Nick is a struggling dentist in Canada. A new neighbor moves in, and he discovers that it is Jimmy "The Tulip" Teduski. His wife convinces him to go to Chicago and inform the mob boss who wants Jimmy dead.
Coming from a police family, Tom Hardy ends up fighting his uncle after the murder of his father. Tom believes the killer is another cop, and goes on the record with his allegations. Demoted then to river duty, the killer taunts Tom.
Sarah Jessica Parker,
An aging alcoholic cop is assigned the task of escorting a witness from police custody to a courthouse 16 blocks away. There are, however, chaotic forces at work that prevent them from making it in one piece.
In Moscow, the FBI and their Russian counterpart, the MVD, are working on a joint mission to apprehend Russian mobster Ghazzi Murad specifically for the murder of Mayor Nikolai Semankho. During the arrest, they are forced to kill Ghazzi. Ghazzi's brother, Terek Murad, also a mobster, begins his own form of deadly retribution against the MVD for Ghazzi's death. But the FBI and MVD also get wind that Terek has hired an assassin by the code name Jackal to carry out a hit on a high profile but unknown American target for the Americans sticking their nose in Russian affairs. Intelligence points to that target being Donald Brown, the Director of the FBI. The Jackal is known only by name and reputation but no one in authority knows who he is, what he looks like or if he even really exists. They learn of only one person alive who they know has had ties to the Jackal: former Basque separatist Isabella Zanconia, whose whereabouts are unknown. As such, the FBI and MVD decide to turn to the one ... Written by
At age 91, just months before his death, Fred Zinnemann, director of the original The Day of the Jackal (1973), on which this film is based, fought with Universal to change the title of the film. He said the original had stood the test of time and did not want the remake to have the same title. See more »
(at around 1h 35 mins) When the Jackal looks through the binoculars at the First Lady he is wearing dark glasses yet the image he sees is fully bright. See more »
The fundamental problem with remakes is that you find yourself comparing the remake with the original . When watching THE JACKAL I found myself comparing American and European films . The original DAY OF THE JACKAL was a very European movie filmed entirely in Europe with a mainly European cast and crew with a very understated performance from Edward Fox as a very English assassin . It was a film that was both intelligent and compelling . The remake on the other hand - Despite having a Scottish director - is a very American film : Loud , vulgar , not very clever , with box office consideration over riding creative and artistic factors . You want a determined and ruthless assassin ? How about Jean Reno ? Ah but you can`t do that because the studio want a big name American actor like Bruce Willis in the title role , a role where his character has to don several disguises none of which make him look like anything more than Bruce Willis in a disguise ( A bit like Val Kilmer in THE SAINT where no matter how much the hero disguises himself he always looks like Val Kilmer ) And being an American film who better to play an IRA man than that well known wee , short , fat , middle aged Irish actor Richard Gere whose " oirish " accent is less convincing than the Jackal`s disguises . Once again this is the fault of the studio who are dying to cast a big name no matter how unsuitable they are for the role and once again I`m disgusted to see an IRA character as a good guy . Note to American film producers : By the 1990s most Irish Americans recognised the provisional IRA for what they are - Murdering scum . In fact one of the main reasons the IRA wanted to reach a settlement was because they`d lost all political and financial support from the Irish American lobby . The IRA had few friends over there then and have no friends over there now so stop making films with IRA characters hoping you`ll have a guaranteed hit in Boston and New York , it`s patronising to Irish Americans and offensive to us Brits
I do concede THE JACKAL is entertaining in parts and I did like the bizarre title sequence featuring a montage of 20th century Russian history set against a techno soundtrack , but it`s a very inferior film compared to the original . In fact I can`t help thinking the producers shot themselves in the foot by describing this as " A remake " because there`s very little common ground between the two except for the assassin plot . If you changed the name of The Jackal character to something else there`s very little chance Frederick Forsyth or anyone else would have sued for plagerism . As it is watching this Americanised version I found myself saying out loud " The original was better . The original was better . The original ... "
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