In Detroit, a lonely pop culture geek marries a call girl, steals cocaine from her pimp, and tries to sell it in Hollywood. Meanwhile, the owners of the cocaine - the Mob - track them down in an attempt to reclaim it.
The middle age stewardess Jackie Brown smuggles money from Mexico to Los Angeles for the arms dealer Ordell Robbie. When she gets caught by the agents Ray Nicolette and Mark Dargus with ten thousand dollars and cocaine in her purse, they propose a deal to her to help them to arrest Ordell in exchange of her freedom. Meanwhile Ordell asks the fifty-six year-old Max Cherry, who runs a bail bond business, to release Jackie Brown with the intention of eliminating her. Jackie suspects of Ordell's intention and plots a complicate confidence game with Max to steal half a million dollar from Ordell. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
One name on the tenant list for Melanie's apartment building is "S. Haig", a reference to Sid Haig, who plays the judge that presides at Jackie's arraignment. See more »
Ordell attempts to explain the popularity of .45 pistols being due to their presence in the Hong Kong film classic, The Killer, However, as an arms dealer, Ordell would know that this incorrect for multiple reasons.
the .45 in the 1911A1 variation was the US military's primary semiautomatic sidearm from its introduction prior to WWI until its replacement by the Beretta M9 in the mid-1980s. Millions were manufactured and sold both to the military as well civilian buyers. Even the gangsters of Prohibition and the violent post-Prohibition era in the early and mid 1930s employed .45's due to its reliability and impact power, as well as its ammunition also being the same as that used in the popular Thompson sub machine gun. See more »
Girl at Security Gate:
Flight 710 to Cabo San Lucas, now boarding Gate 103, first class only. Flight 710, Cabo San Lucas, now boarding Gate 103. First class only.
Buenos dias. Welcome aboard. Welcome aboard.
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The menu/function/default voice (example: 'you have no new messages') on the telephone answering machine in Jackie Brown's bedroom is Quentin's. See more »
Tarantino's sleeper. An underrated gem of a movie.
Many people were disappointed with 'Jackie Brown' when it was first released as it didn't live up to their expectations created by the more flamboyant 'Reservoir Dogs' and 'Pulp Fiction'. I admit that I was one of those disappointed fans. But as the years have gone by I have come to appreciate this movie more and more, and if you deal with what it IS and not what you thought it was going to be, you'll see that it is an underrated gem of a movie. 'Jackie Brown' is much more character driven and leisurely plotted than Tarantino's previous two movies. I haven't read the Elmore Leonard novel on which it was based so I can't tell whether this was a conscious decision by Tarantino himself, or it's because of the source material, but it might be a stumbling block for those with MTV-style attention spans. 1970s crime movie buffs will find it much easier going. The big names in the cast like De Niro, Jackson and Fonda are all very good, but the real standout performances in this movie are by 70s blaxploitation icon Pam Grier ('Coffy', 'Foxy Brown', 'Black Mama White Mama',etc.etc.) and a revelatory one from Robert Forster. Forster back in the day showed plenty of promise in movies like 'Medium Cool' but quickly found himself stuck in b-grade exploitation movies like 'Vigilante' and 'Alligator'. Fun stuff, but hardly Oscar material. Max Cherry is the best role he has ever been given, and he is superb in it. The fascinating thing about 'Jackie Brown' for me is that Tarantino's critics accuse him of making shallow and violent self-consciously hip crime films, but the central story of this movie concerns an inter-racial Middle Aged romance, something I haven't seen done in a believable or realistic fashion by Hollywood before. By doing this so well Tarantino shows he has much more depth, and is a much more interesting and braver film maker than his more acclaimed contemporaries. 'Jackie Brown' is a fine movie that hopefully one day will get the kudos it deserves. Don't overlook this one just because it isn't 'Pulp Fiction The Next Generation'!
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