Charlotte Bronte's classic novel is filmed yet again. The story of the Yorkshire orphan who becomes a governess to a young French girl and finds love with the brooding lord of the manor is ...
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Jane Eyre is an orphan cast out as a young girl by her aunt, Mrs. Reed, and sent to be raised in a harsh charity school for girls. There she learns to become a teacher and eventually seeks ... See full summary »
Jane Eyre is an orphan, sent to Lowood school, and eventually becomes a governess at Thornfield hall to a girl named Adele. While she is there, many strange things happen and eventually she... See full summary »
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Emma Woodhouse has a rigid sense of propriety as regards matrimonial alliances. Unfortunately she insists on matchmaking for her less forceful friend, Harriet, and so causes her to come to ... See full summary »
Jane Eyre is left an orphan and penniless at the age of fourteen. She is adopted by her uncle, who has ample means of providing for her, and who also loves her dearly. Her uncle's kin, ... See full summary »
Frank Hall Crane
Charlotte Bronte's classic novel is filmed yet again. The story of the Yorkshire orphan who becomes a governess to a young French girl and finds love with the brooding lord of the manor is given a standard romantic flare, but sparks do not seem to happen between the two leads in this version. Written by
John Sacksteder <email@example.com>
The latest A&E production of Jane Eyre was short but satisfying. While it might have benefited from being longer, they managed to tell the basic story and retain the emotional impact. Unless you're an unforgiving purist, the cuts shouldn't detract from your appreciation of the movie. And if you are an unforgiving purist (there is nothing wrong with that), go find a copy of the Timothy Dalton '83 adaptation.
The biggest point of contention seems to be the performance styles. Peoples' takes on the way Mr. Rochester should be played tend to vary. I've seen the productions with William Hurt and George C. Scott criticized for having a Rochester who was so restrained he might as well have been the heroine in a Jane Austin novel. These people felt Rochester should be played passionately and with fire. After all, he's a manipulative would-be bigamist. Then there are people who feel Hinds was too wild in his portrayal of Rochester and a more restrained, subtle approach was warranted.
If you want a restrained, subtle Rochester, don't watch this version or the Timothy Dalton BBC production from '83. Go for the William Hurt or George C. Scott adaptations of Jane Eyre. If you're like me and you'd prefer a wilder Rochester, you'll probably enjoy both the '97 A&E and '83 BBC productions.
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