Two business executives--one an avowed misogynist, the other recently emotionally wounded by his love interest--set out to exact revenge on the female gender by seeking out the most innocent, uncorrupted girl they can find and ruining her life.
A series that is comprised of twenty-one monologues written by American playwrights which form a sort of fractured portrait of the American collective psyche. Ranging from the sad to the ... See full summary »
Two junior executives on a six week business trip, both of whom have been recently hurt by women, devise a horrible plan to get even with women for their past hurts: They intend to find, romance, and then dump a vulnerable woman. They choose Cristine, and for a while all goes according to plan. However, it soon becomes clear that things are not as simple as they think. Written by
Stacy Edwards (Christine) originally could not star because she was getting married at the time the movie was scheduled to start shooting. The producers pushed back the schedule to accommodate her. See more »
Women. Nice ones, the most frigid of the race, it doesn't matter in the end. Inside they're all the same meat and gristle and hatred just simmering.
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That's a big statement, but I stand behind it without reservation. This is my favorite movie of the past decade and it easily makes my top five films of all time. First off, don't come in expecting a stylish, extravagant film with excellent cinematography. Neil Labute's direction is the epitome of minimalism, with virtually no camera movement and entire scenes played out in one shot. I'm not totally sure, but I'd say there are maybe two or three medium close-ups in the entire film, and that's it. The characters are always viewed from a distance, reflecting Labute's background in theater (if you like this, by the way, read Bash, it will blow your mind) and allowing his actors to be as realistic and naturalistic as possible. Contrary to popular belief, stage acting is more natural than film acting; Labute's distance and long takes create a realism that is rarely seen on celluloid.
This film is pretty much all dialogue, but this is some of the best-written dialogue I have ever heard. I don't think any man can watch this movie without recognizing some of the conversations that take place in this film. Aaron Eckhart and Matt Molloy are pitch perfect as the chauvinist, attractive, and ultimately evil Chad and the nerdy, pathetic, and ultimately emotionally doomed Howard. Stacy Edwards as the deaf Christine is also very strong; in fact, when I saw her in another movie speaking normally I almost fell out of my chair. I won't say much about the plot, for this is one of those movies that's really better to go in knowing nothing and watch the sickening events unfold. Let me just say that this film has a twist ending that marks one of the few moments in film that truly shocked me. In fact, I challenge anyone to sit still through this scene; I've seen the movie five times and it still makes me squirm in my seat. If you're looking for a big shock, look no further than this masterpiece, but don't expect a cheap thrill. Next to Vertigo, I don't think any film has hit me with a greater psychological impact. Oh, and if you're a female, and you don't want to become a lesbian, don't see this movie. Period. 10/10
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