The film focuses on the war of two gangs in 1930s Harlem for the control of illegal gaming - one headed by black strategic godfather Bumpy Johnson and another by white ruthless hothead Dutch Schultz. Negotiations proposed by white syndicate boss Lucky Luciano never get under way, blood flows and Johnson gets jailed. When Johnson is paroled, he gets the work of enforcer for mighty Stephanie "The Queen" St. Clair. She is also jailed for racketeering and when she leaves she makes him promise "no violence". Written by
In this film, actor David Darlow portrays Lucky Luciano's accountant, Johnny. Darlow actually played Lucky Luciano in an episode of the syndicated series The Untouchables (1993) . See more »
While attention to detail of historic United States paper money is present to a point, the piles of money that Luciano (Garcia) looks at near the beginning of the film are all at the very earliest printed in 1935, most printed in the early to mid 40's as evident by the signatures and designs. This is well after these scenes are supposed to take place. See more »
Johnny 'Figures' DiPalmero:
[referring to a board]
The dividing line could conceivably be the 135th Street, running east to west, Lennox Ave running north to south. Mr Schultz would take one territory and Mr Johnson, the other.
I can't accept any proposals that allows Mr Schultz to continue to operate freely in Harlem. As I've said before I have no quarrel with any of you gentlemen. But if Mr Schultz insists on coming uptown, I have no choice but to make my presence felt... Downtown.
Well, you do realize that such a coarse...
[...] See more »
How great this film could have been! It uses the real history of New York's Gangsters as a background and seems reasonably well researched. At times.
Personally, however, I have several gripes with this movie:
The irritatingly predictable script and much too clean-polished setting seem to come straight out of a "screenwriting-for-housewives" class.
The "messages" in the film (such as its anti-racist and pro-religious scenes) are horribly blatant. The romantic scenes and musical interludes are much too long and boring; the violent scenes too short and clean. Johnson is portrayed as a good gangster at first, which almost works out. His "internal struggle" theme doesn't work at all.
The supposedly elegant Gangster Luciano has to shlep a horrible dog around with him throughout the film. Bumpy Johnson's friend ist forced to do a horrible "funny negro singer" routine, offsetting the supposedly antiracist messages. And that Bumpy Johnson, at the end of the film, finds Gawd and turns away from the evil gangster life is a) predictable and b) idiotic.
"Hoodlum" could've been a great film. As it is, it's merely mediocre.
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