Directed by | |||
| Mike van Diem | |||
Writing credits(in alphabetical order) | ||
| Ferdinand Bordewijk | short story "Dreverhaven en Katadreuffe" and novel "Karakter" (as F. Bordewijk) | |
| Mike van Diem | screenplay | |
| Laurens Geels | screenplay | |
| Ruud van Megen | screenplay | |
Produced by | |||
| Sam Cerulus | .... | co-producer | |
| Laurens Geels | .... | producer | |
| Dick Maas | .... | executive producer | |
| Niko Post | .... | supervising producer | |
| Jerzy Rutowicz | .... | line producer: Poland | |
| Stefan Schubert | .... | line producer: Germany | |
Original Music by | |||
| Paleis van Boem | (as Het Paleis van Boem) | ||
Cinematography by | |||
| Rogier Stoffers | |||
Film Editing by | |||
| Jessica de Koning | |||
Casting by | |||
| Jeannette Snik | |||
Production Design by | |||
| Rikke Jelier | (as Jelier) | ||
| Alfred Schaaf | (as Schaaf) | ||
Costume Design by | |||
| Jany Temime | |||
Makeup Department | |||
| Tanja de Jong | .... | makeup assistant | |
| Kathy Kühne | .... | makeup artist | |
| Floris Schuller | .... | special makeup effects artist | |
| Annick van Gijsegem | .... | assistant makeup artist: Belgium | |
| Hennesien van Walderveen | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Pieter Walther Boer | .... | first assistant director | |
Art Department | |||
| Justine Bakker | .... | assistant art director | |
| Percy Bunnik | .... | set painter | |
| Stephan Busschots | .... | set painter: Belgium (as Stefan Busschots) | |
| Antoine Carton de Gramont | .... | set constructor: Belgium (as Antoine Carton de Grammont) | |
| Tomas Cerny | .... | set constructor: Belgium (as Thomas Cerny) | |
| Bert Collewijn | .... | set painter (as Bert Kollewijn) | |
| Paul de Bruijn | .... | art department assistant | |
| Robert de Bruijn | .... | production decor | |
| Pierre De Craen | .... | set painter: Belgium (as Pierre Decraen) | |
| Thijs van Ballegooien de Jong | .... | set constructor | |
| Eric De Wulf | .... | set painter: Belgium | |
| Roger Denton | .... | set painter | |
| Mark Gaskemper | .... | art department assistant (as Marc Gastkemper) | |
| Wim Gerbscheid | .... | set painter (as Wim Gerpscheid) | |
| Mai Gulbrandsen | .... | scenic artist (as Mai Gulbrandson) | |
| Myrte Heidelberg | .... | set constructor (as Myrthe Heidelberg) | |
| Elmer Jacobs | .... | set contructor | |
| Hans Jongsma | .... | set constructor | |
| Willem Klewais | .... | set constructor: Belgium | |
| Jorrit Kortenhorst | .... | construction coordinator | |
| Aswintha Lam | .... | assistant set dresser | |
| Michael Lennemann | .... | construction manager: Germany | |
| Kurt Loyens | .... | prop buyer | |
| Jurriaan Löwesteyn | .... | set constructor (as Jurriaan Lowestein) | |
| John McGuigan | .... | set painter | |
| Elvira Min | .... | set painter | |
| Roberto Minutoli | .... | set painter | |
| Roland Mylanus | .... | set designer | |
| Rik Overberg | .... | set painter | |
| Claire Pierlot | .... | set constructor: Belgium | |
| Jakke Pleijsier | .... | set constructor: Belgium | |
| Matthieu Ploum | .... | construction coordinator | |
| Robert Reinders | .... | set constructor | |
| Mario Richter | .... | set constructor | |
| Gennaro Rosato | .... | assistant set designer (as Genaro Rosato) | |
| Stephan Rubens | .... | construction manager: Belgium | |
| Bruno Ruwet | .... | set painter: Belgium | |
| Bart Scheerlinck | .... | set constructor: Belgium | |
| Rob Siblenzs | .... | set constructor | |
| Didier Smidts | .... | set painter: Belgium | |
| Peter Soete | .... | set painter: Belgium | |
| Kees Starink | .... | construction manager: Netherlands | |
| Jean Marc Steijns | .... | set constructor: Belgium | |
| Bolek van Blokland | .... | set dresser | |
| Rob van de Ven | .... | set painter | |
| Rijn van der Heijde | .... | set constructor | |
| Rick van der Heul | .... | set constructor (as Rik van der Heul) | |
| Ed van der Hoeven | .... | set constructor (as Ed van der Hoeve) | |
| Nico van Keulen | .... | set constructor (as Niko van Keulen) | |
| Baert van Lint | .... | set painter: Belgium (as Bart Van Lint) | |
| Jimmy Van Meel | .... | assistant props | |
| Selwijn Vandenbossche | .... | assistant props | |
| Pascal Voetelink | .... | set constructor | |
| Ludo Volders | .... | property master | |
| Mia von Rosen | .... | set painter (as Mia van Rosen) | |
| Andrzej Rafal Waltenberger | .... | art director: Poland (as Andrezej Rafal Waltenberger) | |
| Peter Daan Weijs | .... | art department assistant | |
| John Wilcox | .... | head paint coordinator | |
| Randolph Wildt | .... | set constructor | |
| Bart Witteveen | .... | art department runner | |
Sound Department | |||
| Max Bauer | .... | foley artist | |
