| Photos (See all 99 | slideshow) | Videos (see all 9) |
| Pam Grier | ... | Jackie Brown | |
| Samuel L. Jackson | ... | Ordell Robbie | |
| Robert Forster | ... | Max Cherry | |
| Bridget Fonda | ... | Melanie Ralston | |
| Michael Keaton | ... | Ray Nicolette | |
| Robert De Niro | ... | Louis Gara | |
| Michael Bowen | ... | Mark Dargus | |
| Chris Tucker | ... | Beaumont Livingston | |
| LisaGay Hamilton | ... | Sheronda | |
| Tommy 'Tiny' Lister | ... | Winston (as Tommy 'Tiny' Lister Jr.) | |
| Hattie Winston | ... | Simone | |
| Sid Haig | ... | Judge | |
| Aimee Graham | ... | Amy - Billingsley Sales Girl | |
| Ellis Williams | ... | Cockatoo Bartender (as Ellis E. Williams) | |
| Tangie Ambrose | ... | Billingsley Sales Girl #2 | |
| T'Keyah Crystal Keymáh | ... | Raynelle - Ordell's Junkie Friend (as T'Keyah Crystal Keymah) | |
| Venessia Valentino | ... | Cabo Flight Attendant | |
| Diana Uribe | ... | Anita Lopez | |
| Renee Kelly | ... | Cocktail Waitress | |
| Elizabeth McInerney | ... | Bartender at Sam's | |
| Colleen Mayne | ... | Girl at Security Gate | |
| Laura Lovelace | ... | Steakhouse Waitress | |
| Christine Lydon | ... | Tec-9 Sidney - Chicks Who Love Guns (as Christine Lydon M.D.) | |
| Julia Ervin | ... | Steyr AUG Cindy - Chicks Who Love Guns | |
| Juliet Long | ... | AK-47 Gloria - Chicks Who Love Guns | |
| Michelle Berube | ... | Baretta 12S Brittany - Chicks Who Love Guns | |
| Gillian Iliana Waters | ... | Mossberg 500 Tammy Jo - Chicks Who Love Guns (as Gillian Iliana-Waters) | |
| Candice Briese | ... | The Deputy | |
| Gary Mann | ... | The Deputy | |
| Jeffrey Deedrick | ... | The Sheriff | |
| Roy Nesvold | ... | The Sheriff | |
| Herbert Hans Wilmsen | ... | The Sheriff | |
| rest of cast listed alphabetically: | |||
| Helmut Berger | ... | Nanni Vitali (archive footage) (uncredited) | |
| Denise Crosby | ... | Public Defender (uncredited) | |
| Tony Curtis | ... | Himself (archive footage) (uncredited) | |
| Marisa Mell | ... | Giuliana Caroli (archive footage) (uncredited) | |
| Glendon Rich | ... | Restaurant Regular (uncredited) | |
| Mary Ann Schmidt | ... | Flight Attendant (uncredited) | |
| Quentin Tarantino | ... | Answering Machine Voice (voice) (uncredited) | |
Directed by | |||
| Quentin Tarantino | |||
Writing credits | ||
| Quentin Tarantino | (written for the screen by) | |
| Elmore Leonard | (novel "Rum Punch") | |
Cinematography by | |||
| Guillermo Navarro | (director of photography) | ||
Film Editing by | |||
| Sally Menke | |||
Casting by | |||
| Jaki Brown | |||
| Robyn M. Mitchell | |||
Production Design by | |||
| David Wasco | |||
Art Direction by | |||
| Daniel Bradford | |||
Set Decoration by | |||
| Sandy Reynolds-Wasco | |||
Costume Design by | |||
| Mary Claire Hannan | |||
Makeup Department | |||
| Marietta Carter-Narcisse | .... | makeup artist: Mr. Jackson | |
| Ilona Herman | .... | hair stylist: Mr. De Niro | |
| Ilona Herman | .... | makeup artist: Mr. De Niro | |
| Don Malot | .... | assistant makeup artist | |
| Mary L. Mastro | .... | hair stylist: Mr. Keaton | |
| Bob Mills | .... | makeup artist: Mr. Keaton | |
| Ermahn Ospina | .... | key makeup artist | |
| Robert L. Stevenson | .... | key hair stylist (as Robert Louis Stevenson) | |
| Linda Stevenson-Khan | .... | assistant hair stylist | |
| Victoria Wood | .... | wig creator: Mr. Jackson | |
| Alicia M. Tripi | .... | hair stylist (uncredited) | |
Production Management | |||
| Debbie Hayn-Cass | .... | production manager (as Deborah Cass) | |
| Heidi Vogel | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| William Paul Clark | .... | first assistant director | |
| Rick Lange | .... | second assistant director | |
| Pilar Savone | .... | second second assistant director | |
Art Department | |||
| Dena Allen | .... | set dresser (as Dena J. Allen) | |
| Orla Asawa | .... | construction accountant | |
| Carlos Azucena | .... | prop intern | |
| Peter Borck | .... | lead man | |
| Adam Braid | .... | lead man | |
| Mariko Braswell | .... | set designer | |
| Ben Bumatai | .... | lead carpenter | |
| David Coronella | .... | set dresser (as Dave Coronella) | |
