| Christian Slater | ... | Julian Po | |
| Robin Tunney | ... | Sarah | |
| Michael Parks | ... | Vern | |
| Cherry Jones | ... | Lucy | |
| Frankie Faison | ... | Sheriff Leon | |
| Harve Presnell | ... | Mayor Henry Leech | |
| Allison Janney | ... | Lilah Leech | |
| LaTanya Richardson | ... | Darlene (as Latanya Richardson) | |
| Dina Waters | ... | Dee (as Dina Spybey) | |
| Bruce Bohne | ... | Pastor Bean | |
| Roy Cooper | ... | Tobias the Barber | |
| Zeljko Ivanek | ... | Tom Potter | |
| Ellen McElduff | ... | Reva | |
| Io Tillett Wright | ... | Walter | |
| Jeremy Jordan | ... | Bobby | |
| Erik Jensen | ... | Tyler | |
| Silas Weir Mitchell | ... | Stonewall | |
| B. Constance Barry | ... | Emma (as Constance Barry) | |
| Anne Pitoniak | ... | Mrs. Danforth | |
| Dechen Thurman | ... | Young Farmer | |
| Nena Thurman | ... | Sarah's Mother |
Directed by | |||
| Alan Wade | |||
Writing credits | ||
| Branimir Scepanovic | (book "La Mort de Monsieur Golouja") | |
| Alan Wade | (written by) | |
Produced by | |||
| Jon Glascoe | .... | producer | |
| Peggy Glascoe | .... | associate producer | |
| Patricia LaMagna | .... | associate producer (as Patricia Lamagna) | |
| Allan Mindel | .... | executive producer | |
| Kim Moarefi | .... | associate producer | |
| Joseph Pierson | .... | producer | |
| Cecilia Kate Roque | .... | co-producer | |
| Denise Shaw | .... | executive producer | |
| Michael Traeger | .... | executive producer | |
Original Music by | |||
| Patrick Williams | |||
Cinematography by | |||
| Bernd Heinl | |||
Film Editing by | |||
| Jeffrey Wolf | |||
Casting by | |||
| Todd M. Thaler | (as Todd Thaler) | ||
Production Design by | |||
| Stephen McCabe | |||
Art Direction by | |||
| David Stein | |||
Set Decoration by | |||
| Susie Goulder | |||
Costume Design by | |||
| Juliet Polcsa | |||
Makeup Department | |||
| Victor DeNicola | .... | key hair stylist (as Victor P. Denicola Jr.) | |
| Patricia Regan | .... | makeup artist: Mr. Slater (as Patricia Schenkel Regan) | |
| Michael White | .... | hair stylist: Mr. Slater | |
| Rosemary Zurlo | .... | key makeup artist (as Rosemarie Zurlo) | |
| Alexis Kelley | .... | additional hair stylist (uncredited) | |
Production Management | |||
| Jack Deutchman | .... | post-production supervisor | |
| Carla Fry | .... | executive in charge of production | |
| Trish Hofmann | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Melissa V. Barnes | .... | second second assistant director | |
| Susan Labunski | .... | second assistant director (as Susan Labunski-Saxe) | |
| Jim LaClair | .... | first assistant director (as Jim Laclair) | |
Sound Department | |||
| David Boulton | .... | adr engineer | |
| Scott Breindel | .... | sound mixer | |
| Anton Gold | .... | sound production assistant | |
| George A. Lara | .... | foley engineer (as George Lara) | |
| Lisa J. Levine | .... | adr editor | |
| Stuart Levy | .... | supervising sound editor | |
| Branka Mrkic | .... | dialogue editor | |
| David Novack | .... | adr engineer | |
| Joe Romano | .... | boom operator | |
| Melanie Ryder | .... | assistant sound editor | |
| Brian Vancho | .... | foley artist | |
| Steven Visscher | .... | foley editor (as Steven R. Visscher) | |
| Peter Waggoner | .... | sound re-recording mixer | |
| Brian Fredrickson | .... | remix engineer (uncredited) | |
Visual Effects by | |||
| Debra C. Victoroff | .... | visual effects coordinator | |
Stunts | |||
| Jeffrey Lee Gibson | .... | stunt double: Mr. Slater (as Jeff Gibson) | |
| Tom Sierchio | .... | stunt coordinator | |
Camera and Electrical Department | |||
| John Billeci | .... | electrician | |
| Jim Bridges | .... | still photographer (as James Bridges) | |
| Steve Calalang | .... | first assistant camera: second unit | |
| Phil Cohen | .... | first assistant camera: second unit | |
| Daniel Cournoyer | .... | best boy grip (as Dan Cournoyer) | |
| Jim Denny | .... | electrician | |
| Robert K. Feldmann | .... | key grip (as Robert Feldmann) | |
| Carlos Omar Guerra | .... | first assistant camera (as Carlos Guerra) | |
| David Gurney | .... | grip | |
| Haddon Hufford | .... | dolly grip | |
| David Knox | .... | Steadicam operator | |
| Kurt Lennig | .... | electrician | |
| Michael Levine | .... | camera operator | |
| David Noble | .... | grip | |
| Hernan Otaño | .... | second assistant camera: second unit (as Mike Otano) | |
| Rocco Palmieri | .... | generator operator | |
| Scott H. Ramsey | .... | gaffer | |
| Leigh Rathner | .... | second assistant camera | |
| Mike Reed | .... | best boy electric (as Michael Reed) | |
| John Ryan | .... | grip | |
| Gerard Sava | .... | assistant Steadicam | |
| Hiroo Takaoka | .... | camera loader | |
Casting Department | |||
| Beth Bowling | .... | casting assistant | |
| Sunny Seibel | .... | extras casting | |
| Gayle Keller | .... | casting associate (uncredited) | |
| David H. Kramer | .... | adr voice casting (uncredited) | |
Costume and Wardrobe Department | |||
| Agnès B. | .... | selected wardrobe for Christian Slater (as Agnès B) | |
| Susan Carrano | .... | assistant to costume designer | |
