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Charlotte Bronte's classic novel is filmed yet again. The story of the Yorkshire orphan who becomes a governess to a young French girl and finds love with the brooding lord of the manor is ... See full summary »

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Cast

Cast overview, first billed only:
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Laura Harling ...
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Ben Sowden ...
Barbara Keogh ...
Miss Abbot
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Gemma Eglinton ...
Ruth Mitchell ...
Dominique Belcourt ...
Anna
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Timia Berthome ...
Adele (as Timia Berthomé)
Hermione Gulliford ...
Sophie
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Edward Rochester (as Ciaran Hinds)
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Storyline

Charlotte Bronte's classic novel is filmed yet again. The story of the Yorkshire orphan who becomes a governess to a young French girl and finds love with the brooding lord of the manor is given a standard romantic flare, but sparks do not seem to happen between the two leads in this version. Written by John Sacksteder <jsackste@bellsouth.net>

Plot Summary | Add Synopsis

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A simple governess. A wealthy gentleman. And a secret that could destroy them both.

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Drama | Romance

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Release Date:

19 October 1997 (USA)  »

Also Known As:

Kotiopettajattaren romaani  »

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1.85 : 1
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Connections

Version of Jane Eyre (1973) See more »

Soundtracks

We Plow the Fields
Lyrics by Matthias Claudius
Music by Johann A. P. Schulz
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User Reviews

 
A wonderful, if short, adaptation
7 February 2003 | by (Prague) – See all my reviews

The latest A&E production of Jane Eyre was short but satisfying. While it might have benefited from being longer, they managed to tell the basic story and retain the emotional impact. Unless you're an unforgiving purist, the cuts shouldn't detract from your appreciation of the movie. And if you are an unforgiving purist (there is nothing wrong with that), go find a copy of the Timothy Dalton '83 adaptation.

The biggest point of contention seems to be the performance styles. Peoples' takes on the way Mr. Rochester should be played tend to vary. I've seen the productions with William Hurt and George C. Scott criticized for having a Rochester who was so restrained he might as well have been the heroine in a Jane Austin novel. These people felt Rochester should be played passionately and with fire. After all, he's a manipulative would-be bigamist. Then there are people who feel Hinds was too wild in his portrayal of Rochester and a more restrained, subtle approach was warranted.

If you want a restrained, subtle Rochester, don't watch this version or the Timothy Dalton BBC production from '83. Go for the William Hurt or George C. Scott adaptations of Jane Eyre. If you're like me and you'd prefer a wilder Rochester, you'll probably enjoy both the '97 A&E and '83 BBC productions.


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