| Michael D. Costello | .... | scenic foreman (as Michael Costello) | |
| Chris Cullen | .... | graphic designer | |
| Caylah Eddleblute | .... | assistant property master | |
| Stoney Emshwiller | .... | set dresser | |
| Amanda J. Flick | .... | lead scenic (as Amanda Flick) | |
| Craig Hama | .... | graphic designer | |
| Jennie Harris | .... | assistant set decorator | |
| Shannon Hart | .... | art department buyer | |
| Mark Hutman | .... | on-set dresser | |
| Steve Joyner | .... | property master | |
| Andrew Laws | .... | assistant art director (as Andrew James Laws) | |
| Andrew Laws | .... | graphic designer (as Andrew James Laws) | |
| Gerald Martinez | .... | graphic designer | |
| David Melito | .... | art department coordinator | |
| Bradley O'Donnell | .... | construction foreman | |
| Patrick Parkhurst | .... | construction coordinator | |
| Sally Reed | .... | set dresser (as Sally Reed Protiva) | |
| Bernadette Repasi | .... | art assistant | |
| Chandler Vinar | .... | swing gang (uncredited) | |
Special Effects by | |||
| Charles Belardinelli | .... | effects foreman: Bellissimo/Belardinelli Effects Inc. | |
| Thomas L. Bellissimo | .... | effects coordinator: Bellissimo/Belardinelli Effects Inc. (as T. 'Brooklyn' Bellissimo) | |
| Christy Sumner | .... | special effects assistant: Bellissimo/Belardinelli Effects Inc. | |
Stunts | |||
| Steve M. Davison | .... | stunt coordinator (as Steve Davison) | |
| Kiante Elam | .... | stunt coordinator | |
| Courtney Pakiz | .... | stunt performer (uncredited) | |
Camera and Electrical Department | |||
| Geraldine Brezca | .... | camera intern | |
| Bruce Carothers | .... | grip | |
| Young Vance Cohen | .... | grip (as Vance Ira Cohen) | |
| Jason 'Jake' Cross | .... | grip (as Jason 'Jake' Munro Cross) | |
| Ziad Doueiri | .... | first assistant camera | |
| Gordon Tadd Eto | .... | electrician (as Tad Eto) | |
| Anne Gentling | .... | film loader (as Anne Wood Gentling) | |
| Jeff Graham | .... | director of photography: "Chicks Who Love Guns" | |
| Nathan Hathaway | .... | best boy electric | |
| James Irons | .... | grip (as James B. 'Crash' Irons) | |
| Bob Ivanjack | .... | dolly grip (as Bob 'Dolly Bob' Ivanjack) | |
| Roman Jakobi | .... | electrician | |
| R. Derek Keener | .... | electrician (as R. Keener) | |
| Dan Kneece | .... | Steadicam operator | |
| Dan Kneece | .... | camera operator | |
| David Lee | .... | gaffer | |
| Darren Michaels | .... | unit still photographer | |
| Stephen Pizzo | .... | second assistant camera (as Stephen G. Pizzo) | |
| Stephen Saunders | .... | electrician | |
| Tim Soronen | .... | best boy grip (as Tim 'Stuffy' Soronen) | |
| Rick Stribling | .... | key grip | |
| Tom Waisanen | .... | second camera operator: "Chicks Who Love Guns" | |
| Josh Drew | .... | best boy rigging grip (uncredited) | |
| Keith A. Hascher | .... | lighting technician (uncredited) | |
| Timothy James Kane | .... | additional assistant camera (uncredited) | |
| Steven Mann | .... | camera operator: "b" camera (uncredited) | |
| Scott Medcalf | .... | lamp operator (uncredited) | |
| Dylan Rush | .... | set lighting (uncredited) | |
| Charles A. Vogeler | .... | 24 frame video operator (uncredited) | |
| John 'JW' Warner | .... | rigging key grip (uncredited) | |
Animation Department | |||
| Norm Hvam | .... | animator | |
Casting Department | |||
| Susan D. Fowler | .... | casting assistant | |
| Barbara Harris | .... | adr voice casting | |
| Jeff Olan | .... | extras casting: Rainbow Casting (as Jeffrey G. Olan) | |
Costume and Wardrobe Department | |||
| Carolyn Duffy | .... | wardrobe assistant | |
| Lee Kartis | .... | set costumer | |
| Karla Stevens | .... | costume supervisor | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Lin Coleman | .... | assistant editor | |
| Karen Dimmig | .... | first assistant editor | |
| Kristin Eaton | .... | assistant editor | |
| Stephanie Johnson | .... | assistant editor (as Stephanie 'Velvet' Johnson) | |
| Mike Mertens | .... | color timer (as Michael Mertens) | |
| Cathy Ragona | .... | post-production coordinator (as Cathy Agcayab) | |
| Sam Riegel | .... | editorial assistant | |
