Marcus is a kid on Manhattan's mean streets. He's turning 15, his father is dead, his mother is in prison for smuggling undocumented aliens. His grandmother is raising him. He has four ...
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Morgan J. Freeman
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Paz de la Huerta,
Marcus is a kid on Manhattan's mean streets. He's turning 15, his father is dead, his mother is in prison for smuggling undocumented aliens. His grandmother is raising him. He has four close buddies who have a basement clubhouse; they shoplift and sell the wares to kids. One is moving toward selling drugs. Marcus wants to take a breather from the city and visit family in New Mexico. He also meets Melena, 14, a sweet kid who dreams of going to Alaska; her father is not just protective but angry and uncommunicative. The gang pressures Marcus to move up to burglary and car theft. He just wants to breathe open air. Can anything go right? Written by
The original title was "Hurricane". The title was changed to "Hurricane Streets" after a print of the film was requested for a screening, and the film that was delivered was Hurricane (1979). See more »
What do you want to be? Are you gonna be like a farmer or something?
I guess I could be a farmer.
Yeah, I wanted to be a cop. But now that we steal so much, it's probably not a good idea.
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A look at inner city youth that is more touching than shocking. Refreshing.
The life of an inner city teen in Larry Clark's KIDS is portrayed as single minded and pointless, and while it was an eye opening film experience, ultimately its overall value was shock. I was infuriated at the lengths that selfish teens with no since of life's value would go for self gratification, in the only pursuit conceivable to an immature mind.
Hurricane Streets shows us an inner city teen that seems to see the bigger picture. Marcus gets by committing minor thefts, storing his money away with future plans in mind. He's smart enough to shy from major crime and isn't overcome by peer pressure. Theres nothing macho in his criminal activity, he's drawn to it out of immediate necessity. Furthermore, Marcus is capable of not merely lust, but love. He's generous rather than selfish. When you see him at his worst, its sympathy you feel, not disgust or shame.
Like the teens in KIDS, Marcus grows up too fast in a hostile environment that precipitates this growth. But the choices he makes are smart or at least noble, not stupid and shameless. His life is not pointless, it has meaning.
If you want to get a look at the tragic inner city life of teens, you could watch KIDS and be shocked, or you could follow the example Marcus sets in Hurricane Streets and see the bigger picture.
I rate it 9/10
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