Life is good for Jack, Carter and Harlan, three inept ne'r-do-wells who help run master dope-grower Malcoms flourishing marijuana plantation somewhere in northern California. But then ...
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Taken aback by his mother's wedding announcement, a young man returns home in an effort to stop her from marrying his old high school gym teacher, a man who made high school hell for generations of students.
Billy Bob Thornton,
Seann William Scott,
Life is good for Jack, Carter and Harlan, three inept ne'r-do-wells who help run master dope-grower Malcoms flourishing marijuana plantation somewhere in northern California. But then Malcom is suddenly bumped off by a mysterious assailant, after a moment of panic, the naive trio decide to take over the business themselves. However, their lazy days on the dope farm have ill prepared them for the high-stakes game of finding buyers for millions of dollars of contraband. As they plunge into a shadowy new world of duplicity, double-dealing and danger, they soon find that they have gotten in way, way over their heads. But driven on by increasing greed and paranoia, it's too late to back out. Written by
Eva Tauzer <email@example.com>
After an establishing shot that shows Jack Marsden driving into San Francisco via the Golden Gate Bridge, the close-up of him in the BMW shows he's traveling on a different bridge - one that's constructed of gray metal trusses and girders, rather than the famous red-orange of the Golden Gate Bridge. See more »
You guys are the biggest fuck-ups in the history of dope dealing. That's a huge fuckin' statement.
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The tabloid fodder and poor film choices aside, it's still pretty clear why Billy Bob Thornton is considered a quirky actor of genuine merit. Here he heads up a strong cast of low-keyed eccentrics, and he's the best thing in the picture--a bona fide movie star for perhaps the first time. Director/co-writer Stephen Gyllenhaal is an odd filmmaker: the subjects he's drawn to and the crazy spin he puts on the situations can be fascinating, even while he takes his time mounting his story. "Homegrown", about three not-too-bright marijuana growers who try taking over their boss' business affairs after the guy is murdered, is a rather thin black comedy helped by a frazzled, funny last-act. For the first hour, however, there doesn't seem to be a whole lot happening, even though the actors hold interest. It's sadly too disconnected and too minor to make the grade. ** from ****
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