| Tatiana S. Riegel | .... | associate editor | |
| Rowland Wafford | .... | post-production assistant | |
| Rick Greenhead | .... | telecine colorist (uncredited) | |
Music Department | |||
| Eric Greenspan | .... | music legal services | |
| Elizabeth Gregory | .... | music legal services | |
| John Katovsich | .... | music coordinator | |
| Ann Kline | .... | music coordinator (as Ann Karlin) | |
| Tom Kramer | .... | music editor | |
| Michelle Kuznetsky | .... | music consultant (as Michele Kuznetsky) | |
| Mary Ramos | .... | music consultant | |
Transportation Department | |||
| Paul Burlin | .... | driver | |
| Bruce Callahan | .... | driver | |
| Curtis Clark | .... | driver (as Curtis E. Clark) | |
| Jeff Coffman | .... | driver (as Jeffrey 'Kahuna' Coffman) | |
| Sunday Coony | .... | driver: Mr. Tarantino | |
| Ken Day | .... | driver: camera car | |
| Don Feeney | .... | driver | |
| David Garris | .... | driver: Mr. Keaton (as David M. Garris) | |
| Scotty Goudreau | .... | driver (as Scott Goudreau) | |
| David Joseph | .... | driver | |
| Erin Maguire | .... | driver: Ms. Grier | |
| Brian Joseph Moore | .... | driver (as B.J. Moore) | |
| George Nadian | .... | driver | |
| Derek Raser | .... | transportation coordinator | |
| Laurence John Reynolds | .... | driver: Mr. De Niro (as Laurence J. Reynolds) | |
| Geoff Teagardin | .... | driver (as Geoff 'T-Bone' Teagardin) | |
| J.T. Thayer | .... | transportation captain (as J.T. Thayer II) | |
| Earl Thielen | .... | driver (as Earl 'Mr. Blonde' Thielen) | |
| Tracy Thielen | .... | driver (as Tracy Lawrence 'Ace' Thielen) | |
| Leonard L. Thomas | .... | driver: Mr. Jackson | |
| George A. Sack | .... | driver (uncredited) | |
Other crew | |||
| Matthew Arnold | .... | production assistant | |
| Kimberly Bailey | .... | adr loop group | |
| Shelley Ballance | .... | clearance | |
| Michael J. Bertolina | .... | production assistant (as Michael Bertolina) | |
| Paul Candice | .... | craft service assistant | |
| Cathy Cavadini | .... | adr loop group (as Catherine Cavadini) | |
| Robin Chambers | .... | assistant: Mr. De Niro | |
| Joseph Chen | .... | medic (as Joseph 'Joe Medic' Chen) | |
| David Chute | .... | unit publicist: Hungry Ghost Productions | |
| David Coburn | .... | adr loop group | |
| Robert Earl Craft | .... | location manager | |
| Kim Crockett | .... | stand-in: Ms. Fonda | |
| Dawn Todd Curfman | .... | production coordinator (as Dawn Todd) | |
| Kristen M. D'Angelo | .... | production secretary | |
| Douglas Dresser | .... | assistant location manager | |
| Ann Du Val | .... | legal: A Band Apart, Lichter, Grossman, Nichols & Adler Inc. | |
| Judi M. Durand | .... | adr loop group (as Judi Durand) | |
| Kimberly Edwards | .... | post-production accountant (as Kimberly Edwards-Shapiro) | |
| Kathy England | .... | insurance: Great Nothern Brokerage Corporation | |
| Gwen Everman | .... | production accountant (as Gwendolyn Everman) | |
| Efrain Figueroa | .... | adr loop group | |
| Carolyn Sara Fine | .... | key set production assistant (as Carolyn Fine) | |
| Greg Finley | .... | adr loop group | |
| Anneliese Goldman | .... | adr loop group | |
| Robert Gonzalez | .... | production assistant | |
| Carlos K. Goodman | .... | legal: A Band Apart, Lichter, Grossman, Nichols & Adler Inc. (as Carlos Goodman) | |
| Scott A. Hale | .... | production assistant | |
| Norm Hvam | .... | writer/director: "Chicks Who Love Guns" | |
| JoAnn Fregalette Jansen | .... | adr loop group (as Joann Fregalette Jansen) | |
| Steve Joyner | .... | producer: "Chicks Who Love Guns" | |
| Martin Kitrosser | .... | script supervisor | |
| John Lafayette | .... | adr loop group (as John La Fayette) | |
| Tom Lawrence | .... | stand-in: Mr. Forster | |
| Adam Leichtman | .... | set assistant: Mr. De Niro | |
| Victoria Lucai | .... | assistant: Mr. Tarantino | |
| Mark Lucaj | .... | assistant: Mr. Tarantino | |
| Terence Mathews | .... | adr loop group | |
| Colleen Mayne | .... | stand-in: Ms. Grier | |
| Courtney McDonnell | .... | executive: A Band Apart | |
| Bill Miller | .... | stand-in: Mr. Bowen | |
