A slaughterhouse worker appears to be romantically involved with his boss's wife. They plan to leave the country together, but at the airport she waits for him in vain. Slowly but surely ... See full summary »
Mike van Diem
Maeve van der Steen,
Coen van Vrijberghe de Coningh
Franta Louka is a concert cellist in Soviet-occupied Czechoslovakia, a confirmed bachelor and a lady's man. Having lost his place in the state orchestra, he must make ends meet by playing ... See full summary »
An eccentric multimillionaire signs an agreement to have his life ended. While selecting his coffin he meets a young woman who has signed up for the same arrangement. Trouble ensues when ... See full summary »
Mike van Diem
Jeroen van Koningsbrugge,
In January 1945, during the 2nd world-war, the Dutch resistance kills a collaborator in the street where the 12 year old Anton Steenwijk lives. The man was shot in front of his neighbors ... See full summary »
Derek de Lint,
Marc van Uchelen,
Monique van de Ven
When medical student Irena discovers that she can see through people, her live takes a surprising turn after she finds out that she is able to see bone structures, organs bloodstreams and ... See full summary »
Mike van Diem
Eline Van der Velden,
Russia, 1936: revolutionary hero Colonel Kotov is spending an idyllic summer in his village with his young wife and six-year-old daughter Nadia and other assorted family and friends. Things... See full summary »
In the 20's, in Netherlands, Jacob Willem Katadreuffe has just concluded the law school and has an argument with the High Court Enforcement Officer Dreverhaven at his office. Katadreuffe leaves the place covered in blood. On the next morning, he is arrested by the police for the murder of Dreverhaven. He claims that he is innocent and discloses the story of his life to the Chief of Police. His mother Joba was the maid at Dreverhaven. One night, she is raped by him and a couple of weeks later she learns that she is pregnant. Dreverhaven proposes to marry her but Joba quits her job and leaves his house. Along the years, Katadreuffe is bullied at school and called bastard by his mates and his mother never talks to him. One day, he is involved by other kids in a theft of bread and arrested by the police. When he calls his biological father to help him, Dreverhaven tells the police that he does not know who Katadreuffe is. The boy is intelligent and learns English reading a superseded and ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Based on the novel 'Karakter' and the short story 'Dreverhave and Katadreuffe' by dutch writer F. Bordewijk (1884-1965). See more »
In one of the street scenes, you can see an extra in modern outfit and with no headwear on. See more »
I came to tell you. Today I have been sworn in as a lawyer. You must be sorry but I am sworn in and this is the last time I'll come here. Farewell for ever. You no longer exist for me.
You congratulate me? I can't take your hand. The hand of someone who always opposed me.
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In this film we are confronted with a perfect script if there ever was one!
In this film we are confronted with a perfect script if there ever was one! Once again, talented screenwriters have proved that a fine novel can be transformed into a great film, without losing any depth in philosophical understanding or psychological subtlety. In 'Character', the paired tension between pride and guilt, as well as between pride and love, or guilt and love, or love and power, gives birth to an astounding and magnificent lesson in human character and behavior. The fact that Mike van Diem and Laurens Geels, two of the film's three writers, were at the same time -respectively- its director and producer, plays no small role in the success of the script, since the novel by Bordewijk was read -and rewritten- from the perspective of cinema, and not the other way around. The psychological themes are treated as variations in a symphony, presented in one of the characters and later developed in another, or presented in one form and then transmuted into another, as the brilliant treatment given to the self-destructive tendencies in the Dreverhaven character, or the extreme laconism in the mother-son relationship. Seen at a tropical country as Ecuador (my own), surrounded by a teenage audience that was led to expect something else; an audience which was only very slowly won by the tense and restrained 'northern', 'iceberg' pace of the film, 'Character' transformed the screen into a gigantic and painful mirror filled with reflections of the sorrows and sufferings of human nature. And finally those teenagers stopped crunching chips and sipping sodas, and started thinking. A '10' by any standard.
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