| Elizabeth Feldbauer | .... | wardrobe supervisor | |
| Katharine Grodd | .... | wardrobe intern | |
| Elizabeth Gulczynski | .... | wardrobe supervisor (as Lizzy Gulczynski) | |
| Mary Nemecek Peterson | .... | seamstress | |
Editorial Department | |||
| John Scott Cook | .... | second assistant editor | |
| Mark Ginsberg | .... | color timer | |
| Brent Kaviar | .... | post-production services | |
| Sara King | .... | executive in charge of post-production | |
| Christopher Marcoux | .... | apprentice editor | |
| Fabian Marquez | .... | post-production coordinator | |
| Geoffrey O'Brien | .... | first assistant editor | |
| Joe Violante | .... | dailies advisor | |
| Sandra Nash | .... | assistant editor (uncredited) | |
| Sean Valla | .... | first assistant editor (uncredited) | |
Music Department | |||
| Bob Bowen | .... | music coordinator | |
| Sandy DeCrescent | .... | orchestra contractor (as Sandy De Crescent) | |
| Bruce Dukov | .... | musician: violin solos | |
| Toby Emmerich | .... | executive in charge of music | |
| Dan Higgins | .... | musician: soprano saxophone solos | |
| Mark Kaufman | .... | music executive | |
| David Low | .... | orchestra contractor | |
| Helle O'Connell | .... | music coordinator | |
| Charles Pollard | .... | scoring engineer | |
| Allan K. Rosen | .... | music editor | |
| Dana Sano | .... | music executive | |
| Patty von Arx | .... | music editor (as Patty Von Arx) | |
| Patrick Williams | .... | conductor | |
| Tom Boyd | .... | musician: oboe soloist (uncredited) | |
Transportation Department | |||
| Robert Buckman | .... | driver | |
| Robert Deluca | .... | driver | |
| Mike Easter | .... | driver (as Michael Easter) | |
| Michael Fennimore | .... | driver | |
| Kevin Finnegan | .... | driver | |
| Richard Holston | .... | transportation captain | |
| Michael Hyde | .... | transportation captain (as Mike Hyde) | |
| Robert 'Bull' Maher | .... | driver | |
| Joe Mallon | .... | driver (as Joseph Mallon) | |
| Robert Marsh | .... | driver | |
| J.J. McGrane | .... | driver (as James Mcgrane) | |
| Luis Rodriguez | .... | driver | |
Thanks | |||
| Jed Alpert | .... | acknowledged contributor | |
| Patrick Breen | .... | acknowledged contributor | |
| Ellen Chenoweth | .... | acknowledged contributor | |
| Michael Convertino | .... | acknowledged contributor | |
| Cam Galano | .... | acknowledged contributor | |
| Frances Grill | .... | acknowledged contributor | |
| Joey Grill | .... | acknowledged contributor | |
| Rachael Horovitz | .... | acknowledged contributor | |
| Amy Labowitz | .... | acknowledged contributor | |
| George Lane | .... | acknowledged contributor | |
| Ellen Lewis | .... | acknowledged contributor | |
| John S. Lyons | .... | acknowledged contributor | |
| Mary Meagher | .... | acknowledged contributor | |
| Rolf Mittweg | .... | acknowledged contributor | |
| Bill Nisselson | .... | acknowledged contributor | |
| Cynthia Pett-Dante | .... | acknowledged contributor | |
| Johanna Ray | .... | acknowledged contributor | |
| Robert Shaw | .... | acknowledged contributor | |
| Christian Slater | .... | very special thanks | |
| Renee Thomas | .... | acknowledged contributor | |
| Uma Thurman | .... | acknowledged contributor | |
| Ruth Vitale | .... | acknowledged contributor | |
| J.A. Wade Jr. | .... | acknowledged contributor | |
| Mary S. Wade | .... | acknowledged contributor | |
| Eric Wedemeyer | .... | acknowledged contributor | |
| Craig Westerberg | .... | acknowledged contributor | |
| Marisa Westerberg | .... | acknowledged contributor | |
| Frank Wuliger | .... | acknowledged contributor | |
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| Cookie's Fortune | McCabe & Mrs. Miller | Box of Moon Light | Shelter | S.F.W. |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section |
I can't believe the tone of the external reviews linked to this entry...these guys didn't get this film at all!!! What in god's name did the bozos expect from a film adapted from a novel in French by an author of obvious Eastern European descent?
"Julian Po" is a fable, folks, about life and death and all the states in between. It's funny and sad and bewildering and tragicomic in the way good European fiction can be and even good American fiction rarely is. It's beautifully cast with people from some of my favorite TV series, from "West Wing" to "Homicide" to "Remember WENN" and from some damn good films such as "Fargo" and "Kill Bill". It also has Christian Slater's best performance since "Heathers" and manages to be "quirky" in a way different from those generic indie films that equate quirkiness with quality.
It IS a little slow, because it moves at the pace of life, but this allows it time to fill each moment with the stuff of life. It misses being great because it doesn't have the final twist that takes it beyond our expectations, but it is nonetheless the best surprise I've come across in several years -- a genuine small, unheralded, lost gem.
Please don't read too much about it before you see it. Judge for yourself, with your heart and your head. This film should appeal to both parts of your anatomy.