| Paul Bijpost | .... | sound effects editor | |
| Georges Bossaers | .... | adr mixer | |
| Marcel De Hoogd | .... | production sound mixer (as Marcel R. De Hoogd) | |
| Alek Goosse | .... | sound mixer | |
| Alek Goosse | .... | sound re-recording mixer | |
| Michael Keinath | .... | foley mixer | |
| Mel Kutbay | .... | foley artist | |
| Marina Lerchs | .... | second sound re-recording mixer | |
| Iris Pattyn | .... | boom operator | |
| Luuk Poels | .... | foley editor | |
| Luuk Poels | .... | foley supervisor | |
| Bert Rijkelijkhuizen | .... | sound editor | |
| Peter Warnier | .... | dialogue editor | |
| Peter Warnier | .... | sound designer | |
| Peter Warnier | .... | sound | |
| Liesbeth Wieggers | .... | second foley editor | |
Stunts | |||
| David de Kock | .... | stunts | |
| Maurits Koert | .... | stunts | |
| Soncke M. Korries | .... | stunts | |
| Nickey Norbart | .... | stunts (as Nicky Norbart) | |
| Ron Sleeswijk | .... | stunts | |
| Henk Wams | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Victor Arnolds | .... | still photographer | |
| Ewoud Boonstra | .... | assistant lighting technician (as Ewout Boonstra) | |
| Harm Bredero | .... | assistant lighting technician | |
| Gábor Deák | .... | assistant camera | |
| Bert Hogenes | .... | best boy | |
| Joris Houben | .... | assistant lighting technician | |
| Mattus Lambooy | .... | assistant lighting technician (as Matthijs Lambooy) | |
| Tamas Nyerges | .... | Steadicam operator (as Tamás P. Nyerges) | |
| Pancsi Puts | .... | clapper loader | |
| Elmer van der Marel | .... | assistant grip | |
| Josje van Erkel | .... | video assist operator | |
| Frank Van Hekken | .... | lighting technician | |
| Oscar van Rijn | .... | lighting technician | |
| Franc van Zutphen | .... | gaffer | |
| Appie Vermeeren | .... | grip | |
| Bas Buisman | .... | rigger (uncredited) | |
Casting Department | |||
| Annemarie Bets | .... | casting assistant | |
| Rabeah Hinrichs | .... | extras casting: Hamburg, Germany | |
| Angelica Sluijter | .... | casting coordinator (as Angélica Sluijter) | |
Costume and Wardrobe Department | |||
| Catherine Cuykens | .... | assistant costumer | |
| Karen de Wolf | .... | assistant costumer: Belgium | |
| Radboud Kuypers | .... | assistant costumer | |
| Wilfrid Laudicina | .... | assistant costume designer | |
| Margriet Procee | .... | assistant costumer | |
| Lies Van Assche | .... | assistant costumer | |
Editorial Department | |||
| Peter Alderliesten | .... | additional assistant editor | |
| Nynke de Jong | .... | assistant editor | |
| Hans van Dongen | .... | trailer editor | |
| Suze Halenbeek | .... | negative cutter (as Suze Halebeek) | |
| Sara Höhner | .... | post-production coordinator | |
| Hans Keesmaat | .... | negative cutter | |
| Dick Troeleman | .... | color grader | |
| Hans van Helden | .... | assistant editor | |
Transportation Department | |||
| Robbert Becker | .... | transportation coordinator | |
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| The Best of Youth | Greed | Persepolis | Paris 36 | 1900 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb Netherlands section |
In this film we are confronted with a perfect script if there ever was one! Once again, talented screenwriters have proved that a fine novel can be transformed into a great film, without losing any depth in philosophical understanding or psychological subtlety. In 'Character', the paired tension between pride and guilt, as well as between pride and love, or guilt and love, or love and power, gives birth to an astounding and magnificent lesson in human character and behavior. The fact that Mike van Diem and Laurens Geels, two of the film's three writers, were at the same time -respectively- its director and producer, plays no small role in the success of the script, since the novel by Bordewijk was read -and rewritten- from the perspective of cinema, and not the other way around. The psychological themes are treated as variations in a symphony, presented in one of the characters and later developed in another, or presented in one form and then transmuted into another, as the brilliant treatment given to the self-destructive tendencies in the Dreverhaven character, or the extreme laconism in the mother-son relationship. Seen at a tropical country as Ecuador (my own), surrounded by a teenage audience that was led to expect something else; an audience which was only very slowly won by the tense and restrained 'northern', 'iceberg' pace of the film, 'Character' transformed the screen into a gigantic and painful mirror filled with reflections of the sorrows and sufferings of human nature. And finally those teenagers stopped crunching chips and sipping sodas, and started thinking. A '10' by any standard.