The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
The middle age stewardess Jackie Brown smuggles money from Mexico to Los Angeles for the arms dealer Ordell Robbie. When she gets caught by the agents Ray Nicolette and Mark Dargus with ten thousand dollars and cocaine in her purse, they propose a deal to her to help them to arrest Ordell in exchange of her freedom. Meanwhile Ordell asks the fifty-six year-old Max Cherry, who runs a bail bond business, to release Jackie Brown with the intention of eliminating her. Jackie suspects of Ordell's intention and plots a complicate confidence game with Max to steal half a million dollar from Ordell. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Set in 1995, the calendar in Jackie's kitchen is for 1997. See more »
Girl at Security Gate:
Flight 710 to Cabo San Lucas, now boarding Gate 103, first class only. Flight 710, Cabo San Lucas, now boarding Gate 103. First class only.
Buenos dias. Welcome aboard. Welcome aboard.
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The menu/function/default voice (example: 'you have no new messages') on the telephone answering machine in Jackie Brown's bedroom is Quentin's. See more »
Being a huge fan of Tarantinos earlier efforts Reservoir Dogs and Pulp Fiction expectations were of course high. Especially since Jackie Brown is based on the Elmore Leonard novel "Rum Punch". And Elmore Leonards stories usually fit the big screen very well, they are actually one of the rare occasions where i usually prefer the film to the novel.
Tarantino sets a different mood here compared to the more frantic and violent Reservoir Dogs and Pulp Fiction. This is more of a slow crime story that focuses more on being cool than being shocking. I think this movie works very well despite the slow pace which seems to put a lot of people off. Mainly i think it works because the actors are all giving it their best (the casting is also excellent) while Tarantino seems to handle the whole story more gently than in Pulp Fiction. He doesn't stress it, he doesn't run the risk of over-doing the "cool" parts. The end result is enjoyable but a lot more somber than what you're used to from Tarantino.
All in all i feel this movie is underrated. It's enjoyable, well made and stylish. Recommended to those not demanding all movies to head on at breakneck speed. I rate it 7/10.
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