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The Horse Whisperer (1998) More at IMDbPro »

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5 items from 2013

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Rendez-Vous In April With French Cinema At Curzon Soho & Ciné Lumière

28 March 2013 4:15 AM, PDT | The Hollywood News | See recent The Hollywood News news »

Bonjour, ou Bonsoir, j’espère que cela vous trouvera en bonne santé! I must start with an apology for any rusty translation, and hope it still has the right intentions. Thn are pleased to inform you of this year’s edition of Rendez-Vous with French Cinema, the UniFrance films’ celebrated annual showcase of the best in contemporary French film that is set to hit screens at Curzon Soho and Ciné Lumière in London, this April 4th-7th.

During 4 days, this Rendez-Vous is the opportunity for the English general public, the journalists and the French expatriated in London to discover some of the best 2012’ French productions and to meet talents. This year is no exception with the immense talent attending which includes:

Audrey Tautou, actress

2012 Chinese Puzzle (Casse-TÊTE Chinois) by Cédric Klapisch

2012 Mood Indigo (L’Ecume Des Jours) by Michel Gondry

2011 Delicacy (La Delicatesse) by David Foenkinos, Stéphane Foenkinos

2009 Coco Before Chanel »

- Dan Bullock

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Conde Nast Division Taps Vanity Fair, GQ Articles For Films On Mobsters And Horse Whisperers

21 February 2013 8:30 AM, PST | Deadline New York | See recent Deadline New York news »

Exclusive: Conde Nast Entertainment Group, which launched under Dawn Ostroff to mine feature and TV properties from the archives of the publisher’s magazine stable, has unearthed two separate projects. Run by former Imagine and Fox Searchlight exec Jeremy Steckler, the feature division has set Fracture scribe Daniel Pyne to script The Camorra Never Sleeps, a drama about the notorious Naples-based criminal underworld that is based on the 2012 Vanity Fair article written by William Langewiesche. Conde Nast Entertainment Group has separately hired Reservation Road scribe John Burnham Schwartz to script a film based on The Horse Whisperer, a 2002 GQ article written by Robert Draper. The movie will certainly need a new title, but the article is based on the long-shot journey of Wesley Keith Ritchie, who went from a Kentucky prison inmate to being a horse rehabilitation specialist who found salvation through the broken down progeny of Triple Crown winner Affirmed. »

- MIKE FLEMING JR

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'Beautiful Creatures' director Richard Lagravenese talks male protagonists, magic and sequels

16 February 2013 6:02 PM, PST | Hitfix | See recent Hitfix news »

An Oscar nominee for writing "The Fisher King," Richard Lagravenese has cultivated an ongoing reputation as a go-to source for cultivated adaptations of that the uncultivated might call "chick-lit," ranging from "The Horse Whisperer" to "The Bridges of Madison County" to "Water for Elephants." [We would never put Lagravenese in a "chick lit" corner, since "Beloved" and "The Little Princess" are clearly much more than that.]   With the new teen supernatural romance "Beautiful Creatures," Lagravenese is working with material which might -- again, this would only be a gross generalization -- be thought to skew more toward female viewers, but »

- Daniel Fienberg

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Robert Redford comes up from the Underground in 'The Company You Keep' trailer -- Video

13 February 2013 2:23 PM, PST | EW - Inside Movies | See recent EW.com - Inside Movies news »

Robert Redford still knows how to wrangle up a cast of A-listers. His recent projects have showcased Tom Cruise, Meryl Streep, Matt Damon, Will Smith, and James McAvoy, and the living legend has lined up another impressive cast of actors for The Company You Keep. Out front and center is Redford himself — in his first major starring role since 2005′s An Unfinished Life — portraying a former Weather Underground radical who’s exposed by a journalist played by Shia Labeouf. Toss in esteemed vets Susan Sarandon, Nick Nolte, Julie Christie, Chris Cooper, Sam Elliott, Brendan Gleeson, Richard Jenkins, Stanley Tucci, as well as Terrence Howard, »

- Jeff Labrecque

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Amour, art houses, ageing and the opposite of feel-good cinema

31 January 2013 4:06 PM, PST | The Guardian - Film News | See recent The Guardian - Film News news »

Michael Haneke's latest story of an octogenarian nursing his dying wife is brave and beautiful, but beware if you're over the age of 60

Art house cinemas attract a clientele that is fairly advanced in age. This is especially true during the day and during the winter when everyone else is still at work. Given the type of fare that art houses specialise in, patrons take in a steady diet of films about foundering string quartets, courageous Afghan songbirds, iconoclastic pedagogues, the French.

But because they shun the trashy fare at multiplexes, and because not all foreign or independent movies are life-affirming paeans to mysterious folksingers and lovable pickpockets, art house patrons also end up seeing a fair number of movies about socially maladjusted wrestlers, murderous tyrants, incompetent drug dealers, and young women who lose their lower legs thanks to the hijinks of frisky orcas. Sometimes these audiences get more than they bargained for. »

- Joe Queenan

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2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2006 | 2004 | 2003 | 2002 | 1998

5 items from 2013

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