When Ordell Robbie first goes to Max Cherry's office and is asked if he has the cash for the bond, he responds "I got it right here in my brand new raptor bag." Although the logo is partially obscured, it is clearly that of the Toronto Raptors. Actor Samuel L. Jackson was frequently courtside at Toronto Raptor games the season before filming Jackie Brown.
Quentin Tarantino met Robert Forster in a restaurant and handed him the script, saying "You're going to do this, and that's all there is to it". Forster was naturally thrilled, having had a major career slump. This film saw him come back in a big way, even landing an Oscar nomination.
When Robert De Niro first got a hold of the script he wanted to play the role of Max Cherry. Quentin Tarantino wanted to work with De Niro but had his heart set on Robert Forster as Cherry, so he gave the role of Louis to De Niro.
Pam Grier didn't expect her long-time friend Sid Haig to play the judge. She started to burst out laughing as she was surprised by Haig because they both starred together in a number of exploitation films, by which this film's style was influenced.
Spike Lee publicly criticized Tarantino for the frequent use of the word "nigger" in the film. Samuel L. Jackson, previously a frequent Lee collaborator, defended Tarantino in the press. Miramax chairman Harvey Weinstein called Lee in an attempt to mediate between him and Tarantino but Lee refused to speak with Tarantino.
On the Special Edition features, Prop Master Steve Joyner reveals what $500k in cash actually looks like. Joyner goes on to say that Quentin Tarantino insisted on authenticity, hence the actual sum of money.
Louis and Ordell first appeared in the Elmore Leonard novel The Switch. At age 15 Quentin Tarantino was arrested for shoplifting this book, his one brush with "real" crime. In The Switch, Louis and Ordell kidnap a millionaire's wife only to discover he doesn't want her back, a plot that was used in Ruthless People (1986). In the novel's sequel, Rum Punch, Louis and Ordell complain that the movie producers stole their idea (without mentioning the movie by name).
The music used in the scene in the mall where Jackie comes out of the dressing room "frantically" looking around for the undercover cops is the same as was used in the chase scene in Coffy (1973), where Pam Grier's title character is running away from the cops.
When Pam Grier walked in to audition for Quentin Tarantino, "there were all my posters from 20 years ago, when I was just a piss and vinegar kid," she recalled. "And I said, 'Did you put these up because I was coming over?' And he said, 'No. I was gonna take them down because you were coming over!'"
In the closing credits, Tarantino gives special thanks to "Bert D'Angelo's Daughter" (among others). In the late 70's, Paul Sorvino starred in a TV detective show, Bert D'Angelo/Superstar (1976). Thus "Bert D'Angelo's Daughter" is Paul's daughter and Tarantino's girlfriend, Mira Sorvino.
When Ordell first meets Max Cherry in his office, clearly visible beyond Max's desk is a large poster for Ringling Bros. and Barnum & Bailey Circus for which Robert Forster's father, Robert Wallace Foster, Sr., once worked as an elephant trainer.
Robert Forster's father, whom he loved dearly, got the good news of his son's return to acting in a feature film and spent a short time on set. Sadly, he passed away before Robert received his Oscars nomination.
The inn where Ordell and Louis have a drink is called The Cockatoo Inn. The neon light letters t-o-o are out, so it spells The Cocka Inn: cocaine, a hint to the bags of cocaine found in Jackie's bag in the beginning of the movie.
Quentin Tarantino compares the film to Rio Bravo (1959). "It's a hangout movie," he explained. "Jackie Brown is better the second time. And I think it's even better the third. And the fourth time ... Maybe even the first time we see it we go, 'Why are we doing all this hanging out? Why can't we get to more of the plot?' But now the second time you see it, and the third time you see it, you're not thinking about the plot anymore. You're waiting for the hangout scenes ... To me, [that's] the thing that Rio Bravo (1959) did. I remember the first time I saw Rio Bravo (1959), but I remember more the fifteenth time I saw Rio Bravo (1959). It's about hanging out with the characters."
According to Quentin Tarantino, 70's actress Carol Speed originally helped out in making this film and was willing to play a small cameo part in the film. At the last minute, Tarantino decided not to use her in the film.
Jackie and Max have a conversation about getting old and growing tired. Their actors, Pam Grier and Robert Forster, had been big stars in the seventies but their stars had waned by the time they took this movie. Coincidentally, this movie revitalized their careers.
Quentin Tarantino wanted to gauge the audience reaction to key moments in the film, so he spent the first several weeks following the film's release watching it in theaters. "I saw that movie ... like 13 times at the Magic Johnson Theatre," said Tarantino. "The whole first four weeks it was there, I just lived there."
According to Quentin Tarantino, Michael Keaton desperately tried to talk the director out of hiring him for the role of Ray Nicolette. "His whole process was to convince me that he's not right for the role," recalled Tarantino. "But he never quite convinced me ... Michael's whole thing is to deny himself and to say he's not right."
During a scene wherein Max Cherry is searching for a Delfonic's cassette tape in a record store, the song "Letter to the Firm" by hip-hop artist Foxy Brown can be heard blaring loudly on the store's PA system. Pam Grier (who portrayed the lead character Jackie Brown) is most known for her roles in several low budget "blacksploitation" films from the '70s, particularly her starring role in Foxy Brown (1974).
After completing Pulp Fiction (1994), Quentin Tarantino and Roger Avary acquired the film rights to Elmore Leonard's novels Rum Punch, Freaky Deaky, and Killshot. Tarantino initially planned to film either Freaky Deaky or Killshot and have another director make Rum Punch, but changed his mind after re-reading Rum Punch, stating that he "fell in love" with the novel all over again.
Quentin Tarantino was afraid that Elmore Leonard would hate the film. He and Roger Avary hesitated to discuss the changes with Leonard, finally speaking with Leonard as the film was about to start shooting. Leonard loved the screenplay, considering it not only the best of the twenty-six screen adaptations of his novels and short stories, but also stating that it was possibly the best screenplay he had ever read.
During the interrogation scene where Jackie is taken into custody - Det. Dargas stated that anyone in possession of over $10,000 should declare it to U.S. Customs - this is based on the regulations coded by the Internal Revenue Service under Title 26 (tax code, enacted August 16, 1954 known as the Internal Revenue Code Act later amended in 1986 under the Tax Reform Act) and under Title 31 USC 5311 of the United States Code. It is against IRS regulations for an individual to carry over $10,000 in currency (in this case, a cash transaction) without reporting it to U.S. Customs when entering the United States. This is further codified under Federal Law under 31 U.S.C. 5316 and Treasury Department regulations (31 CFR Chapter X) - individuals who enter the United States with over $10,000 in cash (or other monetary instruments e.g. stocks, bonds) must file (after April 25,1990) a FinCEN 105 document. FinCEN is the Financial Crimes Enforcement Network, which is a division of the Department of the Treasury.
When Louis and Melanie have the bag, and Melanie's verbally needling Louis, she says 'no wonder you went to jail.' What she meant to say was 'prison.' People go to jail when they're arrested. After they're sentenced, they go to prison (unless it's for a short period - under a year).