Mary is a free-spirited young woman with a run-down New York apartment and a high fashion wardrobe. She calls her godmother, a librarian, for bail money after being arrested for throwing an... See full summary »
Daisy von Scherler Mayer
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Socially inept garbage man Simon is befriended by Henry Fool, a witty roguish, but talentless novelist. Henry opens a magical world of literature to Simon who turns his hand to writing the ... See full summary »
Thomas Jay Ryan,
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A comedy about a woman who saves her chicken farm and her family by agreeing to be the subject of a "reality show" with a celebrity Hollywood weight loss expert. Both women change and discover the true meaning of success.
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A first person narrative of the exploits of a gay serial killer in deeply disturbing, controversial drama about violence, sexuality, and the imagination. Dennis, the main character, whose ... See full summary »
Jackie-O is anxiously awaiting the visit of her brother home for Thanksgiving, but isn't expecting him to bring a friend. She's even more shocked to learn that this friend is his fiance. It soon becomes clear that Jackie Kennedy's obsession is nothing compared to her obsession with her brother, as it also becomes clear she isn't the only member of the family with problems... Written by
Mike Myers <email@example.com>
The House of Yes is one of my personal favorites. Is it creepy? Yes. Is it funny? No - it's hysterical, at least to those of us accustomed to laughing at things you're not supposed to laugh about - like bizarre social taboo. Younger indie fans may not care for this flick, but The House of Yes is not to be compared with the likes of Chasing Amy. For Parker Posey fans, the film is apples to the oranges of Party Girl, Henry Fool, Clockwatchers, etc.
The House of Yes was adapted from Wendy McLeod's play, so it is a dialogue film with its own language - similar to the Coens' Miller's Crossing. As with Miller's Crossing, the snappy dialogue never misses. While watching The House of Yes, I've caught myself rewinding to catch a phrase I missed because I was still laughing a the preceding gag.
Facial closeups dominate this film, and for reason - the actors' expressions are more telling than the dialogue, delivered flawlessly by every member of the crew - looks you could spread onto a cracker, like when Mama (Bujold) warns her son Marty about Jackie-O's mental state: "I'm going to baste the turkey, and hide the kitchen knives."
The film's biggest surprise: Tori Spelling, as a prudish and naiive Pennsylvanian - perhaps her most believable role to date.
If there were a Cooperstown for comedic acting, this film alone puts Parker Posey into the Hall of Fame.
Highly recommended for the sick-minded and perverse.
Miles Keaton Andrew
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