7.3/10
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93 user 64 critic

Insomnia (1997)

Not Rated | | Crime, Mystery, Thriller | 29 May 1998 (USA)
In a Norwegian city with a 24-hour daylight cycle a Swedish murder investigator has been brought in on a special case. Sleep deprived, he makes a horrible mistake which is discovered by the killer he has been hunting.

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Writers:

(screenplay), (screenplay)
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ON DISC
2 nominations. See more awards »
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Cast

Complete credited cast:
Maria Mathiesen ...
Tanja Lorentzen
...
Sverre Anker Ousdal ...
Erik Vik
...
Hilde Hagen
Kristian Figenschow ...
Arne Zakariassen (as Kristian Fr. Figenschow)
Thor Michael Aamodt ...
Tom Engen
Frode Rasmussen ...
Chief of Police
Bjørn Moan ...
Eilert
...
Ane
Marianne O. Ulrichsen ...
Frøya
Bjørn Floberg ...
Jon Holt
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Storyline

In a Norwegian city with a 24-hour daylight cycle, a Swedish murder investigator is brought in to find an elusive killer. But when the officer accidentally kills his own partner and covers it up, a double sided game of cat-and-mouse ensues. Written by Daniel Jos. Leary

Plot Summary | Add Synopsis

Taglines:

Den som synder, sover ikke. [He who sins, does not sleep.]


Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

Official Sites:

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Language:

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Release Date:

29 May 1998 (USA)  »

Also Known As:

Bezsennosc  »

Filming Locations:

 »

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Box Office

Opening Weekend USA:

$20,366, 31 May 1998, Limited Release

Gross USA:

$221,173, 13 December 1998
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Engström was originally written as a Norwegian. His nationality was changed to Swedish to reflect Stellan Skarsgård's country of origin. See more »

Goofs

When Jonas is riding in the car during the bus chase scene, the blood dripping down his head is in different position than when he looks in the mirror to wipe it away. See more »


Soundtracks

Second Side
Music by Anasthesia
Joachim Arnesen/Philip J. Borgli/Syver Normann
Kai Saturday/Petter Sveen/Arne Woldhaug
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User Reviews

 
Tight as hell
22 January 2002 | by See all my reviews

It is hard to believe that this is Erik Skjoldbjaerg's first film. It seems like a pro job to me. Very rarely do you get thrillers crafted this well. Almost everything is perfect. The script is as taut as possible. I saw no holes, anyhow. The plot is believable and you will never see the best twists coming. Even if you are the type who sits there and constantly guesses what's coming next during thrillers, I doubt you could. The film does a lot to avoid plot cliches. And if I'm wrong about that, if I was just blinded by other aspects of the film, it won't really matter. The characters are very well written. Especially the main character, played by Stellan Skarsgard. He is certainly one of the best actors working today and this may just be his greatest performance yet. He owns the film. The cinematography is effective. It's bleak and cold. The camera moves assuredly, and it's always where it should be. The music is perfectly subdued. The direction in general is simply amazing. The mise-en-scene is marvelous. I love the settings of the film, the threatening, rocky terrain, the broken and rusty buildings, everything. This is a must-see film. One of the best films of the 1990s. 10/10.

P.S.: Christopher Nolan, the man who created the equally impressive thriller Memento, is set to direct the American remake of this film. I personally loved Memento (though I think I'd choose Insomnia over it if I had to), and I wish Mr. Nolan all the luck. I'm sure he knows what a challenge it's going to be. And I certainly pray that he isn't satisfied with simply copying the original. He could do so and mostly get away with it - Insomnia is quite underseen. I sincerely hope that he will make it his own. I already recognize one piece of the film that has to change if the setting is moved to the U.S.: Skjoldbjaerg brilliantly uses the midnight sun in this film. I doubt it would be successful if the setting were, say, Alaska. I don't think Americans would buy it. Nolan is going to have to compensate for the loss of the midnight sun.


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