
Former slave and pirate, Kull is now a great warrior but can't seem to fit in with the army because he is one of the few who does not have noble blood. When he stands up to the King for slaying his relatives, Kull is forced to fight and kill him and, as a result, the King sees the light and passes the crown to Kull seconds before dying. The Princes don't like it and the court officials are pretty unimpressed but the law is the law and whatcha gonna do? When he starts to free slaves, treat lesser as equals and generally be a nice king, the Princes plot his removal but when assassins fail they go to a wizard to breathe life into a demon in a ginger wig in the form of a gorgeous woman.
I must admit that, when I recorded this I thought that it was Krull from 1983 simply because I had misread the television guide. Never having bothered with Xena, Hercules or any of these modern swords and sorcery television series and movies that tend to clutter some cable stations in the UK because they all seemed of very low quality to me, but I still decided to watch this anyway. Perhaps it is because the lack of development and character isn't a major problem for me over 90 minutes whereas it is over a 22 week long series but I actually did enjoy this even if it just plays like an extended version of one of these shows all rock music and modern humour.
The plot is very simple but is enough to allow for the basic fighting and swaggering that the audience would demand. It isn't that well written of course and simply has lots of mystical nonsense in the place of narrative while the characters could only be more one-dimensional if they had been painted onto a wall. Likewise the cast don't do a great deal but at least they seem to be having fun and at least not take it too seriously. Although I'm not about to claim he is anything other than a muscle-bound cable television actor, I was quite won over by Sorbo's charisma and good humour he makes a good lead for stuff at this sort of level. Despite being stuck in a silly red wig that does nothing for her looks, Carrere enjoys overacting in a vampy role which is good even if she has little screen time. Lombard has a plainer, less fun role but I did enjoy her and she worked well with Sorbo. The princes are quite fun, in particular Griffith and, as always, Fierstein camps in up in the way only he can. None of them are great but at least they make the film seem like a bit more fun.
Overall this is not the film to come to if you don't like the genre or have standards higher that daytime television (Hercules is now a kids TV filler on channel 5 here) but if you like that sort of thing then this does just about enough to be an entertaining little bit of modern sword and sorcery in the mould of, well, everything else Sorbo has been in!
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