| Dimitri Moraitis | .... | stand-in: Mr. Keaton | |
| Kyle Oliver | .... | location scout (as Kyle 'Snappy' Oliver) | |
| John Polce | .... | stand-in: Mr. De Niro | |
| Brian Pope | .... | second assistant accountant | |
| Brian Pope | .... | second assistant accountant | |
| Alex A. Quinn | .... | production intern (as Alex Quinn) | |
| Cathy Ragona | .... | assistant production coordinator (as Cathy Agcayab) | |
| Francisco Rivas | .... | cook: Salvador's Catering | |
| Nick Roberts | .... | set security supervisor: Technical Guard Security | |
| Bret Robins | .... | production assistant | |
| Nick Salick | .... | production intern | |
| Vernon Scott | .... | adr loop group | |
| Julie Shapiro | .... | travel arrangements and services: Travelcorps | |
| Mary Grace Shaughnessy | .... | assistant: Mr. Keaton (as Mary Grace) | |
| Cheryl Tyre Smith | .... | adr loop group (as Cheryl Tyre-Smith) | |
| Jeff Springer | .... | legal: A Band Apart, Lichter, Grossman, Nichols & Adler Inc. | |
| John Starr | .... | craft service | |
| Teron Stevenson | .... | production intern | |
| Jeff Swafford | .... | assistant: Mr. Bender | |
| Gloria Tacchino | .... | assistant: Ms. Fonda | |
| Quentin Tarantino | .... | conceiver: "Chicks Who Love Guns" | |
| David Tesi | .... | set production assistant | |
| Leonard L. Thomas | .... | assistant: Mr. Jackson | |
| Rowland Wafford | .... | set production assistant | |
| Adam Wallace | .... | set production assistant | |
| Robert D. Weinbach | .... | footage: "Mad Dog" courtesy of | |
| Whitney J. Willard | .... | best girl accountant | |
| Lila Yacoub | .... | assistant: Mr. Gladstein | |
| Ruth Zalduondo | .... | adr loop group | |
| Lawrence Bender | .... | executive album producer (uncredited) | |
| Cullen G. Chambers | .... | stand-in: Samuel L. Jackson (uncredited) | |
| Brian Glazen | .... | location assistant (uncredited) | |
| Quentin Tarantino | .... | executive album producer (uncredited) | |
| J.B. Tyson | .... | background coordinator (uncredited) | |
| Peter Christian White | .... | production assistant (uncredited) | |
| Shayne A. Wilson | .... | freelance script coordinator (uncredited) | |
Thanks | |||
| Roy Ayers | .... | very special thanks | |
| Helmut Berger | .... | very special thanks | |
| Peter Bogdanovich | .... | very special thanks | |
| Vicki Cherkas | .... | very special thanks | |
| Tony Curtis | .... | very special thanks | |
| Ilene Feldman | .... | very special thanks | |
| Wayne Fitterman | .... | very special thanks | |
| Peter Fonda | .... | very special thanks | |
| Samuel Fuller | .... | thanks for everything (as Sam Fuller) | |
| Susan George | .... | very special thanks | |
| Lauri Gladstein | .... | very special thanks | |
| Kim Green | .... | very special thanks | |
| Larry Guidi | .... | very special thanks: City of Hawthorne mayor (as Mayor Larry Guidi) | |
| Jack Hill | .... | very special thanks | |
| Toni Howard | .... | very special thanks | |
| Barbara Koplin | .... | very special thanks | |
| Stephen Koplin | .... | very special thanks | |
| Bryan Lourd | .... | very special thanks | |
| Richard Lovett | .... | very special thanks | |
| Norm Marshall | .... | very special thanks | |
| Marisa Mell | .... | very special thanks (as Marisa Mel) | |
| Emmanuel Nuñez | .... | very special thanks (as Emmanuel Nunez) | |
| Arnold Rifkin | .... | very special thanks | |
| Carla Roarke | .... | very special thanks | |
| Neil Sacker | .... | very special thanks | |
| Eli Selden | .... | very special thanks | |
| Mike Simpson | .... | very special thanks | |
| Tom Snyder | .... | very special thanks | |
| Mira Sorvino | .... | very special thanks (as Bert D'Angelo's Daughter) | |
| Scott Spiegel | .... | very special thanks | |
| Cindy Jo Stanberry | .... | very special thanks (as Cindy Stanberry) | |
| Lee Stollman | .... | very special thanks | |
| Paul Tani | .... | very special thanks | |
| Kayla Thames | .... | very special thanks: California Film Commission | |
| Julie Yorn | .... | very special thanks | |
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Where does a director go after making two colossal worldwide hits?
