A slaughterhouse worker appears to be romantically involved with his boss's wife. They plan to leave the country together, but at the airport she waits for him in vain. Slowly but surely ... See full summary »
Mike van Diem
Maeve van der Steen,
Coen van Vrijberghe de Coningh
When medical student Irena discovers that she can see through people, her live takes a surprising turn after she finds out that she is able to see bone structures, organs bloodstreams and ... See full summary »
Mike van Diem
Eline Van der Velden,
In January 1945, during the 2nd world-war, the Dutch resistance kills a collaborator in the street where the 12 year old Anton Steenwijk lives. The man was shot in front of his neighbors ... See full summary »
Derek de Lint,
Marc van Uchelen,
Monique van de Ven
Franta Louka is a concert cellist in Soviet-occupied Czechoslovakia, a confirmed bachelor and a lady's man. Having lost his place in the state orchestra, he must make ends meet by playing ... See full summary »
In the 1890s, Father Adolf Daens goes to Aalst, a textile town where child labor is rife, pay and working conditions are horrible, the poor have no vote, and the Catholic church backs the ... See full summary »
Antje de Boeck
An eccentric multimillionaire signs an agreement to have his life ended. While selecting his coffin he meets a young woman who has signed up for the same arrangement. Trouble ensues when ... See full summary »
Mike van Diem
Jeroen van Koningsbrugge,
J.W. Katadreuffe is the son of Joba Katadreuffe and A.B. Drevenhaven. Though fully neglected by Joba, Dreverhaven ensures the succesfull career of his son. Mostly unseen, though he sues his son a few times. The son Katadreuffe succeeds, but at great costs. Written by
Klaas van Gend <Klaas@vangend.demon.nl>
In this film we are confronted with a perfect script if there ever was one!
In this film we are confronted with a perfect script if there ever was one! Once again, talented screenwriters have proved that a fine novel can be transformed into a great film, without losing any depth in philosophical understanding or psychological subtlety. In 'Character', the paired tension between pride and guilt, as well as between pride and love, or guilt and love, or love and power, gives birth to an astounding and magnificent lesson in human character and behavior. The fact that Mike van Diem and Laurens Geels, two of the film's three writers, were at the same time -respectively- its director and producer, plays no small role in the success of the script, since the novel by Bordewijk was read -and rewritten- from the perspective of cinema, and not the other way around. The psychological themes are treated as variations in a symphony, presented in one of the characters and later developed in another, or presented in one form and then transmuted into another, as the brilliant treatment given to the self-destructive tendencies in the Dreverhaven character, or the extreme laconism in the mother-son relationship. Seen at a tropical country as Ecuador (my own), surrounded by a teenage audience that was led to expect something else; an audience which was only very slowly won by the tense and restrained 'northern', 'iceberg' pace of the film, 'Character' transformed the screen into a gigantic and painful mirror filled with reflections of the sorrows and sufferings of human nature. And finally those teenagers stopped crunching chips and sipping sodas, and started thinking. A '10' by any standard.
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