From start to finish, it's a story of friendship between 4 street-wise males who don't mind using violence to achieve the lives that they want. They trust no one but each other which is vital to their success as mobsters.
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The film focuses on the war of two gangs in 1930s Harlem for the control of illegal gaming - one headed by black strategic godfather Bumpy Johnson and another by white ruthless hothead Dutch Schultz. Negotiations proposed by white syndicate boss Lucky Luciano never get under way, blood flows and Johnson gets jailed. When Johnson is paroled, he gets the work of enforcer for mighty Stephanie "The Queen" St. Clair. She is also jailed for racketeering and when she leaves she makes him promise "no violence". Written by
Bumpy Johnson was released from prison in 1932, but immediately after his release there are posters for the Joe Louis-Primo Carnera fight of 1935. See more »
Johnny 'Figures' DiPalmero:
[referring to a board]
The dividing line could conceivably be the 135th Street, running east to west, Lennox Ave running north to south. Mr Schultz would take one territory and Mr Johnson, the other.
I can't accept any proposals that allows Mr Schultz to continue to operate freely in Harlem. As I've said before I have no quarrel with any of you gentlemen. But if Mr Schultz insists on coming uptown, I have no choice but to make my presence felt... Downtown.
Well, you do realize that such a course...
[...] See more »
It seems to me like in today's film world, critics, whether it be Ebert or the viewers, are quick to down a film if it has a large budget. I think Hoodlum fell victim to this epidemic. With a bankroll of wonderful actors and actresses, and some of the best historical recreation of the locations, the movie delivers. The plot was simple, but it doesn't need to be complicated in a gangster flick like this. It was based on real people, so the creators of the film cannot go ballistic on changing the story. Maybe the 'critics' would like it better if it had a little green man who uses the force, or maybe a future crime prevention device. Well, you won't find this here. It's a wonderful, semi-true story about the way things were in Harlem and the surroundings areas back then. Fishburn turned in a wonderful performance, and Roth played a great villian as he always does. Just relax, and take it for what it's meant to be. Entertainment.
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