Coming from a police family, Tom Hardy ends up fighting his uncle after the murder of his father. Tom believes the killer is another cop, and goes on the record with his allegations. Demoted then to river duty, the killer taunts Tom.
Sarah Jessica Parker,
An aging alcoholic cop is assigned the task of escorting a witness from police custody to a courthouse 16 blocks away. There are, however, chaotic forces at work that prevent them from making it in one piece.
Nick is a struggling dentist in Canada. A new neighbor moves in, and he discovers that it is Jimmy "The Tulip" Teduski. His wife convinces him to go to Chicago and inform the mob boss who wants Jimmy dead.
Russian mobster Terek Murad has declared open season on the Russian militia and the United States FBI over the shooting of his brother in a Moscow nightclub. He hires "The Jackal" -- an elusive, nasty assassin -- to kill FBI Director Donald Brown. Present at the shooting of Murad's brother were FBI Deputy Director Carter Preston and Major Valentina Koslova of the Russian militia. Nearly no one has ever seen The Jackal, save for Declan Mulqueen, an imprisoned IRA sniper. Upon learning that the Director Brown is a target, Preston and Koslova enlist the services of the reluctant Mulqueen to track down the Jackal before he can assassinate Brown. Written by
Jeff Cross <email@example.com>
Bruce Willis asked for the scene where the Jackal kills a gay man to be re-shot so it was more obvious that he was being killed due to the fact that he knew too much (having seen The Jackal on a news report) rather than because he was gay. See more »
When ordering the weapon from the speaking computer , The jackal claims he would prefer non-American equipment, however later on in the movie he tells Jack Blacks character that the ammunition is depleted uranium, which is only used by US forces. See more »
[after splitting an associate's head with an axe]
I loved this man like a brother. He was a dear friend and partner to me. So I took no joy in that. But if I can do this to someone I love, imagine what I can do with someone I hate! The American FBI declares war on us. Then WAR IT IS!
See more »
The fundamental problem with remakes is that you find yourself comparing the remake with the original . When watching THE JACKAL I found myself comparing American and European films . The original DAY OF THE JACKAL was a very European movie filmed entirely in Europe with a mainly European cast and crew with a very understated performance from Edward Fox as a very English assassin . It was a film that was both intelligent and compelling . The remake on the other hand - Despite having a Scottish director - is a very American film : Loud , vulgar , not very clever , with box office consideration over riding creative and artistic factors . You want a determined and ruthless assassin ? How about Jean Reno ? Ah but you can`t do that because the studio want a big name American actor like Bruce Willis in the title role , a role where his character has to don several disguises none of which make him look like anything more than Bruce Willis in a disguise ( A bit like Val Kilmer in THE SAINT where no matter how much the hero disguises himself he always looks like Val Kilmer ) And being an American film who better to play an IRA man than that well known wee , short , fat , middle aged Irish actor Richard Gere whose " oirish " accent is less convincing than the Jackal`s disguises . Once again this is the fault of the studio who are dying to cast a big name no matter how unsuitable they are for the role and once again I`m disgusted to see an IRA character as a good guy . Note to American film producers : By the 1990s most Irish Americans recognised the provisional IRA for what they are - Murdering scum . In fact one of the main reasons the IRA wanted to reach a settlement was because they`d lost all political and financial support from the Irish American lobby . The IRA had few friends over there then and have no friends over there now so stop making films with IRA characters hoping you`ll have a guaranteed hit in Boston and New York , it`s patronising to Irish Americans and offensive to us Brits
I do concede THE JACKAL is entertaining in parts and I did like the bizarre title sequence featuring a montage of 20th century Russian history set against a techno soundtrack , but it`s a very inferior film compared to the original . In fact I can`t help thinking the producers shot themselves in the foot by describing this as " A remake " because there`s very little common ground between the two except for the assassin plot . If you changed the name of The Jackal character to something else there`s very little chance Frederick Forsyth or anyone else would have sued for plagerism . As it is watching this Americanised version I found myself saying out loud " The original was better . The original was better . The original ... "
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