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Late one night, a mysterious car is brought into the Chicago police impound garage after a deadly traffic accident. The on-call mechanics soon discover the car has a mind of its own. With ... See full summary »
A former astronaut helps a government agent and a police detective track the source of mysterious alien pod spores, filled with lethal flesh-dissolving acid, to a South American coffee plantation controlled by alien pod clones.
Silly group of college science students go an dig around in an indian burial ground for artifacts. Unfortunately, one of them becomes possessed by the evil spirit of Black Claw so he must ... See full summary »
Fred Olen Ray
Microbes are brought back to earth via a space probe from Venus. A scientist is using them in experiments on aging, but dies before the work is finished. His assistant approaches an aging ... See full summary »
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Kol is an evil guy about to be executed on a distant spaceship. He manages to escape on a shuttle and make his way to some woods in America. The commander of the spaceship decides to send ... See full summary »
Fred Olen Ray
John Phillip Law,
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Fred Olen Ray
A group of space renegades hook up with a drifter named McQueen. Together they hole up in an abandoned research facility for the night and are relentlessly pursued by a human/monster hybrid. Written by
Josh Pasnak <email@example.com>
Earth is in a post-apocalyptic state and five military survivors looking for shelter before an ion storm hits. Come across a drifter who informs them of a scientific base that he's heading to and they decide to follow. When they get there, it's abandoned. While it looks empty, they soon realise why. As they come across a messed up dead corpse and find out this is the home of a genetic alien hybrid.
Yes, what incompetent schlock. I got some good wink-eye through Fred Olen Ray's poor man's version of "Alien" crossed with "Creepozoids" and a dash of "Shadowzone". Damn "Hybrid" will put you to sleep with its drawn-out story, blunt performances and systematic actions. While, it's basic stuff, there's nothing much to really compensate for its lack of refreshing ideas. There's no can of worms popping up here. Although there are a few unusual sequences that creep in and those moments do have your full attention. Like just what hell was going on in the opening minutes? It was re-used stock footage to confusingly explain why Earth looked like apocalyptic wasteland. An out-of-nowhere shower scene involving the voluptuous J.J. North and the always dashing Brinke Stevens, decide to spice up the outing by making sure that they are thoroughly cleaned for the messy onslaught that waits and then you get the horny alien hybrid getting its groove on with one of its victims. Since the rehashed story loses track for most part with its plodding nature, serious outlook and an unconvincingly brittle (and really heartfelt) back-story to build these characters. These tiny spoonfuls are certainly ludicrous, but at least they were diverting enough to catch your eye. As really this could have been more fun, if they decided to boost up the energy levels.
The rest of it didn't cut it at all. Your ears on the other hand, don't cope any slack at all from this lame script with its heavy use of wit and snappy wisecracks. I found most of it pitiful and state the bloody obvious with awful delivery. Suspense is non-exist in this pressure filled situation, the flat violence is weakly staged with its timidly unoriginal blood splatter, and most of the characters are an aggravatingly leaden bunch who do too many dumb things when there's an alien about. Wait to you see the horridly shonky alien design. The costume is like something someone would wear at a theme park, so not to scare the little kids. Somewhere cross between H. R. Giger's "Alien" design and a miniature Godzilla. Even the camera shots (lot of POV shots) steal heavily from "Alien", where it likes to focus on the creature's nasty looking mouth and gooey slime it leaves about. It looks too goofy and showing it in its full glory for the majority of the time doesn't help. Everything feels and looks plastic, not just the sets, everything.
This independent straight-to-video farce might go out with a bang, but for most part you might be battling yourself to last the distance.
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