"Reservoir Dogs" (1992) and "Pulp Fiction" (1994) were two of the greatest movies ever made, and they launched director Quentin Tarantino into the realm of Mainstream Hollywood Director. Most of the time, a director faced with this reality will sink into a slew of really bad movies, but so far Tarantino has been either extremely lucky or extremely talented - his third feature film, although lacking in the brutality of its predecessors, contains just as much wit. Based upon the Elmore Leonard novel "Rum Punch," it's packed with the clever dialogue that Leonard is known for in his writing. It's also got a good amount of style, too. It's not a typical Tarantino movie, but is that necessarily a bad thing? In this particular instance, no.
Jackie Brown (Pam Grier) is a flight stewardess forced into running jobs for Ordell (Samuel L. Jackson), a ruthless criminal who has no respect for life - or death, for that matter. However, during one of her smuggling efforts, a couple of FBI Agents (including Michael Keaton) nab her and offer her a deal: If she helps them get Ordell, she will be let free from custody. The Feds do not know who Ordell is, but they know he exists, and that is where Jackie comes in. She reluctantly agrees to participate in their sting operation, but all is not what it seems. And when $500,000 dollars disappears from his retirement fund, Ordell stops, thinks, and arrives upon the conclusion that we all anticipate with glee: Jackie Brown did it.
His partner in crime, Louis (the wonderful Robert De Niro), also decides to double-cross Ordell, with the help of a sexy blonde ditz named Melanie (Bridget Fonda), The movie's twisting plot line and intersecting story lines is very reminiscent of "Pulp Fiction," and De Niro's underrated performance is a real stand-out. The movie's quite well made and enjoyable.
Don't misinterpret what I'm saying. This is no "Reservoir Dogs," nor does it want to be. It's not in the same vein as Tarantino's other movies, at least not at a superficial level. However, it is extremely entertaining, helped along by a great cast and a terrific script. The only difference here is that Tarantino did not come up with everything by himself. He adapted the screenplay from another source, something he usually doesn't do. But there's also a little-known fact that Roger Avary co-wrote some of "Dogs" and "Fiction" with Tarantino, as well as sparked the idea for some of his films. Here, Quentin adapts Leonard's novel and does justice. People who say it isn't as good as his other movies because it's recycled obviously don't know what they're talking about.
Tarantino started out as a video store clerk, and is the movie buff's filmmaker. Not only does Tarantino share a deep passion for films, but he also knows what most of the real movie enthusiasts want. He has yet to disappoint me with any of his directorial efforts. His own life story would make an interesting movie, and indeed it did with "True Romance," partially based on Tarantino's own self-image of himself. (A geek working at a comic book store falls in love and goes off of an adventure into a new realm -- in Tarantino's own case, it was film-making. For Clarence, from "True Romance," it was drugs and murder.)
Tarantino has a flair for raw energy in all of his films, and "Jackie Brown" is no exception. The movie is bursting at its edges, packed with wild antics and the occasional fierce brutality. The movie was criticized by Tarantino's die-hard fans for being too different from his other films. However, the mistake of many directors is to repeat the same formulas over and over again. One must at least give Tarantino credit for trying new things in each of his films. If anything, the only thing that Tarantino likes to insert into all his films is a large source of energy. And is that a bad thing?
4.5